Frank Ocean comes out: a brave move in the exaggeratedly heterosexual world of hip hop

What it means to be the first out gay star in urban music.

Of the many remarkable things about R&B singer Frank Ocean’s announcement that he is gay, let’s start with his choice of words. Last night he wrote on his Tumblr that what he was about to post was originally intended for the thank you section of his forthcoming album, Channel Orange, but had been brought forward because of gathering rumours about his sexuality.

He then posted an exquisitely moving account of his first love affair with a man. “I don’t have any secrets I need kept anymore,” he writes. “There’s probably some small shit still, but you know what I mean. I was never alone, as much as I felt like it… as much as I still do sometimes. I never was. I don’t think I ever could be.”

Ocean’s poetry and precision makes it a personal statement more than a political one, worlds apart from the stilted, formal language customarily used by celebrities coming out of the closet: remember Ricky Martin’s “I am a fortunate homosexual man” two years ago? You don’t have to be gay to identify with its sentiments. You simply have to know what it feels like to be in love.

But despite the quiet intimacy of the language, Ocean’s statement has made a big noise. For years, various big rappers, both male and female, have attracted speculation over their sexuality but none have confirmed it. Earlier this year underground rapper Lil’ B announced his new album would be called I’m Gay but quickly backtracked by adding a parenthetical “(I’m Happy)” and avoiding the issue. Now, in a stroke, the landscape has changed.

It should be noted that Ocean is a singer rather than a rapper and that the hip hop crew he’s affiliated with, Odd Future Wolf Gang Kill Them All, is an unorthodox outfit which, despite its excessive fondness for the word “faggot”, already has one out member: female DJ/producer Syd Tha Kid. But Ocean has a major label deal and appeared on Jay-Z and Kanye West’s colossal Watch the Throne album so he has enough of a profile to qualify as the first out, gay star in the world of urban music. Hip hop mogul Russell Simmons calls it  “a game-changer”: “Today is a big day for hip-hop. It is a day that will define who we really are.”

It comes at an interesting time for LGBT musicians. Until this year, an openly gay artist had never topped the US Billboard charts: the likes of George Michael and REM’s Michael Stipe did so long before coming out. But in May, former American Idol runner-up Adam Lambert ended that drought with his album Trespassing. In the same month Jamaican dancehall artist Beenie Man recorded a video apology for his previous homophobic lyrics, while Tom Gabel, of Florida punk band Against Me!, declared that he would henceforth be known as Laura Jane Grace, making him not exactly rock’s first transsexual but its first arena-headlining one.

But Ocean’s move is still courageous. Openly gay musicians rarely fare well in the US; hip hop/R&B, where exaggerated heterosexuality is the norm, is uncharted territory. Even though the initial online response has been overwhelmingly positive, not every listener will be happy listening to Channel Orange, or last year’s brilliant online mixtape Nostalgia, Ultra, knowing that the love songs are about another man. Ocean also risks being forever defined in the public eye by his sexuality. Neil Tennant of the Pet Shop Boys once told me why he didn’t come out until 1994: “One of my reasons for not coming out [earlier] was that you get typecast, so you become ‘gay pop star Neil Tennant’, and I didn’t used to be that. People use the gay thing to marginalise you.” About his lyrics up to that point he said, “I always quite liked that ambiguity. Now people just say, Yeah, it’s gay.”

Time will tell whether Ocean’s candour affects the fortunes of Channel Orange, or whether he inspires some high-profile closeted performers to follow suit. But his impact on the wider world of hip hop, R&B and beyond is undeniable. Research regularly shows that the key factor in changing people’s attitudes to issues such as gay marriage is having an LGBT friend, colleague or family member: personal experience informs the public sphere. Conversely, gay celebrities can influence private views and deeds. Ocean may just have helped countless gay teenagers to realise that they are never alone.

Dorian Lynskey tweets: @dorianlynskey

Frank Ocean performs at Coachella. Photo: Getty Images

Dorian Lynskey is a journalist living in London. He blogs at:

33RevolutionsPerMinute.wordpress.com

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Commons Confidential: When Corbyn met Obama

The Labour leader chatted socialism with the leader of the free world.

Child labour isn’t often a subject for small talk, and yet it proved an ice-breaker when Jeremy Corbyn met Barack Obama. The Labour leader presented the US president with a copy of What Would Keir Hardie Say? edited by Pauline Bryan and including a chapter penned by Comrade Corbyn himself.

The pair, I’m informed by a reliable snout, began their encounter by discussing exploitation and how Hardie started work at the tender age of seven, only to be toiling in a coal mine three years later.

The book explores Hardie’s relevance today. Boris Johnson will no doubt sniff a socialist conspiracy when he learns that the president knew, or at least appeared to know, far more about Hardie and the British left than many MPs, Labour as well as Tory.

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Make what you will of the following comment by a very senior Tory. During a private conversation with a Labour MP on the same select committee, this prominent Conservative, upon spotting Chuka Umunna, observed: “We were very relieved when he pulled out of your leadership race. Very capable. We feared him.” He then, in
a reference to Sajid Javid, went on: “We’ve got one of them.” What could he mean? I hope it’s that both are young, bald and ambitious . . .

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To Wales, where talk is emerging of who will succeed Carwyn Jones as First Minister and Welsh Labour leader. Jones hasn’t announced plans to quit the posts he has occupied since 2009, but that isn’t dampening speculation. The expectation is that he won’t serve a full term, should Labour remain in power after 5 May, either as a minority administration or in coalition in the Senedd.

Names being kicked about include two potential newcomers: the former MEP Eluned Morgan, now a baroness in the House of Cronies, and the Kevin Whately lookalike Huw Irranca-Davies, swapping his Westminster seat, Ogmore, for a place in the Welsh Assembly. Neither, muttered my informant, is standing to make up the numbers.

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No 10’s spinner-in-chief Craig “Crazy Olive” Oliver’s decision to place Barack Obama’s call for Britain to remain in Europe in the Daily Telegraph reflected, whispered my source, Downing Street’s hope that the Torygraph’s big-business advertisers and readers will keep away from the rest of the Tory press.

The PM has given up on the Europhobic Sun and Daily Mail. Both papers enjoy chucking their weight about, yet fear the implications for their editorial clout should they wind up on the losing side if the country votes to remain on 23 June.

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Asked if that Eurofan, Tony Blair, will play a prominent role in the referendum campaign, a senior Remainer replied: “No, he’s toxic. But with all that money, he could easily afford to bankroll it.”

Kevin Maguire is Associate Editor (Politics) on the Daily Mirror and author of our Commons Confidential column on the high politics and low life in Westminster. An award-winning journalist, he is in frequent demand on television and radio and co-authored a book on great parliamentary scandals. He was formerly Chief Reporter on the Guardian and Labour Correspondent on the Daily Telegraph.

This article first appeared in the 28 April 2016 issue of the New Statesman, The new fascism