Frank Ocean comes out: a brave move in the exaggeratedly heterosexual world of hip hop

What it means to be the first out gay star in urban music.

Of the many remarkable things about R&B singer Frank Ocean’s announcement that he is gay, let’s start with his choice of words. Last night he wrote on his Tumblr that what he was about to post was originally intended for the thank you section of his forthcoming album, Channel Orange, but had been brought forward because of gathering rumours about his sexuality.

He then posted an exquisitely moving account of his first love affair with a man. “I don’t have any secrets I need kept anymore,” he writes. “There’s probably some small shit still, but you know what I mean. I was never alone, as much as I felt like it… as much as I still do sometimes. I never was. I don’t think I ever could be.”

Ocean’s poetry and precision makes it a personal statement more than a political one, worlds apart from the stilted, formal language customarily used by celebrities coming out of the closet: remember Ricky Martin’s “I am a fortunate homosexual man” two years ago? You don’t have to be gay to identify with its sentiments. You simply have to know what it feels like to be in love.

But despite the quiet intimacy of the language, Ocean’s statement has made a big noise. For years, various big rappers, both male and female, have attracted speculation over their sexuality but none have confirmed it. Earlier this year underground rapper Lil’ B announced his new album would be called I’m Gay but quickly backtracked by adding a parenthetical “(I’m Happy)” and avoiding the issue. Now, in a stroke, the landscape has changed.

It should be noted that Ocean is a singer rather than a rapper and that the hip hop crew he’s affiliated with, Odd Future Wolf Gang Kill Them All, is an unorthodox outfit which, despite its excessive fondness for the word “faggot”, already has one out member: female DJ/producer Syd Tha Kid. But Ocean has a major label deal and appeared on Jay-Z and Kanye West’s colossal Watch the Throne album so he has enough of a profile to qualify as the first out, gay star in the world of urban music. Hip hop mogul Russell Simmons calls it  “a game-changer”: “Today is a big day for hip-hop. It is a day that will define who we really are.”

It comes at an interesting time for LGBT musicians. Until this year, an openly gay artist had never topped the US Billboard charts: the likes of George Michael and REM’s Michael Stipe did so long before coming out. But in May, former American Idol runner-up Adam Lambert ended that drought with his album Trespassing. In the same month Jamaican dancehall artist Beenie Man recorded a video apology for his previous homophobic lyrics, while Tom Gabel, of Florida punk band Against Me!, declared that he would henceforth be known as Laura Jane Grace, making him not exactly rock’s first transsexual but its first arena-headlining one.

But Ocean’s move is still courageous. Openly gay musicians rarely fare well in the US; hip hop/R&B, where exaggerated heterosexuality is the norm, is uncharted territory. Even though the initial online response has been overwhelmingly positive, not every listener will be happy listening to Channel Orange, or last year’s brilliant online mixtape Nostalgia, Ultra, knowing that the love songs are about another man. Ocean also risks being forever defined in the public eye by his sexuality. Neil Tennant of the Pet Shop Boys once told me why he didn’t come out until 1994: “One of my reasons for not coming out [earlier] was that you get typecast, so you become ‘gay pop star Neil Tennant’, and I didn’t used to be that. People use the gay thing to marginalise you.” About his lyrics up to that point he said, “I always quite liked that ambiguity. Now people just say, Yeah, it’s gay.”

Time will tell whether Ocean’s candour affects the fortunes of Channel Orange, or whether he inspires some high-profile closeted performers to follow suit. But his impact on the wider world of hip hop, R&B and beyond is undeniable. Research regularly shows that the key factor in changing people’s attitudes to issues such as gay marriage is having an LGBT friend, colleague or family member: personal experience informs the public sphere. Conversely, gay celebrities can influence private views and deeds. Ocean may just have helped countless gay teenagers to realise that they are never alone.

Dorian Lynskey tweets: @dorianlynskey

Frank Ocean performs at Coachella. Photo: Getty Images

Dorian Lynskey is a journalist living in London. He blogs at:

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Battle for Mosul: will this be the end of Islamic State?

