Matthew Bourne is now renowned for his endlessly (re)inventive approach to classical ballet. By melding classical scores with supernatural storylines and nineteenth-century characters with twenty-first century problems, his sell-out shows are unlike anything else on the current dance scene.
Sleeping Beauty is his attempt at tackling the third and final of Tchaikovsky’s trio of ballets. In previous years he has staged delightfully atypical versions of Swan Lake, transforming it into a gay romance with an all-male cast, and re-written Cinderella into a wartime love story.
Sleeping Beauty is having a similarly semi-iconoclastic revival at the hands of Bourne. The story has been altered to suit his over-active imagination into a gothic, time-travelling tale. Now Sleeping Beauty falls asleep in the Edwardian era and wakes up in our digital one.
The production has everything you’d come to expect from a Matthew Bourne dance show: costumes so fantastical they could have come from a Tim Burton film, a sexed-up narrative and – why not? - a few added vampires for good measure.
Luckily, the one thing Bourne hasn’t tampered with is Tchaikovsky’s original music. He remains resolutely faithful to the classic score, proving that he knows just when to stop messing with a winning formula.
If Hollywood blockbuster’s aren’t quite your cup of tea, make sure you head along to the London Underground Film Festival this weekend. Billed as a celebrations of "obscure, no budget, low budget, genre and genreless, new and recycled films", this is a hugely valuable showcasing opportunity for young, up-and-coming filmmakers as well as a great chance to diversify your cinema trips.
Hosted at the Horse Hospital – a three-tiered art venue striving to serve London’s need for underground and avant-garde media, the film festival will show a wealth of new shorts, international films and even has a full-day screening on Saturday. As well as a truly global representative of filmmaking talent, there is even a secret ballot where audience members can vote for their favourite short of 2012.
Highlights include the new British feature Savage Witches as well as a rare screening of Bruce La Bruce’s LA Zombie.
Amongst the cultural mix in east London lies Despite, an exhibition, featuring the work of contemporary artists from Palestine. Work comes from artists from the West Bank and Gaza including Mohammed Joha, Hani Zurob, Majed Shala, Mohammed Abusal, Nidal Abu Oun and Raed Issa. The exhibition is curated by Arts Canteen, a group which brings the work of visual artists and musicians from the Middle East/Arab world to create dialogue between the region and the UK.
The artwork featured explores the different “real” environments we live in with the artistic imagination, and it is hoped it will challenge preconceptions and fire curiosity.
The godfather of techno and one of the best electro-pop artists of the 1980s will be performing at the Forum tonight as part of his latest Machine Music tour.Numan will also be performing on Saturday at Rock City in Nottingham
This production of Thomas Middleton and William Rowley’s 1622 tragedy is set in the modern day. Joel Hill-Gibbins’s revival has received rave reviews from the critics. In this slightly longer production, Sinead Matthews plays Beatrice-Joanna, who hopes to fix her love life to be the way she wants it through murderous actions. The subplot involves mad doctors in a madhouse controlling those who just might be saner than they are.