The Friday arts diary

Our cultural picks for the week ahead.

Dance

Matthew Bourne's Sleeping Beauty, Sadler's Wells, 4 December - 26 January 2013

Matthew Bourne is now renowned for his endlessly (re)inventive approach to classical ballet. By melding classical scores with supernatural storylines and nineteenth-century characters with twenty-first century problems, his sell-out shows are unlike anything else on the current dance scene.

Sleeping Beauty is his attempt at tackling the third and final of Tchaikovsky’s trio of ballets. In previous years he has staged delightfully atypical versions of Swan Lake, transforming it into a gay romance with an all-male cast, and re-written Cinderella into a wartime love story.

Sleeping Beauty is having a similarly semi-iconoclastic revival at the hands of Bourne. The story has been altered to suit his over-active imagination into a  gothic, time-travelling tale. Now Sleeping Beauty falls asleep in the Edwardian era and wakes up in our digital one.

The production has everything you’d come to expect from a Matthew Bourne dance show: costumes so fantastical they could have come from a Tim Burton film, a sexed-up narrative and – why not? - a few added vampires for good measure.

Luckily, the one thing Bourne hasn’t tampered with is Tchaikovsky’s original music. He remains resolutely faithful to the classic score, proving that he knows just when to stop messing with a winning formula.

Film

London Underground Film Festival, The Horse Hospital, 6 - 9 December

If Hollywood blockbuster’s aren’t quite your cup of tea, make sure you head along to the London Underground Film Festival this weekend. Billed as a celebrations of "obscure, no budget, low budget, genre and genreless, new and recycled films", this is a hugely valuable showcasing opportunity for young, up-and-coming filmmakers as well as a great chance to diversify your cinema trips.

Hosted at the Horse Hospital – a three-tiered art venue striving to serve London’s need for underground and avant-garde media, the film festival will show a wealth of new shorts, international films and even has a full-day screening on Saturday. As well as a truly global representative of filmmaking talent, there is even a secret ballot where audience members can vote for their favourite short of 2012.

Highlights include the new British feature Savage Witches as well as a rare screening of Bruce La Bruce’s LA Zombie

Art

Despite- Sixteen Palestinian artists under one roof, Rich Mix, London, until 28 December

Amongst the cultural mix in east London lies Despite, an exhibition, featuring the work of contemporary artists from Palestine. Work comes from artists from the West Bank and Gaza including Mohammed Joha, Hani Zurob, Majed Shala, Mohammed Abusal, Nidal Abu Oun and Raed Issa. The exhibition is curated by Arts Canteen, a group which brings the work of visual artists and musicians from the Middle East/Arab world to create dialogue between the region and the UK.

The artwork featured explores the different “real” environments we live in with the artistic imagination, and it is hoped it will challenge preconceptions and fire curiosity.

 

Music

Gary Numan, The Forum, London, 7 December

The godfather of techno and one of the best electro-pop artists of the 1980s will be performing at the Forum tonight as part of his latest Machine Music tour.Numan will also be performing on Saturday at Rock City in Nottingham

 

Theatre

The Changeling, Young Vic, London, until 22 Dec 

This production of Thomas Middleton and William Rowley’s 1622 tragedy is set in the modern day. Joel Hill-Gibbins’s revival has received rave reviews from the critics. In this slightly longer production, Sinead Matthews plays Beatrice-Joanna, who hopes to fix her love life to be the way she wants it through murderous actions. The subplot involves mad doctors in a madhouse controlling those who just might be saner than they are.

Dancers performing Matthew Bourne's reinvention of Tchaikovsky's Swan Lake in Sydney, Australia. (Photo by Paul McConnell/Getty Images)
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Don’t worry, Old Etonian Damian Lewis calls claims of privilege in acting “nonsense!”

The actor says over-representation of the privately educated at the top of acting is nothing to worry about – and his many, many privately educated peers agree.

In the last few years, fears have grown over the lack of working class British actors. “People like me wouldn’t have been able to go to college today,” said Dame Julie Walters. “I could because I got a full grant. I don’t know how you get into it now.”

