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In the Critics this week

Ryan Gilbey on Steven Spielberg's Lincoln, Douglas Hurd on David Hannay, George Saunders interviewed and Kate Mossman discusses Les Misérables.

New Statesman
Steven Spielberg with Daniel Day-Lewis at the recent premier of film Lincoln. Photograph: Getty Images

In the Critics section of this week’s New Statesman, Ryan Gilbey reviews Steven Spielberg’s upcoming release, Lincoln. Gilbey praises screenwriter Tony Kushner for his creation of a “fine-grained procedural drama” that is abundant with “unique structural and linguistic strengths”. Spielberg doesn’t go without praise, though, particularly where  the portrayal of slavery is concerned. Gilbey notes that this is a significant improvement on his 1997 brush with the subject in courtroom drama Amistad. Daniel Day-Lewis’s performance as the 56-year-old president Abraham Lincoln is “genuinely mesmerising” with interesting comparisons drawn with the younger Lincoln depicted by Henry Fonda in John Ford’s 1939 Young Mr Lincoln. Gilbey picks up on the questionably unintentional continuity between the characters, and the “baked-in wisdom and joyfulness” that is clear in both actors’ portrayals. Despite painting an “intimately gruelling” picture of the civil war, Spielberg achieves a kind of “magisterial grandeur” in the film’s cinematography.

In Books: Douglas Hurd reviews Britain’s Quest for a Role: a Diplomatic Memoir from Europe to the UN by diplomat David Hannay (“We shall need plenty of new Hannays if the opportunities of this century are not to be thrown away”); Maragret Drabble discusses John Burnside’s collection of short stories, Something Like Happy (“His characters are are reconciled to being almost happy when most alone”); Bang! A History of Britain in the 1980s by Graham Stewart is reviewed by Stuart Maconie (“It is a largely consuming book, crammed with detail, anecdote and juxtapositions”); John Sutherland on Lara Feigel’s The Love-charm of Bombs: Restless Lives in the Second World War (“An innovative exercise in this genre”); and Helen Lewis gives her opinion on Navel Gazing: One Woman’s Quest for a Size Normal by Anne H Putnam (“There are barely any characters other than the author and her stomach . . . it’s a one-woman-and-her-body-show”).

In the Books Interview, Sophie Elmhirst talks to George Saunders about his latest novel, Tenth of December. Saunders says: “When you bring morality up in relation to fiction, people think you’re propagandising and that, I think, is totally anti-art”.

Elsewhere in the Critics: Kate Mossman sings the praises of the film adaptation of the musical Les Misérables; Rachel Cooke is unimpressed by the second series of Borgen on BBC4; Antonia Quirke discusses the power of Radio 4’s Open Country; and Leo Hollis talks design at Missorts art project in Bristol.