Unknown Pleasures: Inside Joy Division by Peter Hook
This new Joy Division biography by the band’s bassist “isn’t just Peter Hook collecting some already exhausted stories for a quick pay out,” Michelle Kambasha writes in Clash. “It provides a kind of personal insight that most of us haven’t been privy to until now.” The Joy Division story is steeped in layer upon layer of myth. “Hook’s mission,” writes Dorian Lynskey in the Observer, “is to relate the chaotic day-to-day existence of four young men – kids, really – before it was smoothed into legend.” This is accomplished, according to Lynskey, through the author’s characteristic straightforwardness and lack of pretension: “The demystification process starts with Hook's portrayal of himself as a laddish delinquent who, thunderstruck by punk rock, spontaneously decides to form a band with Salford schoolfriend Bernard Sumner.” “What makes Hook’s book so refreshing is the lack of linguistic and intellectual showboating, and its simple laying of facts on the line,” notes Tony Clayton-Lea in the Irish Times, admiring Hook’s unaffected style. The book emphasises the band’s focus on music, fun and friendship – famously at the expense of even a semblance of business-mindedness: it was only in 2008 that Hook “discovered neither Joy Division nor New Order had trademarked or registered their names.” But hanging over every youthful anecdote is Hook’s knowledge, shared with the reader, of Ian Curtis’ impending suicide. As Lynskey writes: “So the tragedy infects the farce, as Curtis's ultimate fate casts ostensibly amusing on-the-road antics as symptoms of denial: never mind the worsening fits and self-harming, let's pelt the support band with eggs.”
Artful by Ali Smith
“It's true, I think I am love with Ali Smith,” admits the Independent’s David Hahn halfway through his review of Artful. The inherent bias of the lovestruck reviewer aside, there’s no disputing his boundless enthusiasm for Smith’s latest book: “Inspired, inspiring, exhausting” is how he summarises the work; a genre mish-mash which weaves in and out of fiction as it takes on “the big questions about art”. Although the book consists of “a quartet of lectures on literary-critical themes”, Hahn is emphatic that Smith manages to invest the notoriously dry shores of acedemia with readability through her “smart, allusive, informal, playful” voice; “dense with ideas but sustaining always a heady pace.” Publisher’s Weekly similarly falls over itself in the quest for a higher hyperbole, praising Smith’s “contemplative, electrifying, and transformative book.” Her dexterity as a writer to navigate seamlessly between the academic and the poetic is praised, as are her “riveting reflections” which successfully transform a series of lecture notes into a rich, rewarding testament to the “immutable necessity for art”.
I'm Your Man: The Life of Leonard Cohen by Sylvie Simmons
Whilst conceding that Sylvia Simmons’s new biography on Leonard Cohen is let down by the “inherent difficulty of telling the story of a storyteller”, A M Homes, writing in the New York Times, finds much to praise in this "exhaustive" biography. Homes is most approving of Simmons’s ability to direct her writing to creating an enriching experience of Cohen’s music, successful enough to make even seasoned fans fall think different about Cohen’s famed poetics: “Crucially, her book helps you add more detail and understanding to his lyrics”. Despite noting a slight lack of “historical context or counterpoint” in Cohen’s early life, Holmes avers that “as soon as you finish reading it you feel an overwhelming impulse to go back and begin again, revisiting the story with what you’ve learned along the way”. Fiona Sturges, writing in the Independent, is equally approving of the even-handed manner in which Simmons takes on this “serious artist who demands serious, if not too reverent, treatment”. She praises her extensive research, original interviews with Cohen himself, which “she elegantly splices … into the narrative”, as well as her uncovering of “delicious morsels that even dedicated Cohenites might find surprising”. And – crucially – Simmons has succeeded in investing a biography with a high level of readability. Tackling the book is like reading a “beautifully plotted piece of fiction”.