Papandreou and the one trillion euro question

Greeks are hoping for two things: leadership and a miracle.

It is not often that a prime minister stands up to make a speech to his party's MPs only to have his finance minister, and second in command in the party ranks, follow up by saying the exact opposite. That kind of political theatre takes epic dimensions when it happens as the country is on the verge of collapse.

But that is the state of Greek politics as we await a confidence vote that will determine the PM's fate. He seems isolated, having lost the trust of his people, the opposition, his party and his EU peers in the European Council.

Domestically George Papandreou has to deal with an internal rebellion in his own party, unhappy not just about the way he announced a referendum but mostly for having to lend their support to hugely unpopular austerity measures that has gained them the fury of the electorate.

Papandreou also has to deal with an opposition that has been playing politics throughout the process, refusing to provide him with political support in the hope they can force his government to collapse.

In the international scene, his referendum move has cost him all legitimacy with his EU partners, forcing them to accept for the first time that Greece leaving the euro is a very real possibility indeed.

So what happens now? A lot depends on the kind of deal Papandreou is able to strike with his own party and the opposition.

Many in the ruling Pasok want to see him go, not least his finance minister Evangelos Venizelos. The same goes for the New Democracy opposition. They have in the past 24 hours entertained the notion of a grand coalition government only to withdraw their support for such a notion hours later and suggest a government of technocrats to ratify the new bail-out package before calling for elections.

They are adamant not to offer any political cover to the PM and they want to ensure that he is nowhere near a new government.

Having said that the outcome of tonight's confidence vote is not set in stone yet. Papandreou might just survive, in which case the question is whether he will try to get the bail-out plan through parliament with the support of his party alone, pursue a coalition government that the opposition does not want or call an election.

The problem is that nobody knows whether an election will produce a conclusive result.

Politicians' popularity is at an all time low, no matter which party they come from. So the protest vote is expected to be big and a hang parliament very likely. Which means we will have to go into another electoral contest or a coalition government, which takes us back to square one, having wasted time and recourses in a divisive election campaign with the whole world watching.

Not to mention that the next instalment of IMF money will not be released until the new bail-out programme is agreed, an important factor in the equation considering the Greeks have some expensive bills to pay by mid December. Time is off the essence.

What does all that mean for the EU and the Eurozone? Uncertainty in Greece is causing nervousness in the markets with a direct impact in the way they view Italy, the latest victim of self-fulfilling prophecies.

But in many ways, and despite the turmoil, it buys time for the eurozone leaders to iron out all the outstanding details that were left pending after the 26-27 October European Council.

The fact is that two thirds of that deal remain intact and provided EU leaders push forward with plans to recapitalise banks and strengthen the EFSF (the eurozone's bail-out pot of money) the eurozone should be sound in the short and medium term.

Returning to Greece, the one trillion euro question is whether the country will be able to salvage its eurozone membership. The stakes are high and the consequences catastrophic.

A default and a return to the drachma will see the value of the new currency fall through the floor, with the cost of the debt, which will be in euros but serviced in drachmas, going through the roof. Greeks' savings will evaporate, not that this will mater much with the banking sector collapsing all around them.

Hence it is imperative that the government (and the opposition) get hold of the situation, abandon brinkmanship and Machiavellian manoeuvring and put the wellbeing of the country first. It's is hard to predict what the next few hours will bring but everyone is hoping for two things.
Leadership and a miracle.

Petros Fassoulas is the Chairman of the European Movement UK.

Petros Fassoulas is the chairman of European Movement UK

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How “cli-fi” novels humanise the science of climate change

The paradox is that the harder climate-fiction novels try, the less effective they are.

When the Paris UN Climate Change Conference begins at the end of November, the world’s leaders will review the climate framework agreed in Rio in 1992. For well over 20 years, the world has not just been thinking and talking about climate change, it has also been writing and reading about it, in blogs, newspapers, magazines – and in novels.

