The Art Review Power 100

Curator Carolyn Christov-Bakargiev tops the list.

This morning ArtReview announced the 2012 Power 100, their annual list of the contemporary art world’s most influential people. The rankings are decided according to “a combination of influence over the production of art internationally, sheer financial clout (although in these times that’s no longer such a big factor) and activity in the previous 12 months”, and can include collectors, scholars and curators, as well as artists.

This year the magazine are claiming the list represents a “fragmenting scene” in which the desire for political engagement and social inclusion rubs up against the traditional practices of the art world’s ruling class. A statement accompanying the list reads: “beyond Big Money, there are Big Ideas to be fought over, about who art is for, as much as what it is for. At a time of constant muttering about the 1% and the other 99%, the artworld might be living proof that art really does imitate life.”

The list is topped by Carolyn Christov-Bakergiev, an Italy- and US-based curator responsible for this summer’s highly successful Documenta 13 exhibition based in Kassel, Germany. This is the first time the top spot has been awarded to a curator (Gerhart Richter is the highest-ranked “pure” artist at number 6), a decision made not only due to the astonishing scale of Documenta 13 (it touched down everywhere from battlements and quantum physics labs in Kassel to the cities of Kabul, Banff and Cairo, expanding thematically far beyond the boundaries of art to bolster its inclusiveness), but also due of the timeliness of the statement it makes about and to the rest of the names on the list.

“Documenta 13 allowed artists to speak for themselves through their work, and to make their own sets of rules,” ArtReview says. “And by pitting artists with and against quantum physicists, military historians, biologists, economists and activist, Christov-Bakargiev and her team treated art as strong enough to hold its own in furthering debates, building meaning and extending thought, addressing the world not from an ivory tower, but from being in the world.”

New Statesman guest editor Ai Weiwei topped the list in 2011, an artist for whom making art and “being in the world” have become virtually indistinguishable. His recognition by a major international art magazine provoked criticism from Chinese Foreign Ministry spokesman Lui Weimin last year, who told a news briefing in Beijing: “China has many artists who have sufficient ability. We feel that a selection that is based purely on a political bias and perspective has violated the objectives of the magazine”. ArtReview however, had this to say: “Ai, who was arrested and imprisoned for 81 days earlier [last] year, was ranked number one as a result of his activism as much as his art practice – both articulating a move away from the idea that artists work within a priveleged zone limited by the walls of a gallery or museum”.

The 2012 edition of the ArtReview Power 100 will be published in the November issue of the magazine and will carry full profiles, features and photography portfolios. The list, in full, runs as follows:

1. Carolyn Christov-Bakargiev
2. Larry Gagosian
3. Ai Weiwei
4. Iwan Wirth
5. David Zwirner
6. Gerhard Richter
7. Beatrix Ruf
8. Nicholas Serota
9. Glenn D. Lowry
10. Hans Ulrich Obrist & Julia Peyton-Jones
11. Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani
12. Anton Vidokle, Julieta Aranda & Brian Kuan Wood (e-flux)
13. Cindy Sherman
14. Alain Seban & Alfred Pacquement
15. Adam D. Weinberg
16. Annette Schönholzer, Marc Spiegler & Magnus Renfrew
17. Marc Glimcher
18. Marian Goodman
19. Massimiliano Gioni
20. Jay Jopling
21. François Pinault
22. Klaus Biesenbach
23. Matthew Slotover & Amanda Sharp
24. Barbara Gladstone
25. RoseLee Goldberg
26. Eli & Edythe Broad
27. Patricia Phelps de Cisneros
28. Bernard Arnault
29. Nicholas Logsdail
30. Liam Gillick
31. Ann Philbin
32. Victor Pinchuk
33. Maja Hoffmann
34. Tim Blum & Jeff Poe
35. Marina Abramović
36. Dakis Joannou
37. Udo Kittelmann
38. Monika Sprüth & Philomene Magers
39. Matthew Marks
40. Gavin Brown
41. Damien Hirst
42. Rosemarie Trockel
43. Wolfgang Tillmans
44. Agnes Gund
45. Chus Martínez
46. Isa Genzken
47. Iwona Blazwick
48. Anne Pasternak
49. Sadie Coles
50. Daniel Buchholz
51. Toby Webster
52. Adam Szymczyk
53. James Lingwood & Michael Morris
54. William Wells & Yasser Gerab
55. Michael Ringier
56. Theaster Gates
57. Pussy Riot
58. Jeff Koons
59. Steve McQueen
60. Takashi Murakami
61. Boris Groys
62. Emmanuel Perrotin
63. Richard Chang
64. Tim Neuger & Burkhard Riemschneider
65. Slavoj Zizek
66. Thaddaeus Ropac
67. Chang Tsong-zung
68. Elena Filipovic
69. Tino Sehgal
70. Christian Boros & Karen Lohmann
71. Luisa Strina
72. Claire Hsu
73. José Kuri & Mónica Manzutto
74. Brett Gorvy & Amy Cappellazzo
75. Tobias Meyer & Cheyenne Westphal
76. Budi Tek
77. Walid Raad
78. Cuauhtémoc Medina
79. Massimo De Carlo
80. Bernardo Paz
81. Christine Tohme
82. Mario Cristiani, Lorenzo Fiaschi & Maurizio Rigillo
83. John Baldessari
84. Sheikha Hoor Al-Qasimi
85. Dasha Zhukova
86. Vasif Kortun
87. Anita & Poju Zabludowicz
88. Candida Gertler
89. Gisela Capitain
90. Carol Greene
91. Franco Noero & Pierpaolo Falone
92. Jacques Rancière
93. Miuccia Prada
94. Maureen Paley
95. Don, Mera, Jason & Jennifer Rubell
96. Paul Chan
97. Victoria Miro
98. Adriano Pedrosa
99. Johann König
100. Gregor Podnar

