Game of Thrones: Peter Dinklage as Tyrion Lannister. Photo: Getty Images
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Laurie Penny on Game of Thrones and the Good Ruler complex

There are many problems with this series, but subtlety isn’t one of them.

I love Game of Thrones, but it’s not subtle. The stupendously popular swords-and-sorcery HBO romp is a glossy smorgasbord of rape, gratuitous sex and ultra-violence. Its major plot points, based on George R. R Martin’s Song of Ice and Fire novels, are so simplistic that they may as well have been scrawled in crayon on the intricate wallpaper of literary-televisual tradition: the goodies are the rough, noble Northerners, the Stark family, none of whom have any discernible character defects, and the baddies are the yellow-haired Southern Lannisters, prosperous, duplicitous, incestuous, murderous and lots of other horrible things ending in ‘ous’, and somewhere in there are ice-zombies and prostitutes and blood-feuds and dragons and prostitutes and eunuchs and prostitutes and pirates and prostitutes and witches and prostitutes and one randy dwarf with daddy issues. The whole thing is about as sophisticated as a sucking chest-wound, of which, incidentally, the series features a fair few.

Game of Thrones is, in short, about as much gory, horny fun as any pop-cultural artefact can be in a post-Fordist, post-crisis spectacle society which has not yet sanctioned hatchet-slashing death-matches between social outcasts and starving circus animals, although David Cameron has not yet revealed the details of his plan to tackle Britain’s housing crisis. No wonder everyone’s watching.

By ‘everyone,’ I mean almost four million people viewing the premiere in America alone, and many millions more watching the show online and in repeats across the English-speaking world. The general awfulness of what passes for reality means we need least an hour every week where everybody gets lost in a crypto-Medieval saga of mythical beasties, heaving bosoms, court intrigue and buckets of blood. Which is probably why so many otherwise discerning liberal viewers choose to give Game of Thrones a free pass on its staggering race and gender problems and enjoy the shit out of it anyway.

As well as being mightily entertaining, Game of Thrones is racist rape-culture Disneyland with Dragons. To say that this series is problematic in its handling of race and gender is a little like saying that Mitt Romney is rich: technically accurate, but an understatement so profound that it obscures more than it reveals. Take, for example, one single sub-plot: a very young princess, a blonde and beautiful thirteen-year-old virgin whose remarkable fairness of complexion is a motif of the series, is sold off as a child-bride by her unscrupulous brother, a man who likes to have sex whilst talking about dragons in the bath.

The unfortunate girl’s new husband is a dark-skinned, savage warlord from the Mystical East who, being a savage, is unable to conceive of any sex that isn’t exclusively rape-based, and as such violently assaults the little princess every night. But it’s all ok because a prostitute slave teaches the thirteen-year-old princess super sexy sex skills, and she proceeds to blow the warlord’s mind so throughly that they fall in love. Later in the series she uses her magical blondness and a bunch of baby dragons to free all the slaves in the Mystical East. If the enormous teetering pile of ugly stereotypes here is not immediately obvious, see me after class and we’ll go through it step by step.

None of which is to say the story isn’t exciting. That’s rather the point. A story doesn’t need to be comfortable, realistic or generous towards the downtrodden in order to be gripping; and a piece of art doesn't have to be perfectly politically correct to be fun, or important. We're allowed to enjoy problematic things, as long as we're honest about their problems. It would be nice, though, if those of us who enjoy this series despite its many, many prostitutes problems could just stop making asinine excuses for it. The worst by far of those excuses is “Game of Thrones is based on the Medieval World, and the Medieval World Was Sexist and Racist.” Well, yes, 14th century Europe wasn’t a lot of fun if you were a woman, but nor did it have, for example, dragons, or magical shape-changing witchy-woo assassins. Westeros does, because Westeros is a fantasy world. If the creator of a fantasy series can dream up an army of self-resurrecting zombie immortals he can damn well dream up equal marriage rights, and if he chooses not to do so then that choice is meaningful, as is our assumption that the default setting for any generically legendary epic must involve really rather a lot of rape.

That, for most of us, tends to be where the discussion around Game of Thrones stops. The whole thing is so obviously screwed up that it’s easier just to accept its problems and be entertained anyway - in comparison to, for example, HBO’S Girls, also airing this season, whose every scene-change and plot twist has been minutely vivisected for cultural relevance by the ready scalpels of internet pop-criticism.

But the most interesting thing of all about Game of Thrones is what you get when you strip away the blood and tits and get to the bare narrative bones under all that greasy meat. I’m talking about the basic story of the whole saga. I’m talking about one of the oldest stories of all, a story with the power to draw millions of us around the flatscreen just as our notional ancestors gathered around the hearths. I’m talking about The Search For The Good Ruler.

