Music that makes me smile

New tunes by Fruit Bats and Rollo Jean.

This week has brought with it two records that, under normal circumstances, I think I would have hissed at but instead have taken in my embrace and allowed to define the new me. This pair of identity shakers are a bit feel-good, sort of cheesy, a bit high-five and, dare I say it, a touch glam. Fruit Bats' "You're Too Weird", off their fifth album, Tripper, could, at first, make you gag ever so slightly. It made me think of the Bee Gees in a rubbish western -- I don't want to think about that ever.

 

Then there is "St Tropez" by Rollo Jean, a deeply confusing piece that travels through a variety of genres, sprinkling stardust and sequins over all of them as it goes. To counteract all this glam, there is a slightly seedy and uncomfortable video of some girl stripping in their bedrooms to accompany it. I suspect that the boy Toby, who is behind Rollo Jean, might prove to be a rather talented chap. It can't have been easy to control a record that sounds so desperate to keep rushing off in a thousand directions. I may, any day now, come to dislike both of these records but, for now, they are making me smile.

Fresh sounds from the BBC 6 Music DJ
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Katy Perry just saved the Brits with a parody of Donald Trump and Theresa May

Our sincerest thanks to the pop star for bringing one fleeting moment of edge to a very boring awards show.

Now, your mole cannot claim to be an expert on the cutting edge of culture, but if there’s one thing we can all agree on in 2017, it’s that the Brit Awards are more old hat than my press cap. 

Repeatedly excluding the genres and artists that make British music genuinely innovative, the Brits instead likes to spend its time rewarding such dangerous up-and-coming acts as Robbie Williams. And it’s hosted by Dermot O’Leary.

Which is why the regular audience must have been genuinely baffled to see a hint of political edge entering the ceremony this year. Following an extremely #makeuthink music video released earlier this week, Katy Perry took to the stage to perform her single “Chained to the Rhythm” amongst a sea of suburban houses. Your mole, for one, doesn’t think there are enough model villages at popular award ceremonies these days.

But while Katy sang of “stumbling around like a wasted zombie”, and her house-clad dancers fell off the edge of the stage, two enormous skeleton puppets entered the performance in... familiar outfits.

As our Prime Minister likes to ask, remind you of anyone?

How about now?

Wow. Satire.

The mole would like to extend its sincerest lukewarm thanks to Katy Perry for bringing one fleeting moment of edge to one of the most vanilla, status-quo-preserving awards ceremonies in existence. 

I'm a mole, innit.