The Friday Arts Diary

Our cultural picks for the week ahead.

Festival
The London Korean Film Festival, various venues, 22 October-3 November

Across various London venues, comprising 33 events, the seventh London Korean Film Festival will feature a combination of films ranging from low-budget independent works to big-budget, box office hits. This year’s festival sees the return of the animation section which will include the violent morality tale King of Pigs, a film that has been doing the rounds on the international festival circuit. “Regardless if you are a connoisseur of Korean cinema or completely new to the country’s film scene we have created an exciting and varied program that will delight, thrill, scare and, most importantly, entertain you,” says festival director Hye-jung Jeon.

Music

Barclaycard Mercury Prize, Channel 4, 1 November, 12:10am

The 20th Mercury Prize for best album sees the list of nominees dominated by guitar bands – including the Macabees – and singer-songwriters, most notably former Pulp guitarist Richard Hawley. But it’s Plan B who’s tipped to win. His third album marks a change in direction, his sound harder, his music more political. Elsewhere on the list is the funky-jazz outfit Roller Trio and South London solo artist Jessie Ware.

Art

Seduced by Art: Photography Past and Present, National Gallery, 31 October-20 January 2013

The National Gallery’s first major photographic exhibition will show the work of leading photographers alongside historical paintings to emphasise how photographers draw on the traditions of fine art to inspire their own work. The exhibition will show the works of painters, early photographers and contemporary photographers ordered by traditional genres such as portraiture, landscapes and nudes. The exhibition will feature images from British and French photographers as well as works from international contemporary artists.

Television

Homeland, Channel 4, 28 October, 9pm

Last week, former marine, current congressman and reluctant, part-time al-Qaeda operative Nicholas Brody killed his tailor (who was also his purveyor of bespoke explosive vests). A devastating result was that this caused him to be late for his wife’s party – which made her angry. Meanwhile, twitchy, jazz-loving, ex-CIA agent and current English teacher Carrie Mathison gets un-friended by the CIA – again – before being vindicated by seeing Brody’s “By the time you watch this, I would have killed a lot of people, including myself” terrorist farewell video. This week we can expect more of the same kitchen-sink shenanigans. Brody’s video will be shown to Estes, Carrie’s former boss, who will authorise surveillance on Brody. But will Carrie get to put her twitchy eye to the telescope?

Film

Hackney Halloween screenings, Round Chapel, Hackney, London, 30 October

On the eve of Halloween, the creators of the Rooftop Film Club will host a short series of classic spooky films. The venue, Hackney’s Round Chapel, will only add to the ambience of horror. The event will comprise four screenings, two of which are suitable for children: ET: The Extra Terrestrial, Shaun of the Dead, Ghostbusters and The Lost Boys. 2012 marks the thirtieth anniversary of ET and a special edition Blu-ray was released this month to mark the occasion. A note on the dress code and a disclaimer from the organisers: Fancy dress is not enforced but encouraged. Please note that Experience Cinema does not accept responsibility for any lost limbs, teeth, or fingers!”

Richard Hawley: one of the nominees for the 2012 Barclaycard Mercury Prize. Photo: Getty Images.
BBC/Chris Christodoulou
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Proms 2016: Violinist Ray Chen was the star of a varied show

The orchestra soaked up his energy in Bruch's first violin concerto to end on a triumphal note. 

Music matters, but so does its execution. This was the lesson of a BBC Symphony Orchestra and BBC Symphony Chorus programme which combined both a premiere of a composition and a young violinist’s first performance at the Proms. 

The concert, conducted by Sir Andrew Davis, opened with Tchaikovsky’s symphonic fantasy The Tempest, a lesser-known sibling to his Romeo and Juliet overture. The orchestra got off to a fidgety start, with some delayed entries, but fell into line in time for the frenetic chromatic runs that drive the piece. The end, a muted pizzicato, was suitably dramatic. 

Another nature-inspired piece followed – Anthony Payne’s composition for chorus and orchestra, Of Land, Sea and Sky. Payne drew on his memory of watching of white horses appearing to run across water, as well as other visual illusions. At the world premiere, the piece began promisingly. The chorus rolled back and forth slowly over scurrying strings with an eerie singing of “horses”. But the piece seemed to sink in the middle, and not even the curiosity of spoken word verse was enough to get the sinister mood back. 

No doubt much of the audience were drawn to this programme by the promise of Bruch violin concerto no. 1, but it was Ray Chen’s playing that proved to be most magnetic. The young Taiwanese-Australian soloist steered clear of melodrama in favour of a clean and animated sound. More subtle was his attention to the orchestra. The performance moved from furious cadenza to swelling sound, as if all players shared the same chain of thought. Between movements, someone coughed. I hated them. 

Ray Chen in performance. Photo: BBC/Chris Christodoulou

Chen’s playing had many audience members on their feet, and only an encore appeased them. It was his first time at the Proms, but he'll be back. 

The orchestra seemed to retain some of his energy for Vaughan Williams’ Toward the Unknown Region. Composed between 1904 and 1906, this is a setting of lines by the US poet Walt Whitman on death, and the idea of rebirth.

The orchestra and chorus blended beautifully in the delicate, dark opening. By the end, this had transformed into a triumphal arc of sound, in keeping with the joyful optimism of Whitman’s final verse: “We float/In Time and Space.” 

This movement from hesitancy to confident march seemed in many ways to capture the spirit of the concert. The programme had something for everyone. But it was Chen’s commanding performance that defined it.