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An American suicide

There was no subject about which David Foster Wallace could not write brilliantly, from politics to

On the evening of 20 October this year a memorial service was held at Amherst College, Massachusetts, for the writer David Foster Wallace. Wallace, who graduated from Amherst in 1985, had hanged himself the previous month at his home in California. He was 46.

Since the publication of his voluminous and extravagantly ambitious second novel, Infinite Jest, Wallace had been widely acknowledged as the finest American writer of his generation. When Infinite Jest came out, in 1996, New York magazine's Walter Kirn declared that the competition had been "obliterated". It was, he wrote, "as though Paul Bunyan had joined the NFL, or Wittgenstein had gone on Jeopardy!". More or less instantly, Infinite Jest became the benchmark against which any ambitious and intellectually curious young novelist would measure himself. And so, when Wallace died, American fiction lost its lodestar. His suicide was a kind of Kurt Cobain moment, a profound generational shock. (Cobain, frontman of the rock band Nirvana, shot himself at home in Seattle in 1994. He was 27.)

Wallace had begun to write fiction while at Amherst, and his first novel, the antic and exuberant The Broom of the System, published when he was 24, was based on his senior English thesis. One of his professors, Andrew Parker, told the congregation at the Amherst service at Johnson Chapel how Wallace had insisted on writing a thesis in the philosophy department at the same time, and had still managed to graduate summa cum laude in both subjects. Sue Dickman, an Amherst alumna, remembered the year Wallace spent there as an instructor after an abortive attempt to start a PhD at Harvard; she recalled how he would come to class with a tennis racket and let his students take breaks so he could smoke.

The mourners also heard from Mark Costello, Wallace's college room-mate in the early 1980s, who implored them not to forget "how painful Dave's day-to-day life was". Wallace had suffered from depression since adolescence, and was hospitalised during his sophomore year at Amherst. Later, he briefly shared an apartment with Costello in Somerville, near Boston. Wallace was drinking heavily and experimenting enthusiastically with drugs, and eventually ended up in McLean Hospital, a psychiatric institution that had previously counted the poets Sylvia Plath and Robert Lowell among its patients. The "power of death", Costello said, was his constant companion, and "eventually it cornered him and killed him".

While he was at McLean, Wallace was prescribed Nardil, a powerful antidepressant that he would take for most of the next 20 years. By the summer of 2007, however, the drug had begun to have unpleasant side effects, and it was decided that he would come off it. Doing so had catastrophic results. "Severe depression came back," Wallace's father, James, told the online magazine Salon. "They tried all kinds of things. He was hospitalised twice . . . and had a series of electroconvulsive therapy treatments, which just really left him very shaky and very fragile and unable to sleep."

By this summer, Wallace hadn't written anything for more than a year. He had been granted medical leave from his teaching job at Pomona College in Claremont, California, and had stopped going to the gym with his friend and colleague John Seery, where they had been the only "skinny-ass egghead types" in the place.

When, in mid-August, his wife, Karen Green, had to go away on family business, Wallace's parents came to stay with him in Claremont. "He was very emotional," his mother, Sally, said. "He was just terrified of so much. We would just try to hold him. He did tell me that he was glad I was his mom." James and Sally Wallace flew back home to Illinois at the end of the month. A fortnight later, Karen came home from a shopping trip to find her husband dead.

News of Wallace's suicide first broke on the Twitter page of the Brooklyn-based writer Edward Champion. By the time the mainstream media picked up the story, Champion was already gathering tributes and testimonials from the "literary community" on his blog, the comments box of which was soon filling up with expressions of shock and anguish from Wallace's fans. The confession of one devotee that "I haven't really cried over the death of someone I haven't met since Kurt Cobain" was typical.

Within a couple of days, Dave Eggers's McSweeney's ope ration had a virtual book of condolence up on its website, and people were posting reminiscences of meeting "DFW" at readings in out-of-the-way branches of Barnes & Noble, of taking writing classes with him and, in one case, of playing tennis against him in fifth grade. (Wallace had been an adolescent tennis prodigy, playing the junior circuit in the Midwest in the mid-Seventies. The first piece of extended narrative journalism he wrote, for Harper's magazine, was about summers spent "being driven through dawns to tournaments all over Illinois, Indiana and Iowa"; and Infinite Jest is, among other things, probably the finest, and certainly the longest, work of fiction about tennis ever written.)

