Weird science

According to some Muslim scholars, everything from genetics to robotics and space travel is described in the Quran. What nonsense.

 

Science has acquired a new meaning in certain Muslim circles. When classical Muslim scholars declared that "whosoever does not know astronomy or anatomy is deficient in the knowledge of God", they were emphasising the importance of the scientific spirit in Islam and encouraging the pursuit of empirical science. But today, to a significant section of Muslims, science includes the discovery of "scientific miracles" in the Quran.

The Quran does contain many verses that point towards nature, and constantly asks its readers to reflect on the wonders of the cosmos. "Travel throughout the earth and see how He brings life into being" (29:20) is a piece of advice we frequently find in the Muslim sacred text. "Behold," we read elsewhere, "in the creation of the heavens and the earth, and the alternation of night and day, there are indeed signs for men of understanding . . ." (3:190).

But these verses do not have any specific scientific content - they simply urge believers to study nature and reflect on the awe-inspiring diversity and complexity of the universe. The emphasis in many of these verses, such as "The sun and the moon follow courses (exactly) computed; and the stars and the trees both prostrate in adoration; and the heavens He has raised high, and He has set up the balance" (55:5-7), is on the general predictability of physical phenomena.

It requires considerable mental gymnastics and distortions to find scientific facts or theories in these verses. Yet, this height of folly is a global craze in Muslim societies, as is a popular literature known as ijaz, or "scientific miracles of the Quran". Islamic bookshops are littered with this literature, television preachers talk endlessly about how many different scientific theories can be found in the Quran, and numerous websites are devoted to explaining the phenomenon. It can seem as if ijaz literature has taken total control of the Muslim imagination.

"Almost everything, from relativity, quantum mechanics, Big Bang theory, black holes and pulsars, genetics, embryology, modern geology, thermodynamics, even the laser and hydrogen fuel cells, have been 'found' in the Quran," says Nidhal Guessoum, professor of astrophysics at the American University of Sharjah. Whereas centuries ago, Muslim mathematicians discovered algebra (and led the world in countless fields of knowledge), some of today's believers look to the Quran for equations to yield the value of the speed of light or the age of the universe, and other bewildering feats.

The tendency to read science in the Quran has a long history. In the 1950s, for example, when the US and the Soviet Union were competing to put a man in space, pamphlets appeared in India and Pakistan in which Quranic verses on the all-powerful nature of God were quoted to "prove" that manned space flight would never happen. However, for the current manifestation of ijaz, we need to thank not writers from the madrasas of the Middle East, but two western professors - neither man a Muslim.

It began in 1976, with the publication of The Bible, the Quran and Science by Maurice Bucaille, a French surgeon who had served the Saudi monarchy and acquired his basic knowledge of the Quran in the kingdom. He set out to examine "the holy scriptures in the light of modern knowledge", focusing on astronomy, the earth, and the animal and vegetable kingdoms. His conclusion was that "it is impossible not to admit the existence of scientific errors in the Bible". In contrast: "The Quran most definitely did not contain a single proposition at variance with the most firmly established modern knowledge." Many Muslims embraced Bucaille's thesis as proof of the divine origins of the Quran.

Ijaz literature received a further boost almost a decade later with the publication of the paper Highlights of Human Embryology in the Quran and the Hadith by Keith Moore, a Canadian professor of anatomy who was then teaching in Saudi Arabia. Moore illustrated certain verses from the Quran with clinical drawings and textbook descriptions. For example, the verse "We created man from a drop of mingled fluid" (76:2) is explained by Moore as referring to the mixture of a small quantity of sperm with the oocyte and its follicular fluid.

He was quite a performer, and stunned the gathering at the seventh Saudi Medical Meeting, held in 1982 in Dam mam. He read out the Quranic verses: "We have created man from the essence of clay, then We placed him as a drop of fluid in a safe place, then We made that drop into a clinging form, and made the form into a lump of flesh, and We made the lump into bones, and We clothed these bones with flesh, and We made him into other forms . . ." (23:12-14).

