If you cannot conceive of humanity from an area of knowledge outside science, what reason could there be for thinking that one and only one system of values is peculiarly human?
A boy gets to play; a man doesn’t, at least not officially. A man is obliged to act out the part scripted for him, all the while pretending that there’s something fulfilling in being promoted.
Sheila Jeffreys’s new book, Gender Hurts: A Feminist Analysis of the Politics of Transgenderism, is a divisive and poorly-researched work. But it provides an opportunity to leave the divisive rhetoric behind, and create a truly trans-inclusive feminism.
Two recent graphic novels tackle subjects from feminist history.
In exposing the unchivalric side of WWII, Keith Douglas was the heir to Siegfried Sassoon.
New non-fiction books by the novelists Arundhati Roy and Rana Dasgupta examine India’s troubled relationship with capitalism and the blurred links between political and business elites.
A new book by newscasters Katty Kay and Clare Shipman argues women’s timidity is holding them back at work – but does it perpetuate the idea that confidence is a masculine trait.
For a good 50 pages, I thought the promise of “Withnail with girls” might actually be realised. But when it comes to partying, in art as in life, a little goes a long way.
It is through Joyce’s intimate rummagings through the city’s yens and wardrobes that we come closest to identifying its inhabitants.
The events of 4 June 1989 continue to generate new crimes – the crime of remembering, and the crime of forgetting.
In her youth, Lorna was Anna Karenina, Emma Bovary and Becky Sharp rolled into one captivating and maddening creature.
Rowan Williams reviews Mammon’s Kingdom by David Marquand and wonders if Britain has lost all sense of moral purpose.
As a novelist working from facts, you have a problem. History is suspect, as are the motives and methods of those who write it. Nevertheless, the sources are the same as those of a biographer.
In this novel of political activisim in 1960s Calcutta, Mukherjee's writing has fluent precision and a fine ear for the chaos of family life.
The literary landscape has changed since Tolkien’s day in a way he would neither expect nor acknowledge: he is now more famous than the “fairy stories” that obsessed him.
And celebrating the unlikely kinship of Alan Bennett and Philip Roth.
The author of Chavs discusses Selina Todd’s “impassioned, much-needed” new book The People, noting how most Brits still stubbornly self-identify as working class.
In 2014, the distinction between work and life, office and home, is poised to collapse. Members of “Generation Y” desire greater flexibility, with the ability to work where and when they want.
While Rakoff’s memoir is full of fabrication and thin on revelation, Thomas Beller’s biography is free of insight and confessional to a fault.
Reforms set to take effect from September 2015 will see English literature become an optional subject, reserved for only the brightest students, which will not count to schools’ Ofstead rankings.
From the archive: Nicci Gerrard on Maya Angelou's second volume of autobiography, Gather Together in My Name, first published in the New Statesman 17 May 1985.
Sad news as an American literary icon passes away.
The Snowden affair turned Greenwald from the humourless Occupy Wall Street version of Richard Littlejohn into that matinée idol of the modern era, the investigative journalist with a big story.
At the peak of its popularity, Mao's bible was the most printed book in the world. It attained the status of a sacred, holy text during the Cultural Revolution, and retains its place among western devotees.
England has had its share of terrorist bombings, economic crises, political reshuffles, the Olympic Games, and so on – but the basic “grammar” of Englishness hasn’t changed.
We now cannot think of the Yorkshire moors without Emily Brontë, but we must reclaim our moors from cream teas and see them from the vantage point of the raptors wheeling overhead.
The sophomore novel from the author of story collections A Thousand Years of Good Prayers and Gold Boy, Emerald Girl.
Lynn Barber's A Curious Career is a curious concoction, a mixture of retold stories and reprinted interviews from a writer who has always been better at writing about other people rather than herself.
When we think about writing about Spain's civil war, we go first to Orwell's Homage to Catalonia or Hemingway's For Whom the Bell Tolls. Why were Spanish authors mistrusted?