The internet is a uniquely effective mechanism for processing public grief, of course, but there was something striking nevertheless about the sheer copiousness of the reaction to Wallace's death. This was partly because he was the kind of writer who attracts acolytes as well as admirers. The esoteric, self-enclosed quality of much of Wallace's fiction, not least the great thousand-odd-page slab of Infinite Jest itself, tended to inspire unusually fierce allegiance in many of his fans - the sort of obsessive who can tell you the likely effects of putting your head in a microwave (this being how the father of one of the central characters kills himself) because they've checked with a "med-school acquaintance", and who posts elaborate theories about arcane plot points online ("It sounds far-fetched, but check this out . . .").

Just as striking, and much more significant, however, was the reaction of other writers, Wallace's peers. There was spontaneous, unanimous agreement that he had been the best of them. Jonathan Franzen described Wallace as a "huge talent, our strongest rhetorical writer". In Zadie Smith's view, he had no "equal among living writers. He was an actual genius". He was also, everyone agreed, an unusually generous man: as "sweet a person" as Franzen had ever known, "meticulous about putting people at their ease", according to Smith.

Eggers posted a series of anecdotes about Wallace on the McSweeney's website. In one, he recalled the first time they met, in the mid-Nineties, at a diner in New York. While Wallace chewed tobacco, using a teacup in his lap as a spittoon (a habit he would never give up), he and Eggers "talked about how he'd grown up in Champaign-Urbana, Illinois, and how I'd gone to college there, how his father taught there, about the pleasures and quirks of east-central Illinois. There's something very strange and uniquely powerful about meeting a guy whose writing you find world-changing but who also comes from your part of the world."

Who else could have written a story about a marketing executive who plans to inject deadly cultures into a snack he’s testing with focus groups?

Wallace was, by his own description, an “infantile transplant” to Illinois from upstate New York: his father had done his PhD at Cornell University and had come west to teach philosophy at the University of Illinois in Champaign. His mother taught English at a local community college. Wallace described the atmosphere of the family home in an essay he wrote for Harper's: “Suppers often involved a game: if one of us children [Wallace had a sister, Amy] made a usage error, Mom would pretend to have a coughing fit that would go on and on until the relevant child had identified the relevant error and corrected it. It was all very self-ironic and light-hearted; but still, looking back, it seems a bit excessive to pretend that your small child is actually denying you oxygen by speaking incorrectly.”

Being raised as an "extreme usage fanatic" by a teacher of composition certainly left its mark on the mature Wallace's prose style. In another of his McSweeney's posts, Eggers remembered the time Wallace sent him a story, "Mister Squishy", together with a note asking that if it was to run in his magazine, it should do so under the pseudonym "Elizabeth Klemm". Eggers agreed ("we were so proud to publish it"), but the subterfuge didn't last long: Wallace was simply "too recognisable to hide, too singular to fool anyone". Who else could have written a 60-page story about a marketing executive who hatches a plan to inject deadly cultures into the "snack cakes" he is testing with a focus group? And all this in sentences of improbable length and fiendish complexity.

Take the passage in which the protagonist fantasises, while briefing his focus group, about how much ricin or botulinus it would take to bring the entire corporate snack industry to its knees. As he is doing so, he is struck by his ability to entertain such fantasies in "total subjective private" and then by the thought that half the people in the room with him are doing the same:

. . . Schmidt had a quick vision of them all in the conference room as like icebergs and/or floes, only the sharp caps showing, unknowing and -knowable to one another, and he imagined that it was only in marriage (and a good marriage, not the decorous dance of loneliness he'd watched his mother and father do for seventeen years but rather true conjugal intimacy) that partners allowed each other to see below the berg's cap's public mask and consented to be truly known, maybe even to the extent of not only letting the partner see the repulsive nest of moles under their left arm or the way after any sort of cold or viral infection the toenails on both feet turned a weird deep yellow for several weeks but even perhaps every once in a while sobbing in each other's arms late at night and pouring out the most ghastly private fears and thoughts of failure and impotence and terrible and thoroughgoing smallness . . .

This is writing of extraordinary syntactic control, and it is characteristic of what Eggers describes as Wallace's "dense, discursive, and insanely detailed style". The sentence continues for almost another page; the paragraph in which it occurs runs over four pages. Eggers says that he asked Wallace to consider breaking up some of the paragraphs before the story was published: "It was as if he were visiting the notion . . . for the first time. He was that kind of genius, whose understanding of the workings of his own fiction was, I think, largely separate from ideas of audience."

Actually, Eggers is missing something here, because Wallace thought more deeply about questions of audience and address than any other American writer of his generation. All that "insane" detail, and the formal strategies he borrowed from postmodernism (authorial intrusions, digressions, footnotes, flash-cutting between scenes and so on), were meant in fact to serve the rather traditional end of saying something about "what it is to be a fucking human being".