Moore then shaped some Plasticine to resemble an embryo at 28 days and dug his teeth into it. The chewed Plasticine, he claimed, was an exact copy of the embryo, with his teeth marks resembling the embryo's somites (the vertebral column and musculature). He displayed photographs to show that bones begin to form in the embryo at six weeks, and muscles attach to them. By the seventh week, the bones give a human shape to the embryo; ears and eyes begin to form by the fourth week and are visible by the sixth. All these developments, Moore claimed, fit the Quranic description exactly.

Both Bucaille and Moore played on the inferiority complex of influential Saudis, suggesting that the Quran was a scientific treatise and proof that Muslims were modern long before the modern world and modern science. The Saudi government poured millions into ijaz literature. The Commission on Scientific Signs in the Quran and Sunnah was established. The first international conference on the subject was held in Islamabad, in 1987. Moore's paper was included in an illustrated study: Human Development As Described in the Quran and Sunnah. The field has been growing exponentially ever since.

Guessoum, who is about to publish a book on ijaz literature, says that most works on scientific miracles follow a set pattern. They start with a verse of the Quran and look for concordance between scientific results and Quranic statements. For example, one would start from the verse "So verily I swear by the stars that run and hide . . ." (81:15-16) and quickly declare that it refers to black holes, or take the verse "[I swear by] the Moon in her fullness; that ye shall journey on from stage to stage" (84:18-19) and decide it refers to space travel. And so on. "What is meant to be allegorical and poetic is transformed into products of science," Guessoum says.

These days, the biggest propagator of ijaz literature is Harun Yahya (real name Adnan Oktar), a Turkish creationist. He has published scores of pamphlets and books that are heavily subsidised and sold very cheaply. The latest, Miracles of the Quran, explains the verses of the Quran "in such a way as to leave no room for doubt or question marks". The author suggests that the verse "We have sent down iron in which there lies great force and which has many uses for mankind" (57:25) is a "significant scientific miracle", because "modern astronomical findings have disclosed that iron found in our world has come from the giant stars in outer space". The verse "Glory be to Him Who created all the pair of things that the earth produces" (36:36) is claimed to predict anti-matter.

But these inanities are not limited to crackpots. "Even respected university professors believe this nonsense," Guessoum says. "In my own university, around 70 per cent of science professors subscribe to the view that the Quran is full of scientific content, facts as well as theories." Indeed, many respected scientists have contributed to the literature. Prime among these is The Geological Concepts of Mountains in the Quran (1991). Written by the Egyptian scientist Zaghloul el-Naggar, who held the chair of geology at King Fahd University of Petroleum and Minerals in Dhahran, Saudi Arabia, the book has gone through numerous editions. It was so successful that el-Naggar gave up teaching to become the chair of the Committee of Scientific Notions in the Glorious Quran, established by the Supreme Council of Islamic Affairs in Cairo. Today, he lectures on "geology in the Quran" and CDs of his talks sell out.

The latest tome on the subject is The Computer Universe: a Scientific Rendering of the Holy Quran by P A Wahid, the former dean of the Faculty of Agriculture at Kerala Agricultural University. In the book, he develops a model of science in the Quran and purports to explain the existence of angels ("intelligent robots in Allah's kingdom"), the Divine Master Plan, and how the Quran predicted the advent of chemistry and biology. Ehsan Masood, who writes on science in developing countries for Nature, recounts how he "once met a former chief scientist to a defence ministry who told me excitedly he was refining a research paper that would use mathematics to prove the existence of angels".

 

All their own creation

 

The underlying message of these books is that all the science you need is in the Quran - no need to get your hands dirty in a lab or work within mainstream theories. But there is an overt message, too: works such as those of Wahid and el-Naggar are aggressively anti-evolution. Many more Muslim scientists, says Guessoum, are "scientists by day and creationists by night".

Creationism is not at all a natural Muslim position. In the early 10th century, Muhammad al-Nakhshabi wrote in The Book of the Yield: "While man has sprung from sentient creatures, these have sprung from plants, and these in turn from combined substances." In Life of Hai by the 12th-century Andalusian philosopher ibn Tufayl, evolution is strongly emphasised. Hai is "spontaneously generated", emerges from the slime, evolves through various stages and discovers the power of reason to shape his world and to understand the universe. In contrast, creationism has taken hold over the past decade in Muslim societies - Turkey, for example, came last, just behind the US, in a recent survey of 34 countries on public acceptance of evolution.

