A new literary prize celebrating boldly original fiction

The New Statesman supports the launch of the Goldsmiths Prize.

A £10,000 literary prize rewarding boldly original fiction has been launched by Goldsmiths, University of London in association with the New Statesman.

The Goldsmiths Prize has been established to celebrate creative daring and to recognise published fiction that opens up new possibilities for the novel form. The annual prize will be awarded to a book that is deemed genuinely novel and which embodies the spirit of invention that characterises the genre at its best.

Jonathan Derbyshire, Culture Editor of the New Statesman, says: “The New Statesman is delighted to be supporting a prize that rewards invention and innovation in fiction – qualities that the magazine has long promoted in its literary pages. We are especially pleased to be entering into partnership with an institution as forward-looking as Goldsmiths.”

The prize will be officially announced today at a reading by Booker Prize-winning novelist James Kelman, part of a series of author talks organised by the new Writers’ Centre at Goldsmiths. After the reading, Kelman will discuss the art of the novel with Derbyshire.

Blake Morrison, poet, author and Professor of Creative & Life Writing at Goldsmiths, commented: “We hope [the prize] will encourage more risk-taking among novelists, editors and agents alike. There’s an idea that innovative and genre-busting books are bound to be inaccessible. We don’t believe that’s the case.”

Tim Parnell, Head of the Department of English and Comparative Literature, added: “Serious discussion of the art of fiction is too often confined to the pages of learned journals and we hope the prize and the events surrounding it will stimulate a much wider debate about the novel.”

Publishers are invited to submit their entries from Friday 25 January 2013 to Friday 22 March 2013. The Prize is open to novels published in 2013 and there is no limit to the number of titles that may be entered by a publisher or bona fide imprint, provided the works entered meet all other entry requirements. 

The entries will be judged by an expert panel consisting of British novelists Nicola Barker and Gabriel Josipovici, Jonathan Derbyshire and Dr Tim Parnell.

For more details, terms and conditions, or to download The Goldsmiths Prize submission form, visit http://www.gold.ac.uk/goldsmiths-prize/

Reading material: the Goldsmiths Prize rewards innovation in fiction (Photo: Getty Images)
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The most dangerous show on TV: is The Jump becoming a celebrity Hunger Games?

Will it take a life-threatening injury, or worse, before the madness ends?!

First they came for former EastEnders actor Louis Lytton. Then, they came for former EastEnders actor Sid Owen. Then, they came for former Holby City actor Tina Hobley. But now, the third season of Channel 4’s The Jump has moved on from retired soap stars to claim a new set of victims: Britain’s top athletes, including Rebecca Adlington, Beth Tweddle and Linford Christie.

The winter sports reality show The Jump takes your average collection of D-list celebrities, with a few sports personalities mixed in for good measure, and asks them to compete in a series of alpine challenges – skeleton, bobsleigh, snowboarding and, of course, ski jumping – while Davina McCall says things like, “Look at that jump. Just look at it. Are you nervous?”

It sounds fairly mild, but Sir Steve Redgrave, Ola Jordan, Sally Bercow and Melinda Messenger have all withdrawn from the programme after injuries in the past.

Riskier than I’m a Celebrity, Splash! and Dancing on Ice mixed together, the third season of The Jump is fast turning into a dystopian celebrity harm spectacle, a relentless conveyor belt of head injuries and fractured bones.

So far, seven out of the competition’s 12 contestants have sustained injuries. First, Lytton tore a ligament in her thumb, before being rushed to hospital after a training incident at the end of last month. Then, Owen fell on his leg during the first episode having previously complained of “a bad crash during training” for the skeleton.

Adlington (who openly wept with fear when she first gazed upon the titular ski jump, described as being the “height of three double decker buses”) was hospitalised and withdrew from the show after a televised fall left her with a dislocated shoulder: she said the pain was “worse than childbirth”. Hobley soon followed with a dislocated elbow.

Tweddle suffered a particularly bad accident during rehearsals, and now remains in hospital after having her spine fused together, which involved having a piece of bone taken from her hip. On Monday, Christie became the fourth contestant to be hospitalised in the space of two weeks, pulling his hamstring. As of today, Made in Chelsea cast member Mark Francis is the fourth contestant to withdraw, after fracturing his ankle.

In response to criticisms, Channel 4 reminded viewers that 46 of their celebrity participants have so far emerged unscathed across the three series, which seems like a remarkably low bar to set for a major reality TV series: “no one’s been seriously hurt so far” is not much of a safety procedure.

Judge Eddie the Eagle implied that contestents were injuring themselves through their own laziness and coffee obsessions. He wrote in the Daily Mail:

“Those competitors should be up and down the steps relentlessly – jump and go back, jump and go back. Instead too many will have a couple of goes before going off for a coffee and forgetting to return because they're feeling tired.”

But as the celebrity casualty list approaches double figures and more than 12 viewers have officially complained, the channel has begun an urgent safety review of the show, after one insider reportedly labelled it “the most dangerous show on television”.

It all seemed like fun and games when we were watching reality TV stars rolling around in the snow in embarrassing lurid lyrca suits. But will it take a life-threatening injury, or worse, before the madness ends?! Pray for Brian McFadden. Pray for Sarah Harding. Pray for Tamara Beckwith. Pray for the end of The Jump.

Anna Leszkiewicz is a pop culture writer at the New Statesman.