Hilary Mantel wins again

The Costa Book awards herald its first all-female shortlist and graphic work winner.

The judging panel of the Costa Book Awards has named Hilary Mantel among the winners in their individual category awards.

Each of the Awards’ five categories has been won by a woman, a first for the Costa Awards (formerly Whitbread Awards) which begun in 1971.

Mantel, who was profiled by the New Statesman in October, won the Best Novel for Bring up the Bodies. Kathleen Jamie triumphed in the poetry category for her collection The Overhaul; while The Innocents by Francesca Segal won the First Novel Award. Sally Gardener, who is a campaigner for dyslexia and who herself suffers severely from the condition, won in the children’s book category with her novel Maggot Moon.

The 2012 category winners list is also the first to feature a graphic work, with wife and husband Mary and Bryan Talbot winning the biography category for Dotter of her Father’s Eyes. The graphic memoir, which is also illustrated by Bryan Talbot, interweaves the stories of Lucia, daughter of James Joyce, and Mary Talbot’s own personal history.

One of the five category winners will be selected to win the overall Costa Book of The Year prize, which was awarded last year to Andrew Miller for his novel Pure.

Each category winner will receive £5,000, while the Book of the Year prize is worth £30,000. The overall winner will be announced at an awards ceremony in London on 29 January.

 

Hilary Mantel. Portrait by Leonie Hampton
Getty
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Katy Perry just saved the Brits with a parody of Donald Trump and Theresa May

Our sincerest thanks to the pop star for bringing one fleeting moment of edge to a very boring awards show.

Now, your mole cannot claim to be an expert on the cutting edge of culture, but if there’s one thing we can all agree on in 2017, it’s that the Brit Awards are more old hat than my press cap. 

Repeatedly excluding the genres and artists that make British music genuinely innovative, the Brits instead likes to spend its time rewarding such dangerous up-and-coming acts as Robbie Williams. And it’s hosted by Dermot O’Leary.

Which is why the regular audience must have been genuinely baffled to see a hint of political edge entering the ceremony this year. Following an extremely #makeuthink music video released earlier this week, Katy Perry took to the stage to perform her single “Chained to the Rhythm” amongst a sea of suburban houses. Your mole, for one, doesn’t think there are enough model villages at popular award ceremonies these days.

But while Katy sang of “stumbling around like a wasted zombie”, and her house-clad dancers fell off the edge of the stage, two enormous skeleton puppets entered the performance in... familiar outfits.

As our Prime Minister likes to ask, remind you of anyone?

How about now?

Wow. Satire.

The mole would like to extend its sincerest lukewarm thanks to Katy Perry for bringing one fleeting moment of edge to one of the most vanilla, status-quo-preserving awards ceremonies in existence. 

I'm a mole, innit.