The Friday Arts Diary

Our cultural picks for the week ahead.

Festival
The London Korean Film Festival, various venues, 22 October-3 November

Across various London venues, comprising 33 events, the seventh London Korean Film Festival will feature a combination of films ranging from low-budget independent works to big-budget, box office hits. This year’s festival sees the return of the animation section which will include the violent morality tale King of Pigs, a film that has been doing the rounds on the international festival circuit. “Regardless if you are a connoisseur of Korean cinema or completely new to the country’s film scene we have created an exciting and varied program that will delight, thrill, scare and, most importantly, entertain you,” says festival director Hye-jung Jeon.

Music

Barclaycard Mercury Prize, Channel 4, 1 November, 12:10am

The 20th Mercury Prize for best album sees the list of nominees dominated by guitar bands – including the Macabees – and singer-songwriters, most notably former Pulp guitarist Richard Hawley. But it’s Plan B who’s tipped to win. His third album marks a change in direction, his sound harder, his music more political. Elsewhere on the list is the funky-jazz outfit Roller Trio and South London solo artist Jessie Ware.

Art

Seduced by Art: Photography Past and Present, National Gallery, 31 October-20 January 2013

The National Gallery’s first major photographic exhibition will show the work of leading photographers alongside historical paintings to emphasise how photographers draw on the traditions of fine art to inspire their own work. The exhibition will show the works of painters, early photographers and contemporary photographers ordered by traditional genres such as portraiture, landscapes and nudes. The exhibition will feature images from British and French photographers as well as works from international contemporary artists.

Television

Homeland, Channel 4, 28 October, 9pm

Last week, former marine, current congressman and reluctant, part-time al-Qaeda operative Nicholas Brody killed his tailor (who was also his purveyor of bespoke explosive vests). A devastating result was that this caused him to be late for his wife’s party – which made her angry. Meanwhile, twitchy, jazz-loving, ex-CIA agent and current English teacher Carrie Mathison gets un-friended by the CIA – again – before being vindicated by seeing Brody’s “By the time you watch this, I would have killed a lot of people, including myself” terrorist farewell video. This week we can expect more of the same kitchen-sink shenanigans. Brody’s video will be shown to Estes, Carrie’s former boss, who will authorise surveillance on Brody. But will Carrie get to put her twitchy eye to the telescope?

Film

Hackney Halloween screenings, Round Chapel, Hackney, London, 30 October

On the eve of Halloween, the creators of the Rooftop Film Club will host a short series of classic spooky films. The venue, Hackney’s Round Chapel, will only add to the ambience of horror. The event will comprise four screenings, two of which are suitable for children: ET: The Extra Terrestrial, Shaun of the Dead, Ghostbusters and The Lost Boys. 2012 marks the thirtieth anniversary of ET and a special edition Blu-ray was released this month to mark the occasion. A note on the dress code and a disclaimer from the organisers: Fancy dress is not enforced but encouraged. Please note that Experience Cinema does not accept responsibility for any lost limbs, teeth, or fingers!”

Richard Hawley: one of the nominees for the 2012 Barclaycard Mercury Prize. Photo: Getty Images.
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On Wheels

A new poem by Patrick Mackie

The hills swarm and soften towards the end of the day just as
flames do in a fireplace as the evening
loosens and breaks open and lets out night.
A nasty, grotesque, impatient year ended,
and the new one will be bitter,
tired, opaque. Words wrangle in every inch of air,
their mouths wide open in stupid shock
at what they have just heard every time they hear anything. Venus,
though, blazes with heavy wobbles of albeit frozen
light. Brecht, who I like to call my
brother just as he called Shelley his,
has a short late poem where he sits by a roadside, waiting
while someone changes the wheel on his car,
watching with impatience, despite not liking
either the place that he is coming from or
the place that he is going to. We call it
connectivity when in truth it is just aggression
and imitation writ ever larger. Poems, though,
are forms of infinite and wry but also briskly
impatient patience. Brecht’s poem seems to end,
for instance, almost before you
can read it. It wheels. The goddess is just a big, bright
wilderness but then soon enough she clothes
herself again in the openness of night and I lose her.

Patrick Mackie’s latest collection, The Further Adventures Of The Lives Of The Saints, is published by CB Editions.

This article first appeared in the 18 May 2017 issue of the New Statesman, Age of Lies

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