Wallace believed that each of us is "sort of marooned" inside our own skull, and that it is fiction's job to "aggravate this sense of entrapment and loneliness and death in people". It was the estranging apparatus of his style - the postmodern rhetorical devices, the hyperextended sentences - that was meant to do the aggravating.

That, at least, was the theory. However, Wallace was tormented by the thought that the “antagonistic elements” in his fiction might in fact just be manifestations of a pathological exhibitionism. He deplored his own “grossly sentimental affection for gags” and weakness for “formal stunt-pilotry” that served no narrative purpose. But he also understood that this predicament was not his exclusively; it was that of an entire generation of writers who, in a sense, had come too late – who had arrived, that is, just as the bold innovations of postmodern novelists such as John Barth, William Gaddis and Thomas Pynchon were being absorbed and neutered by the culture.

Wallace believed that each of us is “sort of marooned” inside our own skull and that it is fiction’s job to “aggravate this sense of entrapment”

This highly developed generational self-consciousness is one reason Wallace was held in such esteem by his peers: he held up a mirror to their own anxieties, and articulated them more clearly and honestly than they ever dared.

Infinite Jest bears the scars of Wallace's parricidal struggle with his influences. He insisted that he had wanted it to be an "extraordinarily sad" book about loneliness and addiction, rather than a postmodern one. And to this end, the novel's two principal settings are a tennis academy, which Wallace depicts as a kind of laboratory of obsession (he writes with considerable feeling about the psychic costs exacted by endless early-morning tennis drills), and a halfway house for recovering drug addicts and alcoholics. However, it is also crammed with set-ups and gags that could have come straight out of the fiction of Thomas Pynchon: a geopolitical agglomeration with the acronym ONAN; a gang of wheelchair-bound Québécois separatists; and a film so entertaining that it paralyses anyone who watches it.

At times it seems as if the novel is conducting an argument with itself - for instance, in a long scene in which Don Gately, a former drug addict who is now a live-in staffer at the half way house, goes to an Alcoholics Anonymous meeting in Boston. One of the residents in Gately's care is there, too, and complains about the "psychobabbly dialect" that's de rigueur at events like this. Gately admits that the "seminal little mini-epiphanies" routinely experienced by new inductees into AA come embalmed in language of "polyesterish" banality. Then someone else says they also find the sentimental argot hard to stomach - especially the habit the speakers have of saying they are "here but for the grace of God", which phrase, she points out, is "literally senseless", and should be used only when introducing a conditional clause. Wallace is flattering his hip and savvy readers here, inviting them to identify with this sophisticated cynicism. But it is also clear that we are meant at the same time to find something ridiculous and overwrought about someone who is driven to want to "put her head in a Radarange" by a home-spun solecism or two. Indeed, Wallace said later that the scene was designed to get his readers - privileged, educated Americans, most of them - to "confront stuff about spirituality and values", stuff "our generation needs to feel".

Infinite Jest turned out to be Wallace's last novel. He didn't stop writing fiction - there were two further collections of stories, the second of which, Oblivion, contains some of his finest work - but, as Mark Costello observed in his Amherst encomium, something changed: "If you sit down and read his prose from the early Nineties to later, you'll hear the music changing. You'll hear sentences getting longer and longer, with these wonderfully balanced dependent clauses."

According to the novelist and journalist Tom Bissell, who knew Wallace, this was also a shift in "world-view". Bissell told me: "I think the man who wrote Oblivion would not have been satisfied with the cross-dressing leader of a Québécois separatist group whose primary mode of transport is wheelchairs, or with the political acronym ONAN, both of which are kind of silly in the way Pynchon is silly, but not in the way the world ever feels silly. I believe he escaped the anxiety of his influence."

Wallace's deepening ambivalence about the moral as well as aesthetic legacy of postmodernism is especially noticeable in the non-fiction he wrote in the last decade of his life. In many of his essays, whether the brief was to write about Caribbean cruises or the Maine Lobster Festival, he can be seen grappling obsessively with all that "stuff about spirituality and values".

A good example is a piece he wrote after Harper's sent him back to Illinois to attend the state fair, and to gorge on corn dogs while watching the rural Midwest at play. "Getting Away From Already Pretty Much Being Away From It All" derives all its considerable force from the tension between Wallace's self-acknowledged "East Coast cynicism" and his yearning for a kind of authenticity.

