The Friday Arts Diary

Our cultural picks for the week ahead.

Festival
The London Korean Film Festival, various venues, 22 October-3 November

Across various London venues, comprising 33 events, the seventh London Korean Film Festival will feature a combination of films ranging from low-budget independent works to big-budget, box office hits. This year’s festival sees the return of the animation section which will include the violent morality tale King of Pigs, a film that has been doing the rounds on the international festival circuit. “Regardless if you are a connoisseur of Korean cinema or completely new to the country’s film scene we have created an exciting and varied program that will delight, thrill, scare and, most importantly, entertain you,” says festival director Hye-jung Jeon.

Music

Barclaycard Mercury Prize, Channel 4, 1 November, 12:10am

The 20th Mercury Prize for best album sees the list of nominees dominated by guitar bands – including the Macabees – and singer-songwriters, most notably former Pulp guitarist Richard Hawley. But it’s Plan B who’s tipped to win. His third album marks a change in direction, his sound harder, his music more political. Elsewhere on the list is the funky-jazz outfit Roller Trio and South London solo artist Jessie Ware.

Art

Seduced by Art: Photography Past and Present, National Gallery, 31 October-20 January 2013

The National Gallery’s first major photographic exhibition will show the work of leading photographers alongside historical paintings to emphasise how photographers draw on the traditions of fine art to inspire their own work. The exhibition will show the works of painters, early photographers and contemporary photographers ordered by traditional genres such as portraiture, landscapes and nudes. The exhibition will feature images from British and French photographers as well as works from international contemporary artists.

Television

Homeland, Channel 4, 28 October, 9pm

Last week, former marine, current congressman and reluctant, part-time al-Qaeda operative Nicholas Brody killed his tailor (who was also his purveyor of bespoke explosive vests). A devastating result was that this caused him to be late for his wife’s party – which made her angry. Meanwhile, twitchy, jazz-loving, ex-CIA agent and current English teacher Carrie Mathison gets un-friended by the CIA – again – before being vindicated by seeing Brody’s “By the time you watch this, I would have killed a lot of people, including myself” terrorist farewell video. This week we can expect more of the same kitchen-sink shenanigans. Brody’s video will be shown to Estes, Carrie’s former boss, who will authorise surveillance on Brody. But will Carrie get to put her twitchy eye to the telescope?

Film

Hackney Halloween screenings, Round Chapel, Hackney, London, 30 October

On the eve of Halloween, the creators of the Rooftop Film Club will host a short series of classic spooky films. The venue, Hackney’s Round Chapel, will only add to the ambience of horror. The event will comprise four screenings, two of which are suitable for children: ET: The Extra Terrestrial, Shaun of the Dead, Ghostbusters and The Lost Boys. 2012 marks the thirtieth anniversary of ET and a special edition Blu-ray was released this month to mark the occasion. A note on the dress code and a disclaimer from the organisers: Fancy dress is not enforced but encouraged. Please note that Experience Cinema does not accept responsibility for any lost limbs, teeth, or fingers!”

Richard Hawley: one of the nominees for the 2012 Barclaycard Mercury Prize. Photo: Getty Images.
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"Samphire": a poem by Alison Brackenbury

"Yet how it waved, in coast’s late light. . . ."

My grandmother could cook it, for
she grew up by that dangerous shore
where the sea skulked without a wall

where I have seen it, tough as grass,
where silent men with rods trooped past
its salty ranks, without a glance.

Lear’s gatherer hangs perilously.
Why? So much is closed to me.
Did Shakespeare ever hear the sea?

Once, said my father, far inland,
from friend or stall, one clutch was found,
steamed, in my grandmother’s great pan.

Once, a smooth leaflet from a shop
claimed they could “source it”, but they stocked
bunched, peppered cress – Another gap.

Yet how it waved, in coast’s late light,
stalks I will never taste, could make
tenderly dark, my coast’s sly snake,
salt on my tongue, before I wake.

Alison Brackenbury is an award-winning poet. Her ninth collection, Skies, will be published by Carcanet in March

This article first appeared in the 11 February 2016 issue of the New Statesman, The legacy of Europe's worst battle