The clue is in the title. Game of Thrones is all about kings and queens, all about who gets to be in charge and how they win and retain power, by violence, by force of will or simply by accident. The essential assumption of this story is a familiar one: sovereignty and leadership are inherently good things, common workers need decent kings or queens to make them happy and prosperous, and even if a catalogue of leaders are bad, mad or murderous, if you can just find the right king, the true, wise, noble king who deserves to be on the throne, then everything will be okay. 

Related to this narrative is the Training of the Good King, another extremely old and powerful story. The question of who will be in charge of Westeros when the whole enormous megaplot screeches to an end has still not been resolved in the books or the series, and as this season closes there are several candidates, each with their own individual hurdles on the road to ultimate crowniness. There’s Daenerys Targaryen, Her Aforementioned Blondeness. There’s Robb Stark the boy warrior, who doesn’t quite get enough screen-time to imply narrative or personal longevity, and his brother Bran who, despite being only ten, has been treated to a crash-course in Lordery by virtue of everyone else in the vicinity being either common, a woman or dead. And then there’s Jon Snow, illegitimate son of Eddard Stark (or is he??!?!) and general beefcake, doing his time in the wintry Northlands fighting beasties. All of these people are the Westeros version of the one per cent, and any of them who make it to the end of the series will surely end up with the power of life and death over large numbers of anonymous agrarian workers.

The Search for the Good Ruler is the big story of Game of Thrones. One of the reasons that it’s so compelling is that it’s also the big story of most of the nations in which the show airs, in various different ways. That fundamental notion - that if we are just lucky enough to get the right ruler, the ruler who, by might of right or right of might or by virtue of being the richest bastard or simply because their German great-granny happened to marry into the right family of inbred peasant-butchering Saxons, that if we just find the right one everything will still be ok - that’s still a story that we cling to. The Good Ruler. It’s going to run and run.

So it’s interesting that Game of Thrones is reaching its climax just as the Diamond Jubilee really gets under way in Great Britain. My feed-reader, favourite news websites and Twitter timeline are simultaneously full of babble and gossip about fantasy kings and queens and chatter and nonsense about real-life kings and queens to an extent that excitement about the two rather overlaps. When I try to explain to people in America exactly why it matters that Britain has a queen and not a president, I’m thinking as a republican in the literal sense but also as a person who loves stories, a person who believes that stories are politically important, and as a fan.

The stories we choose to tell about power are important. It doesn’t matter if the Queen actually wields any of the surprisingly significant amount of power she has for anything other than the purchase and maintenance of a large collection of ugly hats*. It matters that the people of Britain are subjects, not citizens, and that the rest of the world - especially the United States, which was supposed to have gotten rather definitively over all this two centuries ago - gets all het up about that. It matters that the big stories we tell each other about power are still about the Good Ruler, still about kings and queens, good lords and loyal subjects, with all the assumptions about hierarchy and inequality that that entails.

The Jubilee weekend would have been slightly more interesting had there been more of a Game of Thrones aesthetic to the whole thing, with feasting and stabbings and half-naked prostitutes gyrating all along the Thames under the bunting and Paul Burrell’s head rotting on a spike in Westminster. Personally, I think we need a different sort of story right now, one that isn’t all pomp and ceremony and ruthless social hierarchy wrapped in gold brocade, a story with, just maybe, no kings or queens at all. But if I have to watch a game of thrones, I’ll take the one with the horny dwarf any day.


*Really, fashion press: can we please stop pretending that Elizabeth Windsor is a style icon now? It’s the most godawful forelock-tugging lie I’ve seen put out by an industry that runs on stimulants and self-deception more than any other grimy corridor of the media, and that’s saying something. The Queen is not a style icon. She never has been, and she never will be. It’s just that nobody has been allowed to tell her she looks shocking in candy-coloured box-waisted twin-sets in over sixty years. 

Note: This article was edited at 8.07pm on 4 June.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

Green Party
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Caroline Lucas and Jonathan Bartley: "The Greens can win over Ukip voters too"

The party co-leaders condemned Labour's "witch hunt" of Green-supporting members. 

“You only have to cast your eyes along those green benches to think this place doesn't really represent modern Britain,” said Caroline Lucas, the UK’s only Green MP, of the House of Commons. “There are lots of things you could do about it, and one is say: ‘Why not have job share MPs?’”

Politics is full of partnerships and rivalries, but not job shares. When Lucas and Jonathan Bartley were elected co-leaders of the Green party in September, they made history. 

“I don't think any week's been typical so far,” said Bartley, when I met the co-leaders in Westminster’s Portcullis House. During the debate on the Hinkley power plant, he said, Lucas was in her constituency: “I was in Westminster, so I could pop over to do the interviews.”

Other times, it’s Bartley who travels: “I’ve been over to Calais already, and I was up in Morecambe and Lancaster. It means we’re not left without a leader.”