He describes coming across a small hillock that, for some reason, has been covered in artificial grass: "a quick look under the edge of the fake-grass mat reveals the real grass underneath, flattened and already yellowing". Now, the postmodernist debunker in him would have been content to leave that image to stand for the emptiness and shoddiness of the state fair as a whole. But Wallace doesn't settle for simply unmasking the event as a sham; and this is partly because, for all his protestations that he is no longer "spiritually Midwestern", he remains of the place he is describing.

He understands that to be Midwestern is to be "marooned in a space whose emptiness is both physical and spiritual", and that what the state fair provides is a kind of temporary communal respite from that condition. As Bissell, himself from the Midwest, puts it, "in terms of literary persona, [Wallace] was temperamentally speaking a rural Midwesterner, intellectually speaking a high-wire postmodernist, and emotionally speaking an artist-as-priest type. I'm not sure anyone else has really managed to combine those qualities."

Wallace’s best essays are artefacts of this multifarious literary personality, dramatisations of its internal conflicts. Nowhere is this drama more powerfully performed than in the 15,000-word article he wrote for Rolling Stone about a week he spent following John McCain during his Republican primary battle, in 2000, with George W Bush. (The article was turned into a short book this year to coincide with McCain’s second run at the presidency.)

It is unsettling reading the piece now - after a Republican campaign this year conducted mostly from the sewer - to recall that eight years ago McCain represented to many the last, best hope for decency and truth in American politics. Even the most jaded hacks aboard McCain's bus, the Straight Talk Express, were wondering if "humanity and politics, shrewdness and decency" really could coexist. And Wallace finds himself as inspired as anyone: "It's difficult not to feel enthused and to really like this man and want to support him in just about any sort of feasible way you can think of."

Underpinning McCain's promise in 2000, of course, was "something riveting and unspinnable and true": that the candidate had been imprisoned and tortured during the Vietnam War, and spent five years in a box-sized cell at the "Hanoi Hilton". But whatever it was in his character that sustained McCain during those five years was shut away in that box, too. This, for Wallace, was the essential "paradox" of his campaign: the fact that the "box that makes McCain 'real' is, by definition, locked. Impenetrable." Which meant that it was up to the voter to decide whether McCain was "truly 'for real'".

What the essay is really about, therefore, is the "interior war" inside Wallace's own head between the need to believe in something larger than himself and his anxiety that the need to believe might be a sham or a fraud. And "fraud", Mark Costello reminded the mourners at Amherst, "was one of the worst words in his personal vocabulary".

In the end, Wallace took his own life. Perhaps the struggle to believe in something was too great; he had suffered too much. He was the ultimate victim of his own interior war.

Jonathan Derbyshire is a writer and philosopher

The best of David Foster Wallace

1987: The Broom of the System

The metafictional game-playing and sheer verbal inventiveness of Wallace's first novel established him as a successor to American postmodernists such as John Barth and Thomas Pynchon. It is set in the near future in Cleveland, which now stands on the border of the Great Ohio Desert (or GOD), a vast tract of land filled with black sand.

1989: Girl With Curious Hair

The centrepiece of this first collection of stories is "Westward the Course of Empire Takes Its Way", a 150-page novella set in a creative writing workshop. Wallace said the story was "written in the margins" of Barth's Lost in the Funhouse - the professor running the workshop is the author of a famous story also called "Lost in the Funhouse".

1996: Infinite Jest

The gargantuan novel that sealed Wallace's reputation as the most exciting and ambitious American novelist of his generation. The plot motor of Infinite Jest, which is over a thousand pages long and weighed down with more than a hundred pages of endnotes, is a movie of the same name which paralyses anyone who watches it.

1997: A Supposedly Fun Thing I'll Never Do Again

Wallace's first collection of extended non-fiction contains some of his most celebrated essays: the titular record of a comically awful Caribbean cruise; a paean to the genius of David Lynch; and "E Unibus Pluram", his account of the way the "rebellious irony" of postmodernism was co-opted by television.

1999: Brief Interviews With Hideous Men

In the title story of this second collection of shorter fiction, several unidentified men describe their sexual proclivities - including one who can't help shouting "Victory for the Forces of Democratic Freedom!" when he is on the point of ejaculating. Another story, "The Depressed Person", with its extravagantly long sentences, footnotes and abundant psychotherapeutic jargon, is typical of Wallace's later fictional style.

2004: Oblivion

Oblivion has several of Wallace's finest stories, notably "Good Old Neon" and "The Suffering Channel". The former is narrated from beyond the grave by a high school acquaintance of "David Wallace". In the latter, a journalist on a hip New York style magazine travels to Indiana to profile a man who developed an ability to shit perfectly rendered sculptures while on latrine duty during the first Gulf War.

