The #COMETOGETHER exhibition, revolution and the Gulf

Ripples of the Arab Spring felt in the Gulf States.

The #COMETOGETHER exhibition opening in London’s Brick Lane may be about modern and contemporary art by Middle Eastern artists, but it is also about how revolution has affected seemingly stable Gulf States.   As Stephen Stapleton, organizer and founding member of Edge of Arabia points out: “In bringing these artists together at this time we want to explore the frontiers of technology and ideology that are shaping the contemporary borderland between East and West.”  The case of Saudi poet and columnist Hamza Kashgari who published a conversation with the Prophet on his twitter account is illustrative of Mr. Stapleton’s point.  Saudi Arabians were divided as to how to deal with him crossing red lines.  

The #COMETOGETHER exhibition then, reflects and explores the fissures and cracks that the Gulf States are experiencing. The art of Ahmed Mater focusing on the huge changes that Mecca is experiencing is a good example. The investment and the rise of high rise hotels have wiped out the archaeological heritage of Islam’s founder. It has in the words of author Henry Hemmings caused a sense of dissonance.  It’s hard to focus on the House that Abraham built for God when halal Big Macs, Dr. Dre headphones and Ann Summers lingerie calls you within a huge clock tower that resembles a cross between Big Ben and the tower of Mordor. Whilst none of the latter is sinful of course; Mecca’s worldliness has disturbed many Saudis and has no doubt contributed to shaping the world view of many radicals.  The kingdom has lost the spirit that it was initially founded on. #COMETOGETHER not only explores the discord between Gulf States and its citizens but also reflects how the Gulf States are trying to adapt to their new environment.

Admittedly the Gulf States are not adapting very well.  Saudi Arabia has dealt with the Arab spring through a combination of repression and pay rises.  It is still somewhat unsure about what it should do with petitions like that presented in February 2011 which asked for a state based on institutions and rights. These were signed by thousands, not just islamists but by a younger generation willing to challenge religious authority.  Oman, described as the world’s most charming police state, has similar problems. Since Sultan Qaboos seized power in the 70s, Oman has been staunch ally of the West. With the Arab spring compounded by the fact that the sultan has no designated heir and oil resources are declining; Omanis are becoming increasingly restless. Dissent has been expressed through social media sites and protests in the oil sector. Kuwait and United Arab Emirates have also seen its Islamist parties gaining confidence. As a recent Chatham house paper suggests the authorities view the Islamist’s manifesto for democracy as a veiled attempt to gain power.

So what course of action should the Gulf States adopt in order to avoid instability? It cannot adopt a Bahraini or Syrian attitude. Neither can it think short term and do what the Saudi king or the Omani sultan did: pay rises, release political prisoners and remove some ministers.  In order to survive fundamental changes need to occur. Political reform probably in the form of constitutional monarchy must happen with real accountability. Strategies that deal with the post-oil economy and bridges the socio-economic cleavages that the region is experiencing must be implemented.

As for the West, how can it ensure stability yet maintain good relations with these Gulf States? Britain’s good relationship with the Gulf States can prove instrumental in managing these relationships. Encouraging educational contacts through scholarships or British universities expanding in the Gulf help create an alternative political culture. Cultural contacts like #COMETOGETHER strengthen relationships with the younger Arab generation and allow them to create their own political role models.  Oman for instance, is bringing award winning British Graffiti artist, Aerosolarabic this December to change young Omanis’ penchant for fast and furious driving and pimping up their rides. Cultural contact is the best medium for future political reform and dialogue. #

#COMETOGETHER opens at the Old Truman Brewery, E1 6QL, on 6 October at 6pm

Tam Hussein is an award winning writer and journalist specialising in the Middle East. He spent several years in the Middle East and North Africa working as a translator and consultant. Tam also writes for the Huffington Post.

Kyle Seeley
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For emotional value, Emily is Away – a nostalgic instant messaging game – is this year’s best release

If you want to express your lingering teenage angst, there’s no better option.

Every now and then, a game is released that goes beyond what it may look or sound like. It goes straight to the pit of your insides where you thought you had no soul left, and jolts you back to life. Or at least it attempts to. This year, it's Emily is Away.

Firstly, anyone and everyone can virtually play this thing as it’s a crude Windows XP simulator displaying an AIM/MSN messenger client and can run on the PC equivalent of a potato. And it's free. It’s a short game, taking about 30 minutes, in which you play a person chatting away to your friend called Emily (who could be more), choosing from a set list of pre-selected instant messages.

Each chapter takes place in a different year, starting in 2002 and ending in 2006.

You’re instantly smacked with nostalgia thanks to the user screen of Windows XP and a fuzzed out background of Bliss, which was the default wallpaper in the operating system, and probably the most widely seen photo in the world. And your ears aren’t abandoned either, with the upbeat pinging sounds reminiscent of how you used to natter away with your personal favourite into the early hours.

The first chapter starts with you and Emily reaching the end of your last year in high school, talking about plans for the evening, but also the future, such as what you’ll be studying at university. From this early point, the seeds of the future are already being sewn.

For example, Emily mentions how Brad is annoying her in another window on her computer, but you’re both too occupied about agreeing to go to a party that night. The following year, you learn that Brad is now in fact her boyfriend, because he decided to share how he felt about Emily while you were too shy and keeping your feelings hidden.

What’s so excellent about the game is that it can be whatever you wish. Retro games used the lack of visual detail to their advantage, allowing the players to fill in the blanks. The yearly gaps in this game do exactly the same job, making you long to go back in time, even if you haven't yet reached the age of 20 in the game.

Or it lets you forget about it entirely and move on, not knowing exactly what had happened with you and Emily as your brain starts to create the familiar fog of a faded memory.

Despite having the choice to respond to Emily’s IMs in three different ways each time, your digital self tries to sweeten the messages with emoticons, but they’re always automatically deleted, the same way bad spelling is corrected in the game too. We all know that to truly to take the risk and try and move a friendship to another level, emoticons are the digital equivalent to cheesy real-life gestures, and essential to trying to win someone’s heart.

Before you know it, your emotions are heavily invested in the game and you’re always left wondering what Emily wanted to say when the game shows that she’s deleting as well as typing in the messenger. You end up not even caring that she likes Coldplay and Muse – passions reflected in her profile picture and use of their lyrics. She also likes Snow Patrol. How much can you tolerate Chasing Cars, really?

The user reviews on Steam are very positive, despite many complaining you end up being “friend-zoned” by Emily, and one review simply calling it “Rejection Simulator 2015”.

I tried so hard from all of the options to create the perfect Em & Em. But whatever you decide, Emily will always give you the #feels, and you’ll constantly end up thinking about what else you could have done.