Ijaz literature goes hand in hand with creationism, though Masood says that Muslim creationists are strongly influenced by their American Christian counterparts: "The two groups genuinely believe that the destiny of Islam and Christianity is to work together to defeat evolution and that this alliance is the answer to the clash of civilisations."

Yahya's lavishly illustrated tome Atlas of Creation is widely distributed. In Turkey, it anonymously turned up in numerous schools and libraries. Last year, it was sent unsolicited to schools across France, prompting the education ministry to proscribe the volume. The Atlas blames everything, from Nazism to terrorism, on evolution. "It contains lie upon lie upon lie," says Jean Staune, visiting lecturer in philosophy of sciences at the HEC School of Management in Paris, who has made a special study of Harun Yahya's works. "It denigrates the faith which it purports to support."

And we can say the same about all literature, popular or academic, that purports to discover "scientific miracles" in the Quran.

Ziauddin Sardar, writer and broadcaster, describes himself as a ‘critical polymath’. He is the author of over 40 books, including the highly acclaimed ‘Desperately Seeking Paradise’. He is Visiting Professor, School of Arts, the City University, London and editor of ‘Futures’, the monthly journal of planning, policy and futures studies.

This article first appeared in the 25 August 2008 issue of the New Statesman, How to survive the recession

© LEWIS MORLEY/NATIONAL MEDIA MUSEUM SCIENCE & SOCIETY PICTURE LIBRARY. COURTESY OF VICTORIA AND ALBERT MUSEUM, LONDON
Show Hide image

Nostalgia without memory

We had a terrific time in the Sixties – but at what cost to the millennial generation?

There is a flurry of Sixties-worship at present, with an exhibition at the ­Victoria and Albert Museum in London and a cinema documentary about the Beatles’ ­touring years directed by Ron Howard. Next month, two more books on the ­subject will join the pile to which I have admittedly contributed more than my share. Steve Turner’s Beatles ’66: the Revolutionary Year reconstructs the band’s exploits in that eventful season (also recently chronicled in Jon Savage’s weighty 1966: the Year the Decade Exploded). And Paul Howard’s I Read the News Today, Oh Boy tells the story of Tara Browne, the gilded young Guinness heir whose death at the wheel of a Lotus Elan inspired John Lennon’s greatest song, “A Day in the Life”.

Truly, this is the decade that never dies. At frequent intervals since the mid-­Eighties, glossy magazines have announced that “the Sixties are back”, with fashion spreads of Paisley fabrics, Mary Quant-ish bobs, ­shorter-than-ever miniskirts and elastic-sided Chelsea boots. Sixties pop music eternally dominates radio playlists, while the Rolling Stones, the decade’s most notorious band, though now withered old-age pensioners, are still widely reckoned the coolest, most dangerous dudes on the planet.

For that, we largely have to thank the “Sixties children”, who lived through the most magical time for youth there ever was, survived its surfeits of alcohol, sex and mind-shredding drugs, and now seek to perpetuate their glorious heyday even unto senility. But the greatest celebrants of the era are often people who never experienced it first-hand yet still yearn for it in a syndrome that psychologists call “nostalgia without memory”. Tony Blair’s “Cool Britannia” shtick in the Nineties, for instance, pastiched the Swinging London of three decades earlier, right down to the Union Jack carrier bags. In folk memory the Sixties are as a rosy blur of psychedelic colour, free love and Beatles music, their complexity and manifold horrors either unrealised or disregarded.

***

The mythic decade, as opposed to the real one, was no straight ten-year stretch. It didn’t get into gear until 1962 with the satire boom that produced BBC TV’s That Was The Week That Was, David Frost’s first starring vehicle, and Private Eye magazine, and didn’t absorb pop music until the Beatles’ historic first visit to America in 1964. Its closing year, marked by a series of vast open-air festivals – Woodstock, Bob Dylan on the Isle of Wight, the Stones’ free concert in Hyde Park – felt almost like a decade on its own. When 1970 dawned, so much resembling a grey morning-after, many Sixties children simply refused to believe the party was over and clung to their caftans and joss sticks far into the harsh new eras of glam rock and punk.