2005: Consider the Lobster

When Gourmet magazine sent Wallace to the Maine Lobster Festival, he came back with the title essay of this collection, in which he asks whether it is morally acceptable to boil sentient creatures alive (short answer: no).

2008: McCain's promise

This short book about John McCain was published this year to coincide with the US presidential election. Originally published as a long narrative report in Rolling Stone magazine under the title "Up, Simba!", it is an account of a week spent following the McCain's campaign during the 2000 Republican primaries. Wallace admired McCain the man, if not the politician, and was fascinated by his years in prison in Vietnam. He did not live long enough to see the outcome of this year's presidential election.

the death of Kurt Cobain

Whatever the cultural significance of Kurt Cobain's suicide, his reasons, as with David Foster Wallace, were first and foremost personal. Struggling with heroin addiction, various medical problems and facing an impending separation from his wife, Courtney Love, the lead singer of Nirvana shot himself at home in April 1994. Yet when news broke, the public outpouring of grief among teenage fans in his home city of Seattle resonated around the world.

To many, his death represented a clash between conflicting value systems: the counterculture from which Nirvana had emerged, and the corporate world of MTV and major record labels that transformed them into global rock stars just months after the release of their 1991 album, Nevermind. Cobain's suicide seemed like an admission that these two worlds could not be reconciled. "The worst crime I can think of would be to rip people off by faking it and pretending as if I'm having 100 per cent fun," he declared in his suicide note. The irony is that this exit only pushed Cobain deeper into music-industry mythology.

But it is a mistake to see his death as an artistic gesture. Cobain had come adrift in his life, which is something he shared with the increasing numbers of young men who kill themselves every year. In England and Wales, for example, suicide remains the second most common cause of death for men under the age of 35. If you really want to know something about the hopes and fears of a generation, understanding these everyday tragedies is as important as unpicking the famous ones.

Daniel Trilling

Jonathan Derbyshire is Managing Editor of Prospect. He was formerly Culture Editor of the New Statesman.

This article first appeared in the 01 December 2008 issue of the New Statesman, How safe is your job?

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The biggest blunder of them all

It was a catastrophic error of judgement that produced the referendum – and now the British political class is paying the price.

AAs dawn broke on Friday morning and I turned over in bed to grab my phone and Twitter, I thought immediately of G K Chesterton’s poem from 1915, about the secret people of England:

 

Smile at us, pay us, pass us; but do not quite forget.
For we are the people of England, that never have spoken yet.
There is many a fat farmer that drinks less cheerfully,
There is many a free French peasant who is richer and sadder than we.
There are no folk in the whole world so helpless or so wise.
There is hunger in our bellies, there is laughter in our eyes;
You laugh at us and love us, both mugs and eyes are wet:
Only you do not know us. For we have not spoken yet.

 

Well, they have spoken now. This was a quietly devastating revolt by the English heartlands – southern and western suburbs; the urban sprawls of the Midlands and the north; former mining areas and devastated ex-industrial towns – against London, Scotland, Northern Ireland and the so-called elites. Looking at the numbers, one sees that it was a revolt also by older voters against younger voters and by poorer against richer, better-educated voters. It was, of course, a great democratic moment. Apart from the hideous and probably unconnected murder of Jo Cox, it was accomplished peacefully, and by a majority of well over a million. That sets it aside from Chesterton’s vision, which moves on from benign, bucolic defiance to outright anti-Semitism and warnings of blood-drenched revolution. Well, that’s the beauty of modern democracy . . .

The decision by the British people to leave the European Union is this country’s single biggest democratic act in modern times – indeed, as far as I can make out, the biggest ever. But it is also one of the elite’s most significant blunders, provoked by the most senior politicians for the wrong reasons and then pursued in what (to use a crude but apposite phrase) is the biggest establishment cock-up in my lifetime.

We should not fall into the trap, though, of seeing this as a purely British story. It is also about the EU, now looking more fragile than at any other time since the 1950s, and about what is still our common European home. There are calls for national revolt against the EU coming from across the continent. Far too many of the continent’s leaders welcoming our decision were the wrong sort of people. Mostly, the congratulations are coming from far-right parties, whose most lurid and upsetting rhetoric has emerged from central and eastern Europe. If you think I’m exaggerating, go on to YouTube, type “Visegrad”, and spend ten minutes watching. If this vote presages a process of messy and angry dissolution, it’s a story that will have started here. But that is only the beginning. If Marine Le Pen wins the French presidential election, then a French exit from the EU looks very likely – and that really is the end of it all.

