Exclusive: David Miliband denounces "Reassurance Labour"

Former Foreign Secretary warns that the "Big State" is a "political dead end" for Labour.

Among the highlights in this week's New Statesman (out tomorrow) is David Miliband's most significant political intervention since the Labour leadership contest. In an exclusive essay written in response to a recent piece by Roy Hattersley ("In praise of social democracy"), a strong and vocal supporter of his brother, Miliband denounces a faction that he calls"Reassurance Labour".

Of the brand of social democracy espoused by Hattersley and others, he writes:

For some, this will be seductive. It is what I shall call Reassurance Labour. Reassurance about our purpose, our relevance, our position, even our morals. Reassurance Labour feels good. But feeling good is not the same as doing good - and it gets in the way when it stops us rethinking our ideas to meet the challenges of the time. And now is a time for restless rethinking, not reassurance.

We've heard from the elder Miliband on several issues since his defeat - the crisis of the European centre-left, the rise of the British far-right, the government's NHS reforms - but this is the first time that he's directly addressed the future of the Labour Party.

He attacks "Reassurance Labour's" preference for the central state, warning that "the weaknesses of the "big society" should not blind us to the policy and political dead end of the "Big State". The public won't vote for the prescription that central government is the cure for all ills for the good reason that it isn't."

Miliband also argues that Labour needs to do much more to defend its record in government:

One of the jewels in the crown of Labour's time in office was the rescue of the National Health Service. As the Commonwealth Fund, the London School of Economics and the Nuffield Foundation have all shown, health reforms as well as additional investment were essential to improved outcomes, especially for poorer patients. Where reform was missing, in Scotland and Wales, the improvement was far slower.

Research by the Financial Times shows a similar picture in schooling, where the gap between best and worst schools, which correlates with a wealth gap, was narrowed in the context of rising performance by schools in general.

Our attacks on the Tories will not work if we are not clear about what we did. We should say loud and clear where we made mistakes, but we should also insist that the list of gains far outstripped the mistakes. After all, even David Cameron said on coming to office that Britain was better in 2010 than 1997.

He ends with an unambiguous warning to his party:

The problem with the definition of social democratic politics by the Reassurance Labour tendency is not just that it reduces our chances of election, but rather that its vision is too narrow, its mechanisms too one-dimensional, and its effectiveness too limited. The debate is not whether one side is unprincipled; instead, it is who is right.

To read the full version of David Miliband's essay, pick up a copy of tomorrow's New Statesman, available in all good newsagents.

George Eaton is political editor of the New Statesman.

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Kate Bush thinks Theresa May is "wonderful" - and it's not the first time she's turned political

Bush also recorded a 1980s music video about Ken Livingstone. 

Kate Bush has described Theresa May as “the best thing that’s happened to us in a long time” because of her intelligence and power as a woman. 

Asked about her song “Waking the Witch” and fears of women’s power in an interview with the Canadian magazine Macleans, the iconic musician praised the British Prime Minister.

She told the magazine: “We have a female prime minister here in the UK. I actually really like her and think she’s wonderful. I think it’s the best thing that’s happened to us in a long time.”

Bush praised “sensible” May’s intelligence and added: “It is great to have a woman in charge of the country.”

Imaginative singer-songwriter Bush has broken many records for women in music, including becoming the first female artist to have eight albums in the top 40 at the same time. Although Bush herself has said she hates the word feminist, her songs often address feminist themes, such as This Woman’s Work, about the dangers of childbirth.

Nevertheless, in light of Bush’s approval of May, The Staggers feels compelled to revisit the 1980s, when she sang the soundtrack to The Comic Strip Presents… series “GLC: The Carnage Continues”.

The satirical music video shows Ken Livingstone, played by Robbie Coltrane, launching a violent takeover of the Greater London Council. Bush sings over the top: “Where is the man that we all need?... Ken is the man we all need. Ken is the leader of the GLC.” She even refers to Livingstone as a “sex machine”.

In the video, Ken is living in the wild, when he discovers a plan to flood South London. The song begins as Ken is handing out posters and campaigning while also getting back into shape with the help of weights and a bottle of milk.

He then storms into the corrupt offices of the GLC and pushes out the leader, releases prisoners and rallies a bunch of armed guerilla fighters.

Livingstone later became Mayor of London, and afterwards has devoted much of his time to his hobby of talking about Hitler, but he didn't forget. In 2010, he told The Quietus: “Of course I was a fan of the song.” 

Julia Rampen is the editor of The Staggers, The New Statesman's online rolling politics blog. She was previously deputy editor at Mirror Money Online and has worked as a financial journalist for several trade magazines.