Carolyn Christov-Bakargiev. Photo: Getty Images.

Philip Maughan is a freelance writer in Berlin and a former Assistant Editor at the New Statesman.

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Potato and Juliet: how Mark Rylance makes children like Shakespeare

A presenter who speaks freely but in the sort of sentences which can be used as powerful, off-the-cuff links throughout a programme is rare as a unicorn. 

How young can you learn Shakespeare? A rare repeat of a 1998 programme presented by Mark Rylance (27 April, 6.30am, rebroadcast 1.30pm and 8.30pm) asks the question. Not yet a superstar incapable of resisting a part in the new Christopher Nolan film, Rylance was then the artistic director of the Globe Theatre. Just an Abrahamic guy in a silly hat (most likely), sitting all mystical in a class of six-year-olds and asking things like what the word “Romeo” makes them think of.

“Potato,” someone decides. “Now, girls,” giggles Rylance, “would you fall in love with a boy called Potato?”

A presenter who speaks freely but in the sort of sentences that can then be cast into solid chunks and used as powerful, off-the-cuff links throughout a programme is rare as a unicorn. When Rylance talks about hoping that children recognise Shakespeare as a “playful friend, rather than someone they are going to meet on a forced march to an exam”, the unpreening lightness of his delivery suggests one, unscripted take. “He wrote for the ears,” the director went on. “It just sounds interesting. His words have body and form.”

I suppose the question is not so much how young you can teach Shakespeare, but how young you can teach any (great) poetry, because children instinctively take to it. For instance, a big-screen adaptation of T S Eliot’s Cats has been announced. In the fantasies of my friend James, this adaptation will feature Channing Tatum as Rum Tum Tugger and Lady Gaga singing “Memory”, and will be produced by the team behind The Incredibles. In short, a poem with children in mind while the adults sit there thinking: “What the f*** is this? There’s no plot at all!”

Instead, the upcoming Cats will be directed by the sombre Tom Hooper, doubtless brought in to “study” the text. Give me Rylance’s six-year-olds any day, imagining what things Henry V might have noticed the night before the Battle of Agincourt. “Wolves howling,” breathes one. “Bats flapping,” gulps another. Then finally – and this suggestion couldn’t be bettered – just before Henry steps out to claim “. . . I think the king is but a man, as I/am”, he possibly spots “a mouse rolling on his bed”. 

Antonia Quirke is an author and journalist. She is a presenter on The Film Programme and Pick of the Week (Radio 4) and Film 2015 and The One Show (BBC 1). She writes a column on radio for the New Statesman.

This article first appeared in the 27 April 2017 issue of the New Statesman, Cool Britannia 20 Years On

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