Hurrah, many people will say: but we should reflect that this will demand negotiation of many individual trade deals with the leaders of angry and fractured European nations, which will clearly be a lot harder than any single deal with the EU. And then, there are the darker forebodings about Europe, which has never managed to stay at peace with itself for long as a constellation of independent countries. Immigration pressures and the Russian threat are just a couple of possible sources of future conflict.

But there are better outcomes. For the UK the optimal one now is clearly “Norway-plus”: meaning, in essence, restrictions on the free movement of people but access to the single market. Unless the victorious team of Brexit Tories is bonkers, this is what they will try to negotiate. It would minimise the threat of all-out economic disruption, which has already begun, and answer the biggest complaint from Leave voters. To which the obvious retort is: “Why in a million years would they give us that?” Well, as leaders in France, Germany, the Netherlands and other countries contemplate their own populist insurgencies, they must know that a rethink of freedom to work across borders is their best card against the insurgent right. There is a slim, but not entirely negligible, chance that a much wider rethink across the EU will now be prompted by the British decision.

This is not something that will be decided here. Is it possible that leaders in Brussels will eventually react, once the anger has cooled, to take a different path: to listen much more acutely to the sounds of pain caused by the euro experiment; to do a proper deal for Greece; to reassert democratic accountability (much more Council of Ministers, much less Commission); and to reassess free movement? Writing it, I know that I sound like a deluded optimist, but the possibility deserves to be filed alongside all the grimmest alternatives.

Keeping all this cautiously in mind, let’s look at the British establishment cock-up. According to one of those involved, this all started at a pizza restaurant at Chicago O’Hare Airport at the time of a Nato conference in 2012, when David Cameron and his closest political allies decided that the only way of scuppering Ukip and the Euro-hostile right of the Conservative Party was to give the British people a referendum.

The brutal way of putting this is that Cameron decided to put party management and tactics ahead of grand strategy, grossly overrated his own negotiating skills, and has been badly bitten in the bottom accordingly. He has often looked like a chess player who plays the next move brilliantly yet fails to see three moves ahead. There is, however, a more generous explanation – which is simply that this referendum was inevitable; that it was more than time for restless British voters to reassess their membership of a union that has changed dramatically since we joined, both in extent and in depth.

***

At any rate, whatever his mixed motives, Cameron believed that he could negotiate a deal with his EU partners so good that he would win a subsequent referendum. A great deal of this was based on a second huge miscalculation – about his friend Angela Merkel.

As a result, the whole referendum process was fixed around the negotiation. In other words, the feeling was: “Give the plebs their plebiscite. It’s pretty safe. The Continentals will be scared enough to give us a great deal and, therefore, the people will vote for Nurse.” As soon as it became clear that Mrs Merkel was not prepared to countenance an end to the free movement of people, the plan began to fall apart. I vividly remember interviewing Cameron as the details of the negotiation became clear and thinking to myself, between his explanations: “This isn’t nearly enough.”

This mistake was followed by another – one that the Scottish National Party leader, Nicola Sturgeon, publicly warned against months ago. Those running the Remain campaign always believed in “Project Fear”; that a barrage of warnings by the Treasury, big business, banks and international organisations would simply terrify ordinary voters – pensioners and workers alike – and pulverise the arguments for leaving.

It had worked, after all, hadn’t it, in Scotland in 2014? A close confidant of the Prime Minister told me, when I questioned him about the wisdom of this: “On the contrary, we need more fear. Fear is the only thing that can win it for us . . . We need lots of fear. We need as much fear as we can get.”

But the Scottish parallel proved to be a delusion. First, this kind of “you will lose your pensions, you will lose your jobs” warning infuriated many Scottish voters in 2014, who stuck their fingers in their ears and moved over to the Yes campaign. Second, although in the end threats of doom may have swung things, Scotland was a country of five million people, suffering from a falling oil price and taking a decision about a union that had been around for three centuries. If, right at the end and by a narrow margin, Scots voted two years ago to stay inside the UK, that was not a close enough comparison for this referendum; there were far more people involved, a bigger country, a much looser and more recent union.

It was the specificity of the Project Fear warnings that did most damage: households £4,300 worse off, house prices falling by 18 per cent, and so forth. By being incredibly detailed, the Remain campaigners lost the ear of a dubious public. That meant that the much more frightening warnings by business leaders, talking about companies they knew and understood, didn’t get enough traction. Granted, we still don’t know; Project Fear may be vindicated yet. (The early falls on the money markets and stock markets tell us very little – they may be an overreaction to previous and recent complacency.)

