DC comics faces boycott over Superman writer who linked gay men and paedophilia

Adventures of Superman writer Orson Scott Card's history of homophobia sparks protest.

DC Comics has hired Orson Scott Card, author of Ender's Game, to write the first two issues of its new digital-first comic Adventures of Superman, prompting a boycott of the company.

Card, a devout Mormon, is strongly homophobic. In the early 1990s, he called for laws banning gay sex to stay in place, and in 2004, in an essay titled "Homosexual 'Marriage' and Civilization", wrote:

The dark secret of homosexual society—the one that dares not speak its name—is how many homosexuals first entered into that world through a disturbing seduction or rape or molestation or abuse, and how many of them yearn to get out of the homosexual community and live normally.

Card put those beliefs into practice in his 2008 novella Hamlet's Father, which features the eponymous King Hamlet as a paedophile and in which Publisher's Weekly claims:

The focus is primarily on linking homosexuality with the life-destroying horrors of pedophilia, a focus most fans of possibly bisexual Shakespeare are unlikely to appreciate.

(Card denies that Hamlet's Father contains any gay characters)

All of which might render Card unsuitable to write a character who is normally portrayed as the paragon of good in his world. As a result, some are calling for a boycott of Card's book, and others for a boycott of all DC's output. All Out, a transnational campaign for sexual equality, is organising a petition against DC comics, writing that:

We need to let DC Comics know they can't support Orson Scott Card or his work to keep LGBT people as second-class citizens.

For a company which is happy to court LGBT audiences when it can, trumpeting its introduction of Batwoman as the first lesbian superhero to have her own solo title and reintroducing Alan Scott, the first Green Lantern, as a gay man just last year, DC's choice to hire Card is rather hypocritical. The company is attempting to have its cake and eat it too, and fans are right to take issue with that.

Superman actor Christopher Reeve's costume from Superman III. Photograph: Getty Images

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

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Cabinet audit: what does the appointment of Andrea Leadsom as Environment Secretary mean for policy?

The political and policy-based implications of the new Secretary of State for Environment, Food and Rural Affairs.

A little over a week into Andrea Leadsom’s new role as Secretary of State for Environment, Food and Rural Affairs (Defra), and senior industry figures are already questioning her credentials. A growing list of campaigners have called for her resignation, and even the Cabinet Office implied that her department's responsibilities will be downgraded.

So far, so bad.

The appointment would appear to be something of a consolation prize, coming just days after Leadsom pulled out of the Conservative leadership race and allowed Theresa May to enter No 10 unopposed.

Yet while Leadsom may have been able to twist the truth on her CV in the City, no amount of tampering will improve the agriculture-related side to her record: one barely exists. In fact, recent statements made on the subject have only added to her reputation for vacuous opinion: “It would make so much more sense if those with the big fields do the sheep, and those with the hill farms do the butterflies,” she told an audience assembled for a referendum debate. No matter the livelihoods of thousands of the UK’s hilltop sheep farmers, then? No need for butterflies outside of national parks?

Normally such a lack of experience is unsurprising. The department has gained a reputation as something of a ministerial backwater; a useful place to send problematic colleagues for some sobering time-out.

But these are not normal times.

As Brexit negotiations unfold, Defra will be central to establishing new, domestic policies for UK food and farming; sectors worth around £108bn to the economy and responsible for employing one in eight of the population.

In this context, Leadsom’s appointment seems, at best, a misguided attempt to make the architects of Brexit either live up to their promises or be seen to fail in the attempt.

At worst, May might actually think she is a good fit for the job. Leadsom’s one, water-tight credential – her commitment to opposing restraints on industry – certainly has its upsides for a Prime Minister in need of an alternative to the EU’s Common Agricultural Policy (CAP); a policy responsible for around 40 per cent the entire EU budget.

Why not leave such a daunting task in the hands of someone with an instinct for “abolishing” subsidies  thus freeing up money to spend elsewhere?

As with most things to do with the EU, CAP has some major cons and some equally compelling pros. Take the fact that 80 per cent of CAP aid is paid out to the richest 25 per cent of farmers (most of whom are either landed gentry or vast, industrialised, mega-farmers). But then offset this against the provision of vital lifelines for some of the UK’s most conscientious, local and insecure of food producers.

The NFU told the New Statesman that there are many issues in need of urgent attention; from an improved Basic Payment Scheme, to guarantees for agri-environment funding, and a commitment to the 25-year TB eradication strategy. But that they also hope, above all, “that Mrs Leadsom will champion British food and farming. Our industry has a great story to tell”.

The construction of a new domestic agricultural policy is a once-in-a-generation opportunity for Britain to truly decide where its priorities for food and environment lie, as well as to which kind of farmers (as well as which countries) it wants to delegate their delivery.

In the context of so much uncertainty and such great opportunity, Leadsom has a tough job ahead of her. And no amount of “speaking as a mother” will change that.

India Bourke is the New Statesman's editorial assistant.