In the Critics this week

Terry Eagleton on Roger Scruton, Kate Mossman on Michael Jackson and Anne Applebaum interviewed.

In the Critics section of this week’s New Statesman, Terry Eagleton reviews Our Church, Roger Scruton’s personal history of the Church of England. “Scruton is homesick for the medieval England of Piers Plowman,” Eagleton writes. “He seems not to know that it was . . . a place of filth, fanaticism and excruciating torture.” Eagleton argues that Scruton has succumbed to his Romantic prejudices. “One suspects that this maverick intellectual is as fervent as he is about belonging because he will never really be able to.”

In the Books interview, Jonathan Derbyshire talks to Anne Applebaum about her new book about eastern Europe after the Second World War, Iron Curtain. “There’s a very real sense,” she says, “in which Soviet totalitarianism contained the seeds of its own destruction.”

Also in Books: William Cook on an edition of Mary Whitehouse’s letters of complaint to broadcasters in the 1960s and 1970s; Emma Hogan reviews John Batchelor’s biography of Alfred Tennyson; Anita Sethi on Ali Smith’s essay collection Artful; philosopher Simon Blackburn reviews Mind and Cosmos by Thomas Nagel, and finds Nagel giving succour to creationists and fans of intelligent design; the BBC’s environment analyst Roger Harrabin on The Carbon Crunch by Dieter Helm; and Toby Litt on Julian Cope’s Copendium.

Our Critic at large this week is Kate Mossman, who revisits Michael Jackson’s epoch-making album Thriller, 30 years after its original release. “One of the reasons Thriller still sounds so brilliant today,” Mossman writes, “is that what came next” – Jackson’s radical experiments with cosmetic surgery – “never enters your head.”

Elsewhere in the Critics: Alexandra Coghlan on pianist Ben Grosvenor at the Queen Elizabeth Hall; NS theatre critic Andrew Billen on Damned by Despair, This House and The River; Rachel Cooke on the BBC’s Dickens update, Nick Nickleby; Antonia Quirke on the sacking of Danny Baker of BBC London 94.9; Ryan Gilbey on Ben Affleck’s Argo; Thomas Calvocoressi visits a new gallery in the Parisian banlieue; and Will Self’s Real Meals.

Michael Jackson in the mid-1980s (Photograph: Getty Images)
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SRSLY #45: Love, Nina, Internet Histories Week, The Secret in Their Eyes

This week on the pop culture podcast, we chat Nick Hornby’s adaptation of Nina Stibbe’s literary memoir, our histories on the internet, and an Oscar-winning 2009 Argentinian thriller.

This is SRSLY, the pop culture podcast from the New Statesman. Here, you can find links to all the things we talk about in the show as well as a bit more detail about who we are and where else you can find us online.

...or subscribe in iTunes. We’re also on StitcherRSS and SoundCloud – but if you use a podcast app that we’re not appearing in, let us know.

SRSLY is hosted by Caroline Crampton and Anna Leszkiewicz, the NS’s web editor and editorial assistant. We’re on Twitter as @c_crampton and @annaleszkie, where between us we post a heady mixture of Serious Journalism, excellent gifs and regularly ask questions J K Rowling needs to answer.

The Links

Love, Nina

The first episode on iPlayer.

An interview with Nina Stibbe about the book.

Internet Histories Week

The index of all the posts in the series.

Our conversation about MSN Messenger.

The Secret in Their Eyes

The trailer.

For next week

Anna is watching 30 Rock.

If you’d like to talk to us about the podcast or make a suggestion for something we should read or cover, you can email srslypod[at]gmail.com.

You can also find us on Twitter @srslypod, or send us your thoughts on tumblr here. If you like the podcast, we’d love you to leave a review on iTunes - this helps other people come across it.

We love reading out your emails. If you have thoughts you want to share on anything we’ve discussed, or questions you want to ask us, please email us on srslypod[at]gmail.com, or @ us on Twitter @srslypod, or get in touch via tumblr here. We also have Facebook now.

Our theme music is “Guatemala - Panama March” (by Heftone Banjo Orchestra), licensed under Creative Commons. 

See you next week!

PS If you missed #44, check it out here.