With Magic Mike, Hollywood has become an equal opportunities objectifier

This film leaves you craving character development as much as cock shots.

Last Thursday evening, we went to see Magic Mike. Being the easily influenced young things that we are, we saw the posters, and the five star reviews from the likes of the Telegraph, and thought "hey, a film about male strippers. Finally."

We’re lying. Our editor made us go to see it. We’re glad she did, though, because otherwise we’d have continued to imagine a film entirely different from the reality. From the looks of the advertising campaign, we were expecting the kind of gross-out sexual American comedy that has been doing the rounds since American Pie, except one that was targeted at women this time (a bit like Bridesmaids, except with full frontal male nudity perhaps?) But we were wrong - there’s not a cock in sight.

The film follows Mike (played by Channing Tatum), a thirty-year-old male stripper with thwarted dreams of becoming an artisan furniture maker, as he initiates his young protégé Adam (Alex Pettyfer) into the world of exotic dancing. As the film progresses, Mike struggles with his identity while trying to win the heart of Adam’s sister, Brooke, played by Cody Horn in a manner which brings to mind the old Dorothy Parker zinger that "she ran the gamut of emotions from A to B." Brooke isn’t down with the whole stripper lark, and as a result is played as your classic, uptight frigid woman. But in the end (spoiler alert), Mike’s pecs get the better of her, and after he has a good cry in his car, he renounces stripping and wins over the woman he loves.

Magic Mike is not a romantic comedy. The film is essentially, like many that have come before it, a "bromance". And that’s fine. It examines male friendship and ideas of masculinity, albeit through the medium of interpretive dance. Because what these men are doing on stage, essentially, is dancing. The nudity is simply a by-product of that. As Elizabeth Greenwood pointed out in deeply analytical article in the New Inquiry, "the stripping is a cross between burlesque and a community theatre production of Anything Goes," which is a fair statement, although the sophistication of the props, costume and scenery belies the kind of budget of which community theatre projects can only dream.

The stripping scenes, in fact, are the only entertaining aspects of this film. Not because we particularly enjoyed eyeing up the toned, muscular bodies of the actors (and boy, were they ripped), but because they are well co-ordinated, inventive, and played wholly for laughs. The same article in the New Inquiry points out how filmic attempts to portray the experiences of female strippers will often be steeped in tragedy and allusions to childhood abuse, drug use, and poverty, while male stripping is viewed as merely hilarious. Again, it’s a fair point, but the same article also posits the idea that Magic Mike is an allegory critiquing capitalism. If it is, it must have got lost amongst all the backless thongs.

The men in Magic Mike do not for one moment relinquish their control. Instead, they act as the strong, powerful, masculine vessels for the fantasies of the screaming women in the audience. The men pick the women up and hump their crotches with their faces, and then they lie them down and hump their faces with their crotches. It really is little more than that.

We could, of course, jump on our feminist soapboxes and yell about how there is a disparity in the way male and female sex workers are portrayed. There is. But there is also a disparity in the way both those industries operate. This is also not a feminist reversal of Pretty Woman - Mike is not waiting to be rescued. Nor is he exploited - he’s just a man who is down on his luck who takes his clothes off for some extra cash. The only feminist beef to be had with this film is some slightly unsavoury scriptwriting. In one scene, when Mike is trying to get Brooke to come on a trip with him, he pats his lap and whistles. "Are you calling me like a dog?" she says, then giggles. It’s not great.

It is pointless trying to ascribe a deeper meaning to this film. It is, essentially, a succession of semi-naked dance routines interspersed with a loose, somewhat tedious narrative. The lack of full-frontal nudity has led it to be called "surprisingly innocent" by some critics, and we’d have to agree. Yet we craved character development as much as we craved cock shots, and sadly Mike, the hunky male stripper with a heart of gold, gets neither. Channing Tatum plays the buff, chiselled hunk that presumably an audience of women and gay men have paid to see, and his personality really does not extent beyond that. It is on that point that we have to fully part ways with the New Inquiry’s analysis. Elizabeth Greenwood longs to see a film in which a female stripper is "more than the sum of her silicone", yet in light of the fact that Mike’s defining characteristic seems to be his six pack, it seems that Hollywood may well be on its way to becoming an equal opportunities objectifier.

 

Channing Tatum in action as Mike, the male stripper with a heart of gold. Image: Warner Bros.

Rhiannon Lucy Cosslett and Holly Baxter are co-founders and editors of online magazine, The Vagenda.

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The 8 bits of good news about integration buried in the Casey Review

It's not all Trojan Horses.

