Alice Munro awarded the Nobel Prize for Literature 2013

The Canadian "writer's writer" hailed by the committee as a "master of the contemporary short story".

The "Canadian Chekhov", Alice Munro, has been awarded the 2013 Nobel Prize in Literature. The Swedish Academy called the author of 14 story collections, numerous essays and compilations a "master of the contemporary short story", before announcing the eight million kroner (£770,000) prize. Munro is the 13th woman to be presented with the award and the 1st Canadian - apart from Saul Bellow, who lived most of his life in the US. She also won the Man International Prize - not to be confused with the Man Booker Prize, despite newly overlapping criteria - for "continued creativity, development and overall contribution to fiction on the world stage" in 2009.

It has not yet been confirmed whether Munro has received the news. Winners are traditionally notified by phone in the hour before the announcement (a formal presentation occurs - where possible - some time after), but the Academy were unable to locate her so left a phone message instead.

Munro has long been considered a "writer's writer". Her stories deal with small-town life in and around the Great Lakes, and themes of gender, memory and missed opportunities, though they are best described as "long short stories" given that they often exceed the traditional structure of the short story both in narrative time (her stories are frequently non-linear) and word count. Not everyone is a fan. Munro is repeatedly praised for glorifying "decent, ordinary lives", but as Christian Lorentzen was keen to stress in the LRB: "Ordinary people turn out to live in a rural corner of Ontario between Toronto and Lake Huron, and to be white, Christian, prudish and dangling on a class rung somewhere between genteel poverty and middle-class comfort."

Lorentzen may need to go into hiding. The NS's lead fiction critic, Leo Robson, sees the arrangement of her stories as sometimes problematic, but had the following to say about her style: "Munro, though her one-time under-appreciation has now been over-corrected, is an astute and lavishly confident writer, her clean, well-shaped sentences delivering a near-constant supply of stinging insight, together with moments of wonderful soft-fingered grace. Her economy with words can be dazzling: 'you couldn't call it rape, she too was determined'".

Dear Life, Munro's most recent collection, closes with four brief sketches she describes as "the first and last – and the closest – things I have to say about my own life." The 82-year old Munro resides on a farm close to Clinton, Ontario, where she and her husband Gerald Fremlin lived until Fremlin's death in April this year.

Shortly after, Munro announced that Dear Life would be her final collection and that she had retired from the writing life.

Alice Munro at a readingin London in 2009. Photograph: Getty Images.

Philip Maughan is a freelance writer in Berlin and a former Assistant Editor at the New Statesman.

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The Polish Christmas advert that trumped John Lewis melts hearts in regretful Brexit Britain

An advert that encourages us to hope for “more” in our relationship with our European neighbours.

John Lewis had a trampolining dog, H&M had Wes Anderson, Sainsbury’s had a singing James Corden. But for all their big-budget sheen and tie-in products, none have mustered as much genuine emotion as this commercial for a Polish auction site, Allegro. Starring an elderly Polish man learning English for the first time, the video has rocked up almost 7 million views since it went online at the end of last month.

We watch Robert labelling all his household possessions (including his dog), reading his vocabulary book and listening to CDs in all manner of locations (his desk, the bus, even the bath) in his attempt to learn English. Why? Well, as the advert reveals in its final moments, it’s all for love: Robert can’t wait to speak English to his granddaughter (and daughter-in-law) when he visits them in the UK this Christmas.

The advert is like a mix of Edeker’s 2015 Christmas advert, and John Lewis’s “Man on the Moon” and “The Long Wait” films – with a dash of Love, Actually (language barriers and doorstep reunions) – so it ticks all the boxes of a Christmas hit. Lonely old person? Check. An agonising wait? Check. Cute pet, adorable tiny child, airport scene? Check, check, check. All topped off with some tear-filled hugs? Checkmate.

It’s funny too: many commenters thought the final twist might be Robert using some of his less child-appropriate vocabulary (“I’m going to fucking kill you!”) when meeting his granddaughter for the first time.

But there’s also a subtly anti-Brexit message here, as love trumps borders. A spokesperson for Allegro told Buzzfeed, “Many Polish people share the same experience” as this “grandfather who overcomes obstacles to reunite with his loved ones living abroad.”

“Nearly one million Poles have decided to leave the country in search for a job, mainly heading for the United Kingdom. Despite the relatively close distance between the countries, family ties tend to weaken. Therefore, Christmas for many is a difficult time in which we yearn for more.”

An advert that encourages us to hope for “more” in our relationship with our European neighbours? Wouldn’t that be the greatest gift of all? Well, much better than a trampoline, anyway. 

Anna Leszkiewicz is a pop culture writer at the New Statesman.