My Transsexual Summer: The trouble with television

The medium’s ability to improve its own minority representation is strictly limited.

The medium’s ability to improve its own minority representation is strictly limited.

Many of my friends are talking about My Transsexual Summer, which recently began on Channel Four, featuring seven people from across the gender diversity spectrum. Some are cisgender (crudely, not trans), often with little knowledge of trans living beyond what I've told them, who say the show offers accessible, sympathetic insights into the social challenges of transition. Conversely, my trans friends, some of whom had high hopes for the series, have tended to vent frustration that (besides other things) it fails to air the experiences of those who do not simply wish to move from one side of male/female to the other but find space within the gender binary.

I won't review it from a trans perspective: Sarah Lake, Dru Marland and several others have done so, better than I could. The consensus seems to be that My Transsexual Summer has faults -- its title erases the subtleties of the participants' gender identities, and its voiceover and editing do not entirely avoid sensationalism -- but that in showing trans people together, rather than disparate, isolated individuals as in previous documentaries, it demonstrates a vibrant culture on television for the first time.

This is an incremental step forward for trans media portrayal, but still raises questions about how far TV is capable of providing satisfactory minority representation. Maxwell Zachs, of, My Transsexual Summer, has expressed some dissatisfaction with the show, whilst my own engagement with the industry has been less than encouraging.

If you didn't know (and I've had calls from media companies who'd somehow missed it), I'm transsexual, and often write about it, trying to use my experiences to open dialogue about wider trans concerns. (Apologies to my FtM friends: I've tended to focus on trans women as I don't feel as qualified on trans men.) I do this because, for years, I felt that while trans people were regularly discussed in mainstream media, used as objects of ridicule in lazy comedy shows, or attacked by certain feminists or conservatives, we were seldom allowed to frame our own stories and present counter-arguments on an even footing.

In particular, when I began apprehending myself through newspapers, films and TV, I resented the stereotypes of trans women as psychotic (Psycho, Dog Day Afternoon or Dressed to Kill) that persisted into the Nineties (in Silence of the Lambs, for one). These still hadn't quite disappeared nearly twenty years later, when I decided (independently of other groups and individuals pursuing similar aims) to work within the mainstream media towards more positive representation.

After I'd written about six instalments of my Transgender Journey series for the Guardian, which aimed to reduce the decades-long gap between transgender theory and the broadsheet press, I got an email from someone at a company who'd produced films, and programmes for the BBC and Channel 4. This person had read my blogs and proposed meeting about a possible TV drama about people in transition.

Perfect: I'd attempted something like this before writing the Guardian column, as I thought that a colourful, humorous narrative with engaging characters could potentially challenge preconceptions about trans people for a far wider audience. I felt that although I'd created a plausible world with interesting characters, I was average at dialogue and weak on plot. (The inevitable consequence of watching too many obscure French films where no-one speaks and nothing happens.) Now, I might be part of a well-balanced writing team with two promising young playwrights, and we could aim at a cultural landmark equivalent to Queer As Folk or The L Word.

Friends in/around the industry warned that lead-in times are always long; sure enough, we struggled to arrange the meeting. Finally, after fifteen months, resolution: the project had been shelved as "Sky have a drama coming up about a pre-op transsexual hitwoman". As far as the producer was concerned, this programme -- which had annoyed trans bloggers even before it was cast -- meant no market space for anything trans-related, no matter how different, for the foreseeable future. Perhaps, I thought, I'm best out of this.

Writers being disillusioned with the infrastructures of screen media is nothing new: think of Bertolt Brecht or Clifford Odets' disastrous inability to deliver what Hollywood producers required (the latter providing inspiration for the Coen Brothers' Barton Fink), or Jean-Paul Sartre's unwillingness to compromise for director John Huston on Freud (1962). But the television industry's incapacity to foster formally or politically radical content is even more pronounced than its cinematic counterpart, for numerous reasons.

With so many channels broadcasting around the clock, the listings are full of unscripted programmes -- sport, reality TV, panel shows -- which are relatively cheap or have fixed budgets. This has the effect of making television appear a world where writers are neither needed nor wanted, but it happens because the financial and visual demands of written serials are so high. (Charlie Brooker explains the costs brilliantly here.) As audiences will apparently change channel unless the pace is utterly relentless, a programme like Tony Hancock's Radio Ham, set in one room, is no longer tenable, so screenwriters must create fast, action-packed and above all short scenes across a number of locations, keeping firmly within budget.

This is not bad in itself: these constraints offer interesting challenges to writers, and when met successfully, produce fantastic shows. (The first episode of Shameless is a case in point.) The key limitations are not those of form, but content: what really puts off writers with specialist knowledge are producers' prejudices about what viewers will accept or understand which, coupled with their methods of audience testing, remain the greatest barriers to any big improvements in coverage of minority subjects.

Circumventing these gatekeepers is far harder than in writing (where bloggers have successfully challenged editors' beliefs about what people will or won't read). For My Transsexual Summer, a number of trans people, including CN Lester, and Paris Lees of pressure group Trans Media Watch, consulted with Channel Four: the broadcaster's willingness to listen is encouraging, although all the above blogs explicate the number of compromises necessary to get this show -- imperfect but still significantly better than what came before -- to air. At this point, given its financial and political structures, the limited level of improvement in trans representation on TV shown by My Transsexual Summer is probably the best we can expect.

Juliet Jacques is a freelance journalist and writer who covers gender, sexuality, literature, film, art and football. Her writing can be found on her blog at and she can be contacted on Twitter @julietjacques.

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The Tories' aim is to put Labour out of business for good

Rather than merely winning again, the Conservatives are seeking to inflict permanent damage on the opposition. 

The Conservatives are numerically weak but politically strong – that is the peculiarity of their position. Their majority is the smallest of any single-party government since October 1974. Yet, to MPs at the Tory conference in Manchester, it felt like “2001 in reverse”: the year of Tony Blair’s second election victory. Then, as now, the opposition responded to defeat by selecting a leader, Iain Duncan Smith, who was immediately derided as unelectable. Just as Labour knew then that it would win in 2005, so the Conservatives believe that they have been gifted victory in 2020. David Cameron has predicted that the party’s vote share could rise from 37 per cent to a Thatcherite 43 per cent.

For Cameron and George Osborne, who entered parliament in 2001, this moment is revenge for New Labour’s electoral hegemony. They believe that by applying Blair’s lessons better than his internal successors, they can emulate his achievements. The former Labour prime minister once spoke of his party as “the political wing of the British people”. In Manchester, Cameron and Osborne displayed similarly imperial ambitions. They regard Jeremy Corbyn’s election as a chance to realign the political landscape permanently.

Seen from one perspective, the Tories underperformed on 7 May. They consistently led by roughly 20 points on the defining issues of the economy and leadership but defeated Labour by just 6.5 overall. It was their enduring reputation as the party of the plutocracy that produced this disparity. Those who voted for Labour in spite of their doubts about Ed Miliband and the party’s economic competence may not be similarly forgiving of Corbyn. To maximise their gains, however, the Tories need to minimise their weaknesses, rather than merely exploit Labour’s.

This process began at conference. At a dinner organised by the modernising group the Good Right, Duncan Smith, Michael Gove and the Scottish Tory leader, Ruth Davidson, affirmed their belief that, contrary to Thatcherite orthodoxy, inequality is a problem. Only the Business Secretary, Sajid Javid, an admirer of the libertarian heroine Ayn Rand, insisted that equality of opportunity was the defining metric.

George Osborne’s assured speech was most notable for his sustained appeal to Labour voters. Several opposition MPs told me how unsettled they were by the Chancellor’s declaration that Labour’s new leadership calls “anyone who believes in strong national defence, a market economy and the country living within its means” a Tory. He added, “It’s our job to make sure they’re absolutely right. Because we’re now the party of work, the only true party of labour.” The shadow minister Jonathan Reynolds told me: “We’ve got to be extremely clear that this is not business as usual. This is a real attempt by the Tories to put us out of business – possibly for ever.”

The Conservatives’ aim is to contaminate Labour to the point where, even if Jeremy Corbyn were deposed, the toxin would endure. For those opposition MPs who emphasise being a government-in-waiting, rather than a protest movement, the contrast between the high politics of the Tory conference and Corbyn’s rally appearance in Manchester was painfully sharp. They fear guilt by association with the demonstrators who spat at and abused journalists and Tory delegates. The declaration by a rally speaker, Terry Pullinger, the deputy general secretary of the Communication Workers Union, that Corbyn’s election “almost makes you want to celebrate the fact that Labour lost” was regarded as confirmation that some on the left merely desire to run the party, not the country.

But few Tory MPs I spoke to greeted Corbyn’s victory with simple jubilation. “It’s a great shame, what’s happened to Labour,” one said. “We need a credible opposition.” In the absence of this, some fear the Conservatives’ self-destructive tendencies will reassert themselves. The forthcoming EU referendum and leadership contest are rich in cannibalistic potential. Tories spoke forebodingly of the inevitable schism between European Inners and Outers. As the Scottish experience demonstrated, referendums are almost never definitive. In the event of a close result, the party’s anti-EU wing will swiftly identify grounds for a second vote.

Several cabinet ministers, however, spoke of their confidence in Cameron’s ability to navigate the rapids of the referendum and his pre-announced departure. “More than ever, he’s the right man for these times,” one told me. By this December, Cameron will have led his party for ten years, a reign exceeded in recent history only by Stanley Baldwin, Winston Churchill and Margaret Thatcher. That the Conservatives have so far avoided cataclysm is an underappreciated achievement.

Yet there are landmines ahead. An increasing number of MPs fear that the planned cuts to tax credits could be a foul-up comparable to Gordon Brown’s abolition of the 10p tax rate. Despite the appeals of Boris Johnson and the Sun, Cameron and Osborne have signalled that there will be no backtracking. At such moments of reflection, the Tories console themselves with the belief that, although voters may use Corbyn as a receptacle for protest (as they did Michael Foot, Neil Kinnock and Ed Miliband), they will not elect him. They also acknowledge that the current Labour leader may not be their opponent in 2020. The former paratrooper Dan Jarvis is most often cited as the successor they fear. As with Cameron and Blair, his relative lack of ideological definition may prove to be a strength, one MP suggested.

William Hague is fond of joking that the Tories have only two modes: panic and complacency. If the danger before the general election was of the former, the danger now is of the latter. 

George Eaton is political editor of the New Statesman.