After its extreme success on the stage – having been seen by more than 60 million people in 42 countries, and in 21 languages across the globe - Boublil and Schönberg’s Les Misérables finally hits our cinema screens this Friday.
With an impressive cast list including Hugh Jackman, Russell Crowe and Helena Bonham Carter, the film will deliver the epic story of ex-prisoner Jean Valijean in 19th century Paris, as he meets factory worker Fantine and agrees to care for her daughter whilst being tracked down by policeman Javert for breaking his parole. The film is released in cinemas on January 11th.
Cirque du Soleil brings their show Kooza to the UK for the first time this week at the Royal Albert Hall. The spectacle taps into their origins, combining a mix of the traditional acrobatics and clowning. The visuals have been described as ‘electrifying’ and ‘exotic’, while the show itself is to depict the story of The Innocent, a melancholy loner who strives to belong. All culminating in a spectacular display of contortionism, high wire and a rather ominous-sounding ‘Wheel of Death’.
This is the first Pinter play to be performed in the freshly-named Harold Pinter Theatre, previously known as the old Comedy Theatre. Actress Kristin Scott Thomas and director Ian Rickson join forces in the “seductive and compelling” drama, Old Times. The pair had previously collaborated in Betrayal, also written by the late playwrite.
Lia Williams and Rufus Sewell complete the minimal cast, with the two female actresses swapping between the roles of Anna and Kate from show to show. The play tells the story of three friends reminiscing over past times, which results in conflicting recollections and the reawakening of sexual tensions.
The Royal Opera House opens its doors for John Copley’s production of Puccini’s La Bohème. The tear-jerker set in Paris in the 19th century sees Rodolfo, a meagre poet, meet Mimì, a seamstress, and fall passionately in love. Their happiness, however, is threatened when Rodolfo learns that Mimì is gravely ill. Reviews have deemed the Opera as “fresh and natural", and describe the singing as “beautifully shaped”.
The English National Ballet begin their tour of Tchaikovsky’s The Sleeping Beauty in London this week; with choreography from Kenneth Macmillan alongside Tchaikovsky’s best-loved ballet music, including the Rose Adagio, and the music that was used as the melody for Once Upon a Dream as featured in Disney’s Sleeping Beauty.
Extravagant costumes and detailed set design help to tell the legendary fairytale of Princess Aurora who must endure the curse of sleeping for a hundred years, after pricking her finger on a needle on her sixteenth birthday. The ballet has been described as a “triumph” that would “inspire not one but two generations”.