Last year, a report revealed that half of Britain’s most successful actors were privately educated. The Sutton Trust found that 42 per cent of Bafta winners over all time were educated independently. 67 per cent of British winners in the best leading actor, actress and director categories at the Oscars attended fee-paying schools – and just seven per cent of British Oscar winners were state educated.

“That’s a frightening world to live in,” said James McAvoy, “because as soon as you get one tiny pocket of society creating all the arts, or culture starts to become representative not of everybody but of one tiny part. That’s not fair to begin with, but it’s also damaging for society.”

But have no fear! Old Etonian Damian Lewis is here to reassure us. Comfortingly, the privately-educated successful actor sees no problem with the proliferation of privately-educated successful actors. Speaking to the Evening Standard in February, he said that one thing that really makes him angry is “the flaring up recently of this idea that it was unfair that people from private schools were getting acting jobs.” Such concerns are, simply, “a nonsense!”

He elaborated in April, during a Guardian web chat. "As an actor educated at Eton, I'm still always in a minority," he wrote. "What is true and always rewarding about the acting profession is that everyone has a similar story about them being in a minority."

Lewis’s fellow alumni actors include Hugh Laurie, Tom Hiddleston, Eddie Redmayne – a happy coincidence, then, and nothing to do with the fact that Etonians have drama facilities including a designer, carpenter, manager, and wardrobe mistress. It is equally serendipitous that Laurie, Hiddleston and Tom Hollander – all stars of last year’s The Night Manager – attended the same posh prep school, The Dragon School in Oxford, alongside Emma Watson, Jack Davenport, Hugh Dancy, Dom Joly and Jack Whitehall. “Old Dragons (ODs) are absolutely everywhere,” said one former pupil, “and there’s a great sense of ‘looking after our own’." Tom Hollander said the Dragon School, which has a focus on creativity, is the reason for his love of acting, but that’s neither here nor there.

Damian Lewis’s wife, fellow actor Helen McCrory, first studied at her local state school before switching to the independent boarding school Queenswood Girls’ School in Hertfordshire (“I’m just as happy to eat foie gras as a baked potato,” the Telegraph quote her as saying on the subject). But she says she didn’t develop an interest in acting until she moved schools, thanks to her drama teacher, former actor Thane Bettany (father of Paul). Of course, private school has had literally no impact on her career either.

In fact, it could have had an adverse affect – as Benedict Cumberbatch’s old drama teacher at Harrow, Martin Tyrell, has explained: “I feel that [Cumberbatch and co] are being limited [from playing certain parts] by critics and audiences as a result of what their parents did for them at the age of 13. And that seems to me very unfair.”

He added: “I don’t think anyone ever bought an education at Harrow in order for their son to become an actor. Going to a major independent school is of no importance or value or help at all.” That clears that up.

The words of Michael Gambon should also put fears to rest. “The more Old Etonians the better, I think!” he said. “The two or three who are playing at the moment are geniuses, aren’t they? The more geniuses you get, the better. It’s to do with being actors and wanting to do it; it’s nothing to do with where they come from.”

So we should rejoice, and not feel worried when we read a list of privately educated Bafta and Oscar winners as long as this: Chiwetel Ejiofor (Dulwich College), Emilia Clarke (St Edward’s), Carey Mulligan (Woldingham School), Kate Winslet (Redroofs Theatre School), Daniel Day-Lewis (Sevenoaks School, Bedales), Jeremy Irons (Sherborne School), Rosamund Pike (Badminton), Tom Hardy (Reed), Kate Beckinsale (Godolphin and Latymer), Matthew Goode (Exeter), Rebecca Hall (Roedean), Emily Blunt (Hurtwood House) and Dan Stevens (Tonbridge).

Life is a meritocracy, and these guys were simply always the best. I guess the working classes just aren’t as talented.

Anna Leszkiewicz is a pop culture writer at the New Statesman.

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