The government-commissioned Casey Review on integration tackles serious subjects, from honour crimes to discrimination and hate crime.

It outlines how deprivation, discrimination, segregated schools and unenlightened traditions can drag certain British-Pakistani and Bangladeshi communities into isolation. 

It shines a light on nepotistic local politics, which only entrench religious and gender segregation. It also charts the hurdles faced by ethnic minorities from school, to university and the workplace. There is no doubt it makes uncomfortable reading. 

But at a time when the negative consequences of immigration are dominating headlines, it’s easy to miss some of the more optimistic trends the Casey Report uncovered:

1. You can always have more friends

For all the talk of segregation, 82 per cent of us socialise at least once a month with people from a different ethnic and religious background, according to the Citizenship Survey 2010-11.

More than half of first generation migrants had friends of a different ethnicity. As for their children, nearly three quarters were friends with people from other ethnic backgrounds. Younger people with higher levels of education and better wages are most likely to have close inter-ethnic friendships. 

Brits from Black African and Mixed ethnic backgrounds are the most sociable it seems, as they are most likely to have friends from outside their neighbourhood. White British and Irish ethnic groups, on the other hand, are least likely to have ethnically-mixed social networks. 

Moving away from home seemed to be a key factor in diversifying your friendship group –18 to 34s were the most ethnically integrated age group. 

2. Integrated schools help

The Casey Review tells the story of how schools can distort a community’s view of the world, such as the mostly Asian high school where pupils thought 90 per cent of Brits were Asian (the actual figure is 7 per cent), and the Trojan Horse affair, where hardline Muslims were accused of dominating the curriculum of a state school (the exact facts have never come to light). 

But on the other hand, schools that are integrated, can change a whole community’s perspective. A study in Oldham found that when two schools were merged to create a more balanced pupil population between White Brits and British Asians, the level of anxiety both groups felt diminished. 

3. And kids are doing better at school

The Casey Report notes: “In recent years there has been a general improvement in educational attainment in schools, with a narrowing in the gap between White pupils and pupils from Pakistani, Bangladeshi and African/Caribbean/Black ethnic backgrounds.”

A number of ethnic minority groups, including pupils of Chinese, Indian, Irish and Bangladeshi ethnicity, outperformed White British pupils (but not White Gypsy and Roma pupils, who had the lowest attainment levels of all). 

4. Most people feel part of a community

Despite the talk of a divided society, in 2015-16, 89 per cent of people thought their community was cohesive, according to the Community Life Survey, and agreed their local area is a place where people from different backgrounds get on well together. This feeling of cohesiveness is actually higher than in 2003, at the height of New Labour multiculturalism, when the figure stood at 80 per cent. 

5. Muslims are sticklers for the law

Much of the Casey Report dealt with the divisions between British Muslims and other communities, on matters of culture, religious extremism and equality. It also looked at the Islamophobia and discrimination Muslims face in the UK. 

However, while the cultural and ideological clashes may be real, a ComRes/BBC poll in 2015 found that 95 per cent of British Muslims felt loyal to Britain and 93 per cent believed Muslims in Britain should always obey British laws. 

6. Employment prospects are improving

The Casey Review rightly notes the discrimination faced by jobseekers, such as study which found CVs with white-sounding names had a better rate of reply. Brits from Black, Pakistani or Bangladeshi backgrounds are more likely to be unemployed than Whites. 

However, the employment gap between ethnic minorities and White Brits has narrowed over the last decade, from 15.6 per cent in 2004 to 12.8 per cent in 2015. 

In October 2015, public and private sector employers responsible for employing 1.8m people signed a pledge to operate recruitment on a “name blind” basis. 

7. Pretty much everyone understand this

According to the 2011 census, 91.6 per cent of adults in England and Wales had English as their main language. And 98.2 per cent of them could speak English. 

Since 2008-2009, most non-European migrants coming to the UK have to meet English requirements as part of the immigration process. 

8. Oh, and there’s a British Muslim Mayor ready to tackle integration head on

The Casey Review criticised British Asian community leaders in northern towns for preventing proper discussion of equality and in some cases preventing women from launching rival bids for a council seat.

But it also quoted Sadiq Khan, the Mayor of London, and a British Muslim. Khan criticised religious families that force children to adopt a certain lifestyle, and he concluded:

"There is no other city in the world where I would want to raise my daughters than London.

"They have rights, they have protection, the right to wear what they like, think what they like, to meet who they like, to study what they like, more than they would in any other country.”

 

Julia Rampen is the editor of The Staggers, The New Statesman's online rolling politics blog. She was previously deputy editor at Mirror Money Online and has worked as a financial journalist for several trade magazines.