In the Critics this week

John Gray on Brian Leiter, Leo Robson on Julian Barnes and Kate Mossman on Kylie Minogue.

In the Critics section of this week’s New Statesman, our lead book reviewer John Gray reviews Why Tolerate Religion? by the American political philosopher Brian Leiter. “Why treat religiously based claims of conscience as morally privileged, while denying similar exemption to others?” Gray asks. “How such conflicts can be settled is far from clear but Leiter believes there is no reason for giving religions any special standing.” There is nothing special about religion, Gray goes on: “Clinging to beliefs against evidence is a universal human tendency … Toleration means accepting that most of our beliefs are always going to be unwarranted.”

Also in Books: Leo Robson reviews Julian Barnes’s essay collection Through the Window, and is put off by Barnes’s “rivalrous, gossip-minded and passive-aggressive” writerly persona – “Even the most enthusiastic essays here are full of rib-nudges and eye pokes”; Antonia Quirke reviews Richard Burton’s diaries, the “most captivating book of the year”; Vernon Bogdanor reviews Making Thatcher’s Britain, a collection of essays on the legacy of Thatcherism, and The Conservatives Since 1945 by Tim Bale; and David Shariatmadari reviews Sara Maitland’s exploration of the fairy tale, Gossip From the Forest.

This week’s Critic at large is writer and psychotherapist Talitha Stevenson, who asks why so many of the pathologies of modern life are assuming a form previously thought to be peculiar to creative writers. “As a psychotherapist I see people with solicitor’s block and banker’s block and designer’s block and surgeon’s block – and the pain is the same pain in each case.”

Elsewhere in the Critics: NS pop critic Kate Mossman reviews Kylie Minogue’s The Abbey Road Sessions (“Minogue has become a mannequin upon which her fans project grand abstracts like joy, strength, liberation and love”); Matt Trueman reviews Trojan Women at the Gate Theatre and Arab Nights at the Soho Theatre; Antonia Quirke enjoys an episode of Radio 3’s The Essay; Rachel Cooke defends the BBC’s arts presenter Waldemar Januszczak; and Ryan Gilbey welcomes Thomas Vinterberg’s The Hunt as “a Midwich Cuckoos for the Savile era”.

Kylie Minogue performing in Sydney, 2011 (Photo by Mark Metcalfe/Getty Images)
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Cabinet audit: what does the appointment of Karen Bradley as Culture Secretary mean for policy?

The political and policy-based implications of the new Secretary of State for Culture, Media and Sport.

The most politically charged of the culture minister's responsibilities is overseeing the BBC, and to anyone who works for - or simply loves - the national broadcaster, Karen Bradley has one big point in her favour. She is not John Whittingdale. Her predecessor as culture secretary was notorious for his belief that the BBC was a wasteful, over-mighty organisation which needed to be curbed. And he would have had ample opportunity to do this: the BBC's Charter is due for renewal next year, and the licence fee is only fixed until 2017. 

In her previous job at the Home Office, Karen Bradley gained a reputation as a calm, low-key minister. It now seems likely that the charter renewal will be accomplished with fewer frothing editorials about "BBC bias" and more attention to the challenges facing the organisation as viewing patterns fragment and increasing numbers of viewers move online.

Of the rest of the job, the tourism part just got easier: with the pound so weak, it will be easier to attract visitors to Britain from abroad. And as for press regulation, there is no word strong enough to describe how long the grass is into which it has been kicked.

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.