Ed Miliband: "a thriving political culture and a thriving New Statesman go together"

Labour leader at the Statesman's centenary party.

Labour leader Ed Miliband paid tribute to the New Statesman’s role in creating a "thriving political culture" at a Westminster party to celebrate the magazine’s 100th anniversary last night.

And Miliband joked that the New Statesman made an "excellent choice in the Labour leadership contest [in 2010], one of three publications do so…one was a blog and the other was the Sunday People".

Noting that editor since 2008 Jason Cowley has increased print circulation in recent years, Miliband said that the title’s website now attracts around one million monthly readers, he said the New Statesman would probably have died after 85 years if it wasn’t for Geoffrey Robinson MP. He was proprietor until 2008 when the title was bought by Mike Danson’s Progressive Media (which also owns Press Gazette).

Describing the New Statesman as a magazine which has "an extraordinary history" he noted that it has a "complicated relationship with the Labour Party" and made somewhat shamefaced reference to his comment during Prime Ministers’s questions earlier this year when he said that David Cameron was "scraping the barrel" by quoting the New Statesman.

He said: "Sometimes Labour leaders make unflattering remarks about the New Statesman" and noted that Tony Blair included a veiled jibe against the magazine in his autobiography.

Saying that the New Statesman was important to the Labour Party, Miliband said: "Politics is not just about politicians, it’s about the ideas that shape the political culture of our country."

He noted that "both CND and Charter 88 come out of the New Statesman" and added that "a thriving political culture and a thriving New Statesman go together".

He said: "The unsung heroes of this magazine are the people who work for it. You don’t come and work for the New Statesman for the money, you do it because you care about our country and you care about our world…and it’s to them that I pay tribute to tonight."

This piece first appeared on Press Gazette.

Ed Miliband at the New Statesman's centenary party. Photograph: Getty Images

Dominic Ponsford is editor of Press Gazette

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As the strangers approach the bed, I wonder if this could be a moment of great gentleness

I don’t know what to do. In my old T-shirt and M&S pants, I don’t know what to do.

It’s 1.13am on an autumn morning some time towards the end of the 20th century and I’m awake in a vast hotel bed in a small town in the east of England. The mysterious east, with its horizons that seem to stretch further than they should be allowed to stretch by law. I can’t sleep. My asthma is bad and I’m wheezing. The clock I bought for £3 many years earlier ticks my life away with its long, slow music. The street light outside makes the room glow and shimmer.

I can hear footsteps coming down the corridor – some returning drunks, I guess, wrecked on the reef of a night on the town. I gaze at the ceiling, waiting for the footsteps to pass.

They don’t pass. They stop outside my door. I can hear whispering and suppressed laughter. My clock ticks. I hear a key card being presented, then withdrawn. The door opens slowly, creaking like a door on a Radio 4 play might. The whispering susurrates like leaves on a tree.

It’s an odd intrusion, this, as though somebody is clambering into your shirt, taking their time. A hotel room is your space, your personal kingdom. I’ve thrown my socks on the floor and my toothbrush is almost bald in the bathroom even though there’s a new one in my bag because I thought I would be alone in my intimacy.

Two figures enter. A man and a woman make their way towards the bed. In the half-dark, I can recognise the man as the one who checked me in earlier. He says, “It’s all right, there’s nobody in here,” and the woman laughs like he has just told her a joke.

This is a moment. I feel like I’m in a film. It’s not like being burgled because this isn’t my house and I’m sure they don’t mean me any harm. In fact, they mean each other the opposite.

Surely they can hear my clock dripping seconds? Surely they can hear me wheezing?

They approach, closer and closer, towards the bed. The room isn’t huge but it seems to be taking them ages to cross it. I don’t know what to do. In my old T-shirt and M&S pants, I don’t know what to do. I should speak. I should say with authority, “Hey! What do you think you’re doing?” But I don’t.

I could just lie here, as still as a book, and let them get in. It could be a moment of great gentleness, a moment between strangers. I would be like a chubby, wheezing Yorkshire pillow between them. I could be a metaphor for something timeless and unspoken.

They get closer. The woman reaches her hand across the bed and she touches the man’s hand in a gesture of tenderness so fragile that it almost makes me sob.

I sit up and shout, “Bugger off!” and they turn and run, almost knocking my clock from the bedside table. The door crashes shut shakily and the room seems to reverberate.

This article first appeared in the 12 January 2017 issue of the New Statesman, Putin's revenge