The militant group's grip on power is slipping but it has proved resilient in the past.

The battle for Mosul is the latest stage in the long struggle to defeat Islamic State. The group has been around since the late 1990s in one form or another, constantly mutating in response to its environment. Undoubtedly its ejection from Mosul will be a significant moment in the group’s history, but it is unlikely to be its final chapter. The destruction of the group will only be complete when some fundamental changes occur within Iraq and the war in Syria comes to an end.

IS’s roots go back to a training camp established by the militant Islamist Abu Musab al Zarqawi in the late 1990s in Herat, Afghanistan. Founded as an army to overthrow the apostate regimes of the Levant, it fled to northern Iraq in the wake of the US-led invasion of Afghanistan post-9/11 where it re-established itself as a force alongside Ansar al Shariah, a hardline Salafi jihadi organisation.

As American attention shifted from Afghanistan to Iraq, the group was ideally placed to become one of the leading lights in the post-Saddam Iraqi insurgency. Brutally announcing itself to the world in August 2003 with successive attacks on the Jordanian Embassy in Baghdad, the UN headquarters and a Shia shrine in Najaf — the latter being the deadliest attack in Iraq that year with a death toll of 95 — the group grew to assume the mantle of al-Qaeda in Iraq. By 2006 this brand had become somewhat damaged through the brutal sectarian campaign the group waged, and when its founder, Zarqawi, died it sought to reinvent itself as the Mujahedeen Shura Council. This incarnation did not last long either, and eventually it assumed the title of the Islamic State of Iraq (ISI), alongside a more Iraqi leadership.

This was the start of a diffcult period in the group's history. Its excesses in Iraq (including indiscriminate slaughter of Shia Muslims to stir sectarian hatred and filmed decapitations of prisoners) lost it local support and led to the tribes in Sunni Iraq rising up and supporting the government in Baghdad's fight back against the group. By 2009, when the west abruptly stopped paying attention and withdrew from Iraq the group was largely perceived as in decline, with the Shia Muslim-led Iraqi government appearing to slowly assert itself more effectively across the country.

The terrorist attacks by the group continued. And the new government started to advance an increasingly sectarian agenda. These two played off each other in a downward spiral that was given a fresh boost of blood when the civil war in Syria erupted in 2011. Drawing on its existing networks (that were leftovers from when Syria was used as a staging point by the organisation to launch attacks into Iraq), the leadership sent a cell to Syria to explore what opportunities existed within the emerging fight there. This cell became the seed that grew into Jabhat al Nusrah and ultimately IS – a label the group adopted when in June 2013 IS leader Abu Bakr al-Baghdadi decided it was time to reveal this link between his Iraqi group and Jabhat al Nusrah. This led to divisions and the breaking up of the two organisations.

For IS, however, it was the beginning of an upward trajectory, building on this division to grow itself substantially in Syria (with Raqqa as its capital) and in 2014 taking over Iraq’s second biggest city of Mosul. We then reach the apex of IS’s success and the biggest expansion of the group yet.

It now seems that this growth had a shelf life of just two-and-a-half years. As the group appears to be losing Mosul, it is likely that we will see the beginning of a period of retraction. But this will not be its end – rather, it will flee back to the hills and the ungoverned spaces in Iraq and Syria from where it will continue a persistent terrorist strategy in both countries. Here it will bide its time until the moment presents itself to rise up. Waiting until the governance in Iraq and Syria fails its people again, the group can paint itself as the protector of Sunnis and once more build on that group's disenfranchisement to win supporters and occupy a space vacated by local governments.

IS's grip on power might currently be slipping but as history has shown, it has waxed and waned depending on the context it is operating in. We are now going to see a period of withdrawal, but unless attention is paid by the global community, it will expand again in the future.

Raffaello Pantucci is Director of International Security Studies at the Royal United Services Institute (RUSI). Visit his website at