The Sports Gene by David Epstein: A reversal on thinking about talent and genes

Where once to be called talented or a "natural" was the highest praise, today sportsmen have to pretend success has nothing to do with innate ability - is it time to think again?

A man throwing a basketball.
Hoop dream: how far are a basketball player's abilities really stretched by training? Photograph: Samuel Hicks.
The Sports Gene: What Makes
the Perfect Athlete
David Epstein
Yellow Jersey, 352pp, £16.99
 
Sport has done a swift U-turn on the idea of talent. To be called talented or a “natural” was once the highest praise. It tapped into the ideal of gentlemanly effortlessness. Many athletes went along with the lazy labels attached to them, and “naturals” – despite the casual image they presented to the world – worked a lot harder at their craft than they let on.
 
That situation has now reversed. Today’s sportsmen have to pretend that their success can be explained entirely by hard work and has nothing to do with innate ability. During the BBC’s coverage of the London Olympics, the athletics pundits accidentally stumbled into a conversation about genes and talent. Realising that they were veering too close to the truth, they quickly retreated to safety, talking about “hard yards” and “tireless effort”, presumably to avoid accusing a champion of being blessed with good genes and thus robbing him or her of the ultimate modern accolade: victory earned purely through exertion and suffering.
 
“Talent” has become a dirty word. How that happened tells us a great deal about the ways in which our preferred myths have changed. A plethora of self-help books has tried to eliminate the idea of talent altogether, replacing it with the speculative theory that greatness follows simply from 10,000 hours of dedicated practice. Talent, in this analysis, is an old wives’ tale designed to keep you in your place, a cruel hoax that crushes dreams and thwarts ambition.
 
The war on talent uses this language of humane optimism, promising to decode and commodify a blueprint that can turn everyone and anyone into Lionel Messi or, if you prefer, Richard Wagner. The idea conveniently dovetails with the “tiger mother” school of parenting (founded by the Chinese- American law professor Amy Chua), in which children are merely clay models that can be contorted into their parents’ preferred shape.
 
The chief beneficiaries of the war on talent will be not tomorrow’s athletes but tomorrow’s psychotherapists, who can look forward to a generation of future clients struggling to understand how, by some cruel quirk of mischance, they did not become Roger Federer, despite putting in the full 10,000 hours. So full credit to David Epstein, a Sports Illustrated journalist with a serious and deep knowledge of genetics and sports science, for his terrific and unblinking new book, The Sports Gene, a timely corrective to the talentdenial industry.
 
Some athletes are clearly naturally gifted. In 2006, Donald Thomas, a basketball player from the Bahamas, was boasting about his slam-dunking prowess to fellow university students on the track team. They challenged him to jump six feet and six inches at the high jump. Without a semblance of technique, Thomas cleared seven feet. The previously unamused athletes rushed Thomas over to the athletics office. In 2007, after only eight months of training and despite finding high jump “kind of boring”, Thomas was crowned world champion. If he’d possessed even a rudimentary grasp of technique, he would have shattered the world record. Ten thousand hours? There wasn’t time. No, the key was Thomas’s remarkable Achilles tendons, ten and a quarter inches long and unusually stiff – a little like a kangaroo’s.
 
There are also definable types of genetically inherited talents. Epstein was a middledistance runner at college and trained with a close friend and rival. His friend began as by far the better athlete but Epstein gradually surpassed him. Initially Epstein congratulated himself on his own guts, presuming that he had pushed himself harder in training. Then, as he started to watch more closely, he realised that they were doing exactly the same things, suffering the same pain. The difference was not determination but how their bodies responded to training. His friend had a higher “baseline” of aerobic fitness (if they were both forbidden from exercising, his friend would emerge naturally fitter), whereas Epstein had greater “trainability”: his body improved more when it was pushed. The greatest sportsmen, Epstein argues, have both a high baseline and high trainability.
 
That is what I witnessed at first hand as a professional sportsman. Success depends on a mysterious compound (not a mixture, as the elements interact to create an end product that is unrecognisable from its constituent parts) of several factors. First, there is baseline talent and trainability; second, those gifts need to be exposed to coaching, opportunity and competitive culture; and third, they must be marshalled and sustained by the personality of the athlete.
 
Epstein’s book made me revisit my ideas about talent and genes. In my book Luck, I predicted a paradoxical renaissance for pure talent. Professionalism, with its homogenisation of training principles, could one day lead to a situation in which it is almost impossible to gain an advantage through practice (an advantage that was clearly possible in the early decades of professional sport, when some teams were slow to embrace proper commitment). However, when everyone trains optimally, just as when no one trains at all, sport will be dominated by the most naturally talented.
 
Epstein makes a strong case for a more interesting future. Given that everyone has a different phenotype, everyone has a dif - ferent optimal training regime – there can be no final and perfectly transferrable optimal practice routine. So coaches and physiologists should abandon their tendency to believethat they know what’s best for everyone and instead encourage divergence, irreverence, tinkering and trial and error. Groupthink, as ever, has it all wrong.
 
Ed Smith writes the Left Field column in the New Statesman