Its prime time is generally agreed to have been 1965, when London gave vent to a concerted burst of youthful creativity in music, art, fashion, photography, cinema and graphics, and a shabby, sleepy metropolis, bombed to ruins not long previously, received the unlikely sobriquet of “swinging”. At this stage, the swinging was confined to a small circle of musicians, models, actors and photographers, congregating in the same few, unpublicised bistros and clubs: the most emblematic pop single, among so many, was Dobie Gray’s “The ‘In’ Crowd”.

It is seen above all as an era of burgeoning freedom and tolerance when Britannia seemed to be loosening her Victorian stays one by one. The contraceptive pill became widely available, ending centuries of shotgun marriages and perilous backstreet abortions, and theatre censorship by an archaic royal flunky called the Lord Chamberlain came to an end. Male homosexuality was decriminalised, though not yet destigmatised, and the first feminist voices spoke out. The word “fuck” appeared in the Times (during the farcically unsuccessful obscenity prosecution of Penguin, publisher of D H Lawrence’s Lady Chatterley’s Lover) and was heard on BBC Television, albeit only in quotation marks, from the National Theatre’s literary manager, Kenneth Tynan.

Yet alongside the pop-cultural harlequinade, Britain faced many of the same problems as we do today – some, indeed, significantly worse. Industrial strife was so common that the rest of Europe came to know strikes as “the English disease”. Harold Wilson’s Labour government, continuously in power after 1964, imposed a strict wages freeze, then known as a “pay pause”, and failed so utterly to solve its own financial deficit that in 1967 Wilson was forced to devalue the pound by 14 per cent. The World Cup-winning 1966, that supposed annus mirabilis, also brought two events whose horrors still resonate: the Moors murders trial and the Aberfan disaster, in which a south Wales primary school was engulfed by a giant slag heap, killing 116 children and 28 adults.

Meanwhile, the outside world was taking its first steps backwards into hell. America’s inspirational young president John F Kennedy was assassinated, as, in horrifically quick succession, were his brother Robert and the great civil rights leader Dr Martin Luther King. The United States was shamed at home by racism and police violence (not much change there, then) and abroad by its war in Vietnam, which nightly filled British TV screens with images of bombed civilian enclaves and maimed children (little change there, either – except today barrel bombs replace napalm). A democratic movement in communist-controlled Czechoslovakia was crushed; there was incalculable murder and terror in China’s Cultural Revolution, genocide in Indonesia and Biafra, apartheid in South Africa and endemic famine in India. June 1967 brought not only Sgt Pepper’s Lonely Hearts Club Band and the “Summer of Love” but the Arab-Israeli Six Day War, whose cumulative effects remain seemingly impossible to resolve.

Throughout the Sixties, Britain, along with the rest of western Europe, faced the threat of nuclear war with Soviet Russia and more-than-possible total obliteration. And yet, paradoxically, this was a time of enviable domestic peace and stability. There was full employment, with almost nobody ever getting sacked except at the very top. Inflation was marginal; the NHS and other public services functioned without any hint of crisis; the nationalised railways, shorn of unprofitable branch lines by Lord Beeching, were dirty but dependable; the postal service, even after the introduction of an avowedly “second-class” tier, remained the envy of the world.

Pending that terminal flash in the sky, people felt safe. The only communicable disease left to be feared was smallpox. ­Terrorism was something that happened only in the distant Middle East: it could not conceivably take root among Britain’s hard working and law-abiding Indian and Pakistani immigrants despite the unfettered racism constantly hurled at them. One walked on to aircraft or into official buildings or the BBC without security checks. The first shadow of Northern Ireland’s Troubles, which were to bloody the Seventies and be described by American commentators as “Britain’s Vietnam”, did not appear until 1968.