But the most significant reason Project Fear failed was that it was confronted by a larger project of fear: the fear of uncontrolled and uncontrollable migration running, cumulatively, into the millions for many years ahead. Frank lies were told. Gross exaggeration ran riot. This was a fight between people who like living among migrants from Europe and employing them, on the one hand, and those competing against migrants (and failing) for jobs and wages. Neither David Cameron nor Theresa May seemed to have a plausible response to “uncontrolled immigration”. That may be because, inside the EU, there wasn’t one. Jeremy Corbyn responded with interesting ideas about wage rates and employment laws which did not address, at all, central fears about numbers and identity.

It is on this, above all issues, that “the plain people of England” spoke most compellingly against the elites, from Westminster politicians and Whitehall mandarins to London actresses, pop stars and media grandees. Boris Johnson, Michael Gove and Nigel Farage were absolutely right to point out that immigration from eastern Europe – though it has hugely benefited people who employ drivers and domestic servants, and who want to pay less for their electrical or plumbing repairs – keeps down the wages of indigenous working-class people and, in many cases, makes it harder for them to find work in hotels, in restaurants, on farms and elsewhere. Aggregated economic statistics mean nothing compared to personal experience. If you’ve got nothing, you’ve got nothing to lose. (Well, in fact, you have got something, but it feels that way.) When George Osborne warned of an economic apocalypse, people with nothing who felt they had no opportunities just put their fingers in their ears and went “la-la-la”.

There were people who saw what was happening and understood that disregarded Lower and Middle Britain was fed up to the back teeth and ready to revolt: some trade union leaders – whose job it was, after all, to represent them – and some Labour MPs.

***

The Labour leadership, however, seems to have got the message far too late and far too weakly, and that was a function of its own political philosophy. Labour leaders of the Jeremy Corbyn era don’t like to talk about immigration and have based much of their inner-city politics on the rights and causes of migrant communities already in the UK. The menacing noises about a leadership challenge grew louder by the hour and then turned into open revolt.

There is something tragicomic about this. The Corbyn revolution was about the overthrow of the last remnants of the Blairites, accused by party activists of not thinking enough or caring enough about ordinary Labour voters – of becoming too rich, too close to the elites, and infatuated by neoliberal, post-Thatcher economic solutions. The Corbyn movement began as an anti-elitist rebellion. But now, from their base among Londoners and students whose politics are a million miles away from the views of angry, white, non-metropolitan, working-class voters the Corbynistas, too, found themselves unable to get a hearing.

So, what is the result of all this? Wherever one looks, the British political class has come close to destroying itself. There is no source of authority. As Kenneth Clarke has noted, we have a hole, in effect, where a government should be.

The Remain faction of Tory MPs has no leader now. Many of them are bruised and livid against the triumphant Brexiteers. Boris Johnson, Michael Gove, Iain Duncan Smith and the rest now have to deal with outraged Tories who accused them of lying, a panicky and angry City, big business leaders who feel betrayed, and an EU in a dark mood. All of this is taking place during the inevitable turmoil and struggle of a Conservative leadership campaign. It is no doubt hyperbole to say we have absolutely no government at the moment: there is still a prime minister, there is a cabinet, and there is a party with a paper majority in the Commons. But if “government” means a group of people with a mandate and a plan, and the parliamentary authority to carry it through – well, we certainly don’t have that.

What happens in Scotland and Northern Ireland now adds to the sense of crisis. Nicola Sturgeon has this problem: she would very much like to secure terms for Scotland staying inside the EU before the rest of the UK leaves. That would minimise disruption, give Scots a secure alternative haven and prepare perfectly for a successful referendum on independence. The problem is that the EU is unlikely to countenance this. First, Scotland may be a country but it is not a nation in EU terms, and therefore has no locus. At the very least, under current EU law, Scotland would need to be a customs union – which it isn’t.

The alternative is that Scotland leaves alongside the rest of the UK and then has to reapply, after an independence referendum. The problems here multiply: Nicola Sturgeon and the SNP may have lost momentum and because new applicants have to join the euro, and will be under great pressure to ­accept the Schengen Agreement, she would be going to the Scottish electorate offering an independent Scotland using the euro (not the world’s most popular currency at the moment, to put it gently) and requiring a hard border with England. This seems to me a hard sell to Scottish voters, especially long after the initial Brexit shock will have faded. What we don’t know is how enthusiastic the rest of the European Union would be about bringing in an independent Scotland briskly, to punish Westminster, and how threateningly Spain’s Catalan/Basque difficulties will loom.

