The Friday arts diary

Our cultural picks for the week ahead.

Dance

Matthew Bourne's Sleeping Beauty, Sadler's Wells, 4 December - 26 January 2013

Matthew Bourne is now renowned for his endlessly (re)inventive approach to classical ballet. By melding classical scores with supernatural storylines and nineteenth-century characters with twenty-first century problems, his sell-out shows are unlike anything else on the current dance scene.

Sleeping Beauty is his attempt at tackling the third and final of Tchaikovsky’s trio of ballets. In previous years he has staged delightfully atypical versions of Swan Lake, transforming it into a gay romance with an all-male cast, and re-written Cinderella into a wartime love story.

Sleeping Beauty is having a similarly semi-iconoclastic revival at the hands of Bourne. The story has been altered to suit his over-active imagination into a  gothic, time-travelling tale. Now Sleeping Beauty falls asleep in the Edwardian era and wakes up in our digital one.

The production has everything you’d come to expect from a Matthew Bourne dance show: costumes so fantastical they could have come from a Tim Burton film, a sexed-up narrative and – why not? - a few added vampires for good measure.

Luckily, the one thing Bourne hasn’t tampered with is Tchaikovsky’s original music. He remains resolutely faithful to the classic score, proving that he knows just when to stop messing with a winning formula.

Film

London Underground Film Festival, The Horse Hospital, 6 - 9 December

If Hollywood blockbuster’s aren’t quite your cup of tea, make sure you head along to the London Underground Film Festival this weekend. Billed as a celebrations of "obscure, no budget, low budget, genre and genreless, new and recycled films", this is a hugely valuable showcasing opportunity for young, up-and-coming filmmakers as well as a great chance to diversify your cinema trips.

Hosted at the Horse Hospital – a three-tiered art venue striving to serve London’s need for underground and avant-garde media, the film festival will show a wealth of new shorts, international films and even has a full-day screening on Saturday. As well as a truly global representative of filmmaking talent, there is even a secret ballot where audience members can vote for their favourite short of 2012.

Highlights include the new British feature Savage Witches as well as a rare screening of Bruce La Bruce’s LA Zombie

Art

Despite- Sixteen Palestinian artists under one roof, Rich Mix, London, until 28 December

Amongst the cultural mix in east London lies Despite, an exhibition, featuring the work of contemporary artists from Palestine. Work comes from artists from the West Bank and Gaza including Mohammed Joha, Hani Zurob, Majed Shala, Mohammed Abusal, Nidal Abu Oun and Raed Issa. The exhibition is curated by Arts Canteen, a group which brings the work of visual artists and musicians from the Middle East/Arab world to create dialogue between the region and the UK.

The artwork featured explores the different “real” environments we live in with the artistic imagination, and it is hoped it will challenge preconceptions and fire curiosity.

 

Music

Gary Numan, The Forum, London, 7 December

The godfather of techno and one of the best electro-pop artists of the 1980s will be performing at the Forum tonight as part of his latest Machine Music tour.Numan will also be performing on Saturday at Rock City in Nottingham

 

Theatre

The Changeling, Young Vic, London, until 22 Dec 

This production of Thomas Middleton and William Rowley’s 1622 tragedy is set in the modern day. Joel Hill-Gibbins’s revival has received rave reviews from the critics. In this slightly longer production, Sinead Matthews plays Beatrice-Joanna, who hopes to fix her love life to be the way she wants it through murderous actions. The subplot involves mad doctors in a madhouse controlling those who just might be saner than they are.

Dancers performing Matthew Bourne's reinvention of Tchaikovsky's Swan Lake in Sydney, Australia. (Photo by Paul McConnell/Getty Images)
Pompidou Centre
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Harry Styles: What can three blank Instagram posts tell us about music promotion?

Do the One Direction star’s latest posts tell us about the future of music promotion in the social media age - or take us back to a bygone era?

Yesterday, Harry Styles posted three identical, captionless blank images to Instagram. He offered no explanation on any other social network, and left no clue via location serves or tagged accounts as to what the pictures might mean. There was nothing about any of the individual images that suggested they might have significance beyond their surface existence.

And, predictably, they brought in over a million likes – and thousands of Styles fans decoding them with the forensic dedication of the cast of Silent Witness.

Of course, the Instagrams are deliberately provocative in their vagueness. They reminded me of Robert Rauschenberg’s three-panelled White Painting (1951), or Robert Ryman’s Untitled, three square blank canvases that hang in the Pompidou Centre. The composer John Cage claimed that the significance of Rauschenberg’s White Paintings lay in their status as receptive surfaces that respond to the world around them. The significance of Styles’s Instagrams arguably, too, only gain cultural relevance as his audience engages with them.

So what did fans make of the cryptic posts? Some posited a modelling career announcement would follow, others theorised that it was a nod to a Taylor Swift song “Blank Space”, and that the former couple would soon confirm they were back together. Still more thought this suggested an oncoming solo album launch.

You can understand why a solo album launch would be on the tip of most fans’ tongues. Instagram has become a popular platform for the cryptic musical announcement — In April, Beyoncé teased Lemonade’s world premiere with a short Instagram video – keeping her face, and the significance behind the title Lemonade, hidden.

Creating a void is often seen as the ultimate way to tease fans and whet appetites. In June last year, The 1975 temporarily deleted their Instagram, a key platform in building the band’s grungy, black and white brand, in the lead up to the announcement of their second album, which involved a shift in aesthetic to pastel pinks and bright neons.

The Weekend wiped his, too, just last week – ahead of the release of his new single “Starboy”. Blank Instagrams are popular across the network. Jaden Smith has posted hundreds of them, seemingly with no wider philosophical point behind them, though he did tweet in April last year, “Instagram Is A BlackHole Of Time And Energy.”

The motive behind Harry’s blank posts perhaps seems somewhat anticlimactic – an interview with magazine Another Man, and three covers, with three different hairstyles, to go along with it. But presumably the interview coincides with the promotion of something new – hopefully, something other than his new film Dunkirk and the latest update on his beloved tresses. In fact, those blank Instagrams could lead to a surprisingly traditional form of celebrity announcement – one that surfaces to the world via the print press.

Anna Leszkiewicz is a pop culture writer at the New Statesman.