The uses of role models

Can inspirational LGBT figures help the victims of homophobic bullying?

This week, at the launch event for Diversity Role Models - a charity that aims to tackle homo/bi/transphobic bullying in schools - I heard the heart-breaking story of the suicide of Dominic Crouch, told by his father, Roger. Impassioned, articulate and dignified, Roger explained how a Year 10 game of Spin the Bottle generated escalating rumours that his son was gay. Feeling unable to talk about his experiences, Dominic texted 999 to say he was going to kill himself, only to be told that as he was not registered as a deaf user, no emergency service had been notified. Twenty minutes later, he jumped to his death.

Inspired by Dominic's death and Roger's subsequent activism, Diversity Role Models provide free workshops to secondary school pupils, where people of various genders and sexualities will discuss the insidious effects of queer-bashing and provide positive messages about the future. Like the US-led It Gets Better campaign, also sparked by teenage suicides, it may be criticised for over-relying on celebrity figures, possibly obscuring vital grass roots work, and for failing to address the structural roots of prejudice. (The suicide of 14-year-old Jamey Rodemeyer in New York, after making his own It Gets Better video led to him being further bullied, was particularly traumatising.) These criticisms are not invalid, and I'm sure that DRM's founder, ex-teacher Suran Dickson, has considered and assessed them.

But let's consider the "insidious effects of queer-bashing" for a moment. Allow me to take you to Horley, Surrey, in October 1996. (Imagine a high street full of charity shops, newsagents that only grudgingly stock papers besides the Mail, and residents writing uppity letters to Reigate & Banstead Council about the town centre's paving and you're there.) I've just turned 15, in Year 10 at the local comprehensive, and I'm on a coach to Belgium to visit the First World War battlefields.

The school's social hierarchies are ruthlessly exposed by the coach's seating arrangements. There's a brilliant Simpsons line where Milhouse tells Bart that their Springfield Elementary standing is "around three and a half. We get beaten up, but we get an explanation". Mine's slightly higher