In Northern Ireland, Sinn Fein is calling for an all-Ireland referendum. There is now a border problem there as well, for the first time since the 1998 peace agreement. Tory ministers dismiss this but the dynamics of Irish politics, too, have been dramatically changed by the Brexit vote.

The UK could, naturally, survive all of this completely intact. But the possibility, at least, of a relatively lonely England is something that the new and victorious Brexit Tories now have to confront.

In usual circumstances, we would expect an early general election. There is a strong basic democratic case for one: otherwise, we get a prime minister, never chosen by the country, attempting to enact a manifesto no party has ever stood on in a general election. But we don’t really have the political parties to contest it, do we? Ukip is in chipper form. Like so many nationalist movements, it may survive achieving its goal. But the Conservatives are hopelessly divided. The outgoing Prime Minister believes the likely incoming Tory leader – a certain flaxen-haired fellow – is going to put a bomb under the British economy and has told outright untruths. He is trying hard to stop Boris but Boris may well be unstoppable. Another (former) prime minister, Sir John Major, tells us we cannot trust the National Health Service into the hands of Johnson, Gove and Duncan Smith. The amiable Alistair Burt, the MP for North-East Bedfordshire, has promised Brexit Tories that what is to come will make the Maastricht rebellion seem like a tea party.

No, on the whole, they don’t look like a party aching to face the electorate. You might expect the Labour leader to fight for an early election and try to rally the Commons to his side. But then Jeremy Corbyn faces his own rebellion.

At the moment, the coup against him seems to face insuperable hurdles. There isn’t a plausible alternative candidate so far. Above all, he retains the support of most Labour members, and it is they and trade unionists who will have the final say, whatever the Parliamentary Labour Party does.

If Corbyn sees off the plotters, what next? A united Labour opposition could go into a general election saying explicitly that it rejected the Brexit decision – that the vote was based on lies and scaremongering – and that, if elected, they would not implement Article 50: in effect, not leave the EU. That is what the Liberal Democrats are doing. For Labour, it would be a huge gamble. It would be a slap in the face for the majority who voted on 23 June and could lead to a different kind of revolt. But it would give the Labour Party a very clear purpose and agenda that could reach out into parts of Britain Corbyn has no chance of reaching just now.

Naturally, the politicians have noticed all this. So we are hearing a great deal of optimistic whistling from leading Conservatives, insisting that they can work together happily and cordially for the rest of this parliament – trying to persuade us that they’ve forgotten everything they said about each other during the referendum campaign, and that people who believe Brexit is an economic catastrophe will nevertheless roll up their sleeves and . . . er . . . make it happen.

Clearly, the best hope for the Conservatives is that such warnings turn out to be piffle and that we are soon enjoying an economic upswing, even as the EU continues to struggle. If Boris Johnson or another leader is indeed able to achieve “Norway-plus” then the Brexiteers are close to being home free. Yet there are signs already that the Boris camp is slightly panicky – as well it might be – about a rash of racist and xenophobic politics immediately after the results. He is right, of course, to call for inclusion and calm, though it is fatuous to suggest that immigration was not a critical issue in the campaign. If he wants to win long term, he has to get a different deal from Brussels, much better than the one that Cameron got – a long shot, but not impossible. For the Brexiteers, time is very short. They have to stay together, and yet there will be tensions: Rupert Murdoch is running Gove against Johnson, or, at any rate, would like to.

My guess is that parliamentary chaos and an overwhelming sense of drift at the centre of politics will nevertheless propel us into an election later this year or early next year. If so, that will mean that, tactically, the Brexiteers, who don’t want to trigger Article 50 just yet, must do so before the people are asked for their view again.

And, of course, if it turns out that George Osborne’s blood-curdling warnings about jobs and investment turn out to be even half accurate, then those same cheerful gentlemen will have many personal apologies to make to people who do lose their jobs, or see prices rise and their pensions fall. There is plenty of anger still to come.

That’s not so surprising: after all, this was a kind of revolution. It has been a very British revolution, accomplished through the ballot box and after a great deal of nonsense spoken on all sides. The plain people, of England, mainly, have spoken at last and their voice has blown over not just a constitutional link with the European continent but also almost the entire political class – and most of the pollsters – and oh, go on, then – us clever-Dick journalists as well.

Andrew Marr presents “The Andrew Marr Show” on BBC1. His Brexit thriller, “Head of State”, is published by Fourth Estate

Andrew Marr is a broadcaster and journalist. Formerly the BBC’s Political Editor, he presents the Andrew Marr Show on BBC1 on Sundays and Start the Week on Monday mornings on Radio 4.

This article first appeared in the 30 June 2016 issue of the New Statesman, The Brexit lies