Two world wars in the space of 30 years had trained ordinary Britons to feel guilty about any conspicuous consumption. In the Sixties, the advertising industry set about remedying this. The new Sunday newspaper colour supplements bulged with adverts for Scandinavian furniture, stereo systems and white Kosset carpets, and bombarded their readers with recipes for exotic dishes such as chicken Kiev and beef stroganoff, using quantities of butter and cream that once would have seemed downright immoral. When Rowntree launched a new wafer-thin chocolate mint, the company made a last-minute name change from Minty Thins to After Eight, suggesting elegant high-society dinner parties to a demographic only recently weaned from high teas. So older generations, too, could join an “in” crowd and share the feeling of life becoming measurably better every day.

The attention paid to youth was an extraordinary volte-face from that ancient British maxim “Children should be seen and not heard”. Young people now not only wielded huge economic power through pop music and fashion, but kicked aside class distinctions and social barriers. Following the Beatles template, almost all of the decade’s brightest new celebrities were in their twenties and from humble backgrounds: the photographer David Bailey, the model Twiggy, the painter David Hockney, the comedian Jimmy Tarbuck, the film stars David Hemmings, Rita Tushingham, Tom Courtenay and Terence Stamp. A northern or a cockney accent was almost a prerequisite of success. In Britain in the past, the working class had always tried to talk “up”; now the upper and middle classes strove to talk “down”. It still goes on.

Without any form of social media other than underground newspapers and ­flyers, Sixties youth culture managed to be remarkably united. It assumed that every figure of authority – indeed, anyone over 30 – was a pitiable lunatic. Unlike its counterparts in America and across Europe, it raised up no demagogues: its figureheads were lead singers in bands and radio disc jockeys whose dimness in no way reduced their potency. The hippies, who arrived post-1966, are now viewed as hopelessly naive and deluded, with their mantra of “Love and Peace”. Yet their pop festivals, love-ins and “happenings” were occasions that brought hundreds of thousands together without the slightest violence. There were ­moments when even their fiercest detractors wondered if they might really be a force for changing the world for the better.

***

The V&A exhibition “You Say You Want a Revolution?” focuses on the decade’s final phase, when Britain’s initially playful underground hardened into a many-headed protest movement containing every kind of extreme-leftish ideology; churning out insurrectionary literature amid the comforts of the consumer society; holding marches, demos and sit-ins of increasing militancy despite having nothing to protest about nearer than the Vietnam War (in which the Wilson government played no part whatsoever). It was always more serious in other European countries and the US, where former hippies made an easy transition to urban guerrillas and to Charles Manson’s serial-killing “Family”.

Simultaneously, the British police declared war on leading musicians whose songs seemed to encourage their fans to take drugs, whether the pot known to jazz players for generations or the new, man-made, “mind-expanding” lysergic acid diethylamide (LSD), which leaked from the very pores of the Beatles’ Sgt Pepper album. The fear was legitimate – in fact, nowhere near proportionate to the long-term problem in the making – but the reaction was hysterical scapegoating. In early 1967, with the collusion of MI5 and possibly the CIA, 18 police officers raided the Rolling Stone Keith Richards’s cottage in Sussex and Richards and Mick Jagger were charged with drug possession. After a grotesque show trial – yet another strike against that supposed Summer of Love – both Stones received prison terms for offences that normally would have rated a small fine or merely probation.

The recent death of Richard Neville, the founder of Oz magazine, awoke further memories of that moment when the Sixties’ indulgence of youth was suddenly turned off. The 1971 trial of Neville and his two co-editors for conspiracy to corrupt youthful morals (specifically by depicting Rupert Bear with an erection) was just as self-defeatingly comical as the Lady Chatterley prosecution almost a decade earlier.

For millennials who grew up around the year 2000, the Sixties are an object not so much of nostalgia without memory as envy without memory. My 25-year-old daughter often remarks what a terrific time my generation had and what a messed-up world we created for hers. I can’t argue with that.

Philip Norman’s “Paul McCartney: the Biography” is published by Weidenfeld & Nicolson. He tweets at: @PNormanWriter

This article first appeared in the 15 September 2016 issue of the New Statesman, The fall of the golden generation