The two Green leaders have had varied careers. Lucas has become a familiar face in Parliament since 2010, whereas Bartley has spent most of his career in political backrooms and wonkish circles (he co-founded the think tank Ekklesia). In the six weeks since being elected, though, they seem to have mastered the knack of backing each other up. After Lucas, who represents Brighton Pavilion, made her point about the green benches, Bartley chimed in. “My son is a wheelchair user. He is now 14," he said. "I just spent a month with him, because he had to have a major operation and he was in the recovery period. The job share allows that opportunity.”

It’s hard enough for Labour’s shadow cabinet to stay on message. So how will the Greens do it? “We basically said that although we've got two leaders, we've got one set of policies,” said Lucas. She smiled. “Whereas Labour kind of has the opposite.”

The ranks of the Greens, like Labour, have swelled since the referendum. Many are the usual suspects - Remainers still distressed about Brexit. But Lucas and Bartley believe they can tap into some of the discontent driving the Ukip vote in northern England.

“In Morecambe, I was chatting to someone who was deciding whether to vote Ukip or Green,” said Bartley. “He was really distrustful of the big political parties, and he wanted to send a clear message.”

Bartley points to an Ashcroft poll showing roughly half of Leave voters believed capitalism was a force for ill (a larger proportion nevertheless was deeply suspicious of the green movement). Nevertheless, the idea of voters moving from a party defined by border control to one that is against open borders “for now” seems counterintuitive. 

“This issue in the local election wasn’t about migration,” Bartley said. “This voter was talking about power and control, and he recognised the Greens could give him that.

“He was remarking it was the first time anyone had knocked on his door.”

According to a 2015 study by the LSE researcher James Dennison, Greens and Kippers stand out almost equally for their mistrust in politicians, and their dissatisfaction with British democracy. 

Lucas believes Ukip voters want to give “the system” a “bloody big kick” and “people who vote Green are sometimes doing that too”. 

She said: “We’re standing up against the system in a very different way from Ukip, but to that extent there is a commonality.”

The Greens say what they believe, she added: “We’re not going to limit our ambitions to the social liberal.”

A more reliable source of support may be the young. A May 2015 YouGov poll found 7 per cent of voters aged 18 to 29 intended to vote Green, compared to just 2 per cent of those aged 60+. 

Bartley is cautious about inflaming a generational divide, but Lucas acknowledges that young people feel “massively let down”.

She said: “They are certainly let down by our housing market, they are let down by universities. 

“The Greens are still against tuition fees - we want a small tax for the biggest businesses to fund education because for us education is a public good, not a private commodity.”

Of course, it’s all very well telling young people what they want to hear, but in the meantime the Tory government is moving towards a hard Brexit and scrapping maintenance grants. Lucas and Bartley are some of the biggest cheerleaders for a progressive alliance, and Lucas co-authored a book with rising Labour star Lisa Nandy on the subject. On the book tour, she was “amazed” by how many people turned up “on wet Friday evenings” to hear about “how we choose a less tribal politics”. 

Nevertheless, the idea is still controversial, not least among many in Nandy's own party. The recent leadership contest saw a spate of members ejected for publicly supporting the Greens, among other parties. 

“It was like a witch hunt,” said Lucas. “Some of those tweets were from a year or two ago. They might have retweeted something that happened to be from me saying ‘come join us in opposing fracking’, which is now a Labour policy. To kick someone out for that is deeply shocking.”

By contrast, the Greens have recently launched a friends scheme for supporters, including those who are already a member of another party. “The idea that one party is going to know it all is nonsense,” said Bartley. “That isn’t reality.”

Lucas and Bartley believe the biggest potential for a progressive alliance is at constituency level, where local people feel empowered, not disenfranchised, by brokering deals. They recall the 1997 election, when voters rallied around the independent candidate Martin Bell to trounce the supposedly safe Tory MP Neil Hamilton. Citing a recent letter co-signed by the Greens, the Scottish National Party and Plaid Cymru condemning Tory rhetoric on immigrants, Bartley points out that smaller parties are already finding ways to magnify their voice. The fact the party backed down on listing foreign workers was, he argued, “a significant win”. 

As for true electoral reform, in 2011, a referendum on changing Britain's rigid first past the post system failed miserably. But the dismal polls for the Labour party, could, Lucas thinks, open up a fresh debate.

“More and more people in the Labour party recognise now that no matter who their leader is, their chance of getting an outright majority at the next election is actually vanishingly small,” she said. “It’s in their interests to support electoral reform. That's the game changer.” 

Julia Rampen is the editor of The Staggers, The New Statesman's online rolling politics blog. She was previously deputy editor at Mirror Money Online and has worked as a financial journalist for several trade magazines.