Climate change fiction is now a recognisable literary phenomenon replete with its own nickname: “cli-fi”. The term was coined in 2007 by Taiwan-based blogger Dan Bloom. Since then, its use has spread: it was even tweeted by Margaret Atwood in 2013:

It is not a genre in the accepted scholarly sense, since it lacks the plot formulas or stylistic conventions that tend to define genres (such as science fiction or the western). However, it does name a remarkable recent literary and publishing trend.

A 21st-century phenomenon?

Putting a number to this phenomenon depends, partly, on how one defines cli-fi. How much of a novel has to be devoted to climate change before it is considered cli-fi? Should we restrict the term to novels about man-made global warming? (If we don’t, we should remember that narratives about global climatic change are as old as The Epic of Gilgamesh and the Biblical story of the flood.) If we define cli-fi as fictional treatments of climate change caused by human activity in terms of setting, theme or plot – and accept there will be grey areas in the extent of this treatment – a conservative estimate would put the all-time number of cli-fi novels at 150 and growing. This is the figure put forward by Adam Trexler, who has worked with me to survey the development of cli-fi.

This definition also gives us a start date for cli-fi’s history. While planetary climatic change occurs in much 20th-century science fiction, it is only after growing scientific awareness of specifically man-made, carbon-induced climate change in the 1960s and 1970s that novels on this subject emerged. The first is Arthur Herzog’s Heat in 1976, followed by George Turner’s The Sun and the Summer (published in the US as Drowning Towers) in 1987.

At the turn of this century, Maggie Gee and TC Boyle were among the first mainstream authors to publish climate change novels. In this century, we can count Atwood, Michael Crichton, Barbara Kingsolver, Ian McEwan, Kim Stanley Robinson, Ilija Trojanow and Jeanette Winterson as major authors who have written about climate change. The past five years have given us notable examples of cli-fi by emerging authors, such as Steven Amsterdam, Edan Lepucki, Jane Rawson, Nathaniel Rich and Antti Tuomainen.

Creative challenges

Cli-fi is all the more noteworthy considering the creative challenge posed by climate change. First, there is the problem of scale – spatial and temporal. Climate change affects the entire planet and all its species – and concerns the end of this planet as we know it. Novels, by contrast, conventionally concern the actions of individual protagonists and/or, sometimes, small communities.

Added to this is the networked nature of climate change: in physical terms, the climate is a large, complex system whose effects are difficult to model. In socio-cultural terms, solutions require intergovernmental agreement – just what COP21 intends – and various top-down and bottom-up transformations. Finally, there exists the difficulty of translating scientific information, with all its predictive uncertainty, into something both accurate and interesting to the average reader.

Still, cli-fi writers have adopted a range of strategies to engage their readers. Many cli-fi novels could be classified as dystopian, post-apocalyptic or, indeed, both – depicting nightmarish societies triggered by sometimes catastrophic climate events. A future world is one effective way of narrating the planetary condition of climate change.

Some novelists are also careful to underpin their scenarios with rigorous climatic predictions and, in this way, translate science fact into a fictional setting. Kingsolver, who trained as an ecologist, is the best example of this – and Atwood and Robinson are also known for their attempts at making their speculations scientifically plausible. Also, cli-fi novels, particularly those set in the present day or very near future rather than in a dystopian future, tend to show the political or psychological dimensions of living with climate change. Readers can identify with protagonists. To some extent, the global community is represented in fictional everymen or everywomen. Or, often, it is through such characters that science is humanised and its role in combating climate change better understood.

Can cli-fi lead to change?

Could cli-fi affect how we think and act on climate change? The paradox is that the harder cli-fi tries, the less effective it is. Many writers want to inspire change, not insist on it: the line between literature and propaganda is one that most novelists respect. Literature invites us to inhabit other worlds and live other lives. Cli-fi at its best lets us travel to climate-changed worlds, to strive there alongside others and then to return armed with that experience.

In Paris, the UN will seek a global agreement on climate action for the first time in more than 20 years. There is plenty of climate change fiction out there to help provide the mental and psychological space to consider that action.

The Conversation

Adeline Johns-Putra, Reader in English Literature, University of Surrey

This article was originally published on The Conversation. Read the original article.