Why is every Christmas TV advert like a nail gun to the tearducts?

We're looking at you, Coca Cola, John Lewis, Asda, Morrisons and Very.

Here it is, Merry Christmas, everybody's having fun. Well, it isn't, and they aren't, but it might as well be. For this weekend, all the Christmas advertising campaigns launched. "Holidays are coming", chant the perennially joyful Coca-Cola singers in Rainbowland as a giant truck snarls down Main Street, cruelly failing to add "Open brackets, in six weeks' time, if you're lucky, close brackets".

What have we become? What led us to here? What led us to a world in which every single advert ever has to have snow in it, and try and make us cry? What happened? What have we done to deserve this? In Christmasadvertland, it always snows, and families are lovely, and mums do everything, and men are hopeless and buy a turd in a box and have to get helped out, because their rancid brains are full of stupid, and it always snows. Stop the madness. Stop it now.

It's John Lewis's fault, of course. We've been destined for this ever since grown adults shed salt tears at last year's sickening glurgefest in which a boy bought his mum and dad the present of a nice lie-in on Christmas morning, set to the horrific choral excoriation of the Smiths' "Please Please Please Let Me Get What I Want".

At least that had something going for it - it upset those fun vacuums who still like Morrissey - but this year's offering hasn't even got that bronze lining. No, we're stuck with another plodding "classic" with the vital organs and even the less pleasant offal ripped out of it, leaving just the squishy inedible connective tissue - "The Power of Love" by Frankie Goes to Hollywood depicting the story of a snowman buying some gloves for his icy inamorata.

I don't wish to get tediously literal about a mushy bit of sentimental old flannel which is designed to make you spend money in an expensive shop. But let me say this: How did the snowman pay for his purchase? Did he tap out his pin on a keypad using a spindly twig finger? If he did, surely he would have realised that, with fingers made out of twigs, gloves were probably the worst possible present of all to buy his for his snowy ladylove.

It's a despicable slushpuppie of an advertisement, appealing at first but causing horrifying brainfreeze immediately afterwards. Why is the snowlady so passive? Why is it only the snowman who is doing the purchasing of Christmassy things? Why are snowpeople in love with each other, despite lacking sexual characteristics of any kind? It's not that it's heteronormative that annoys me; it's the sheer bloody predictability of it all.

Enough. It's not just John Lewis peddling levels of sticky-sweet sentimentality that should come with a health warning for diabetic viewers. They're all at it. Asda, who you can usually rely on just to tell you that their things are cheap and, hey, why not come down and buy some, have attempted to ace the field with their own advent offering.

It's even worse. In Asda's advert we're told that mums are responsible for everything Christmassy. Hooray, you might say, what a warm and welcome departure from the patriarchal figure of Der Julemanden or Papa Noel popping down chimneys of an Xmas Eve, but you'd be wrong: this isn't the mother as empowered twenty-first-century totem, but a horrible message that everyone should hate.

Mums should hate it, because supposedly they have to do every bloody thing forever, and get no help, and that's just the way it is; and everyone who isn't a mum, or who doesn't have one should hate it, because apparently they're missing out on the sine qua non of Christmastime. Woe betide you if your dad's doing the Christmas dinner, because it's bound to be shit. That's the message.

Morrisons' meagre dribble of a commercial is the same. SuperMum struggles by and does everything, because she "wouldn't have it any other way". Really? Well, you see, we have let this happen. We didn't complain about the execrable "proud sponsors of mums" garbage during the Olympics; we didn't complain about John Lewis's nailgun to the tearducts last festive season, so we're stuck with this. Forever.

Then you have the Very advert: stupid braindead MAN has bought something RUBBISH because he's a MAN and only the clever WOMAN can do something about it. Regular readers will know I'm no fan of the whiny perinea who mewl about "misandry", but come off it: this kind of thing should have gone out with the Ark, shouldn't it? Is this really only as far as we've come in all these years?

Please. For me. For all of us who quite like Christmas, but start to see the joy of being a Jehovah's Witness with every passing commercial break, can we just have a bit less snow? A bit less sexism? A bit less lachrymosity, and a bit more fun? Is that too much to ask, Santa? Please, please, please, let me get what I want...

 

How did the John Lewis snowman pay for his gifts, eh?
Patrolling the murkier waters of the mainstream media
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If Seumas Milne leaves Jeremy Corbyn, he'll do it on his own terms

The Corbynista comms chief has been keeping a diary. 

It’s been a departure long rumoured: Seumas Milne to leave post as Jeremy Corbyn’s director of communications and strategy to return to the Guardian.

With his loan deal set to expire on 20 October, speculation is mounting that he will quit the leader’s office. 

Although Milne is a key part of the set-up – at times of crisis, Corbyn likes to surround himself with long-time associates, of whom Milne is one – he has enemies within the inner circle as well. As I wrote at the start of the coup, there is a feeling among Corbyn’s allies in the trade unions and Momentum that the leader’s offfice “fucked the first year and had to be rescued”, with Milne taking much of the blame. 

Senior figures in Momentum are keen for him to be replaced, while the TSSA, whose general secretary, Manuel Cortes, is one of Corbyn’s most reliable allies, is said to be keen for their man Sam Tarry to take post in the leader’s office on a semi-permanent basis. (Tarry won the respect of many generally hostile journalists when he served as campaign chief on the Corbyn re-election bid.) There have already been personnel changes at the behest of Corbyn-allied trade unions, with a designated speechwriter being brought in.

But Milne has seen off the attempt to remove him, with one source saying his critics had been “outplayed, again” and that any new hires will be designed to bolster, rather than replace Milne as comms chief. 

Milne, however, has found the last year a trial. I am reliably informed that he has been keeping a diary and is keen for the full story of the year to come out. With his place secure, he could leave “with his head held high”, rather than being forced out by his enemies and made a scapegoat for failures elsewhere, as friends fear he has been. The contents of the diary would also allow him to return in triumph to The Guardian rather than slinking back. 

So whether he decides to remain in the Corbyn camp or walk away, the Milne effect on Team Corbyn is set to endure.

 

Stephen Bush is special correspondent at the New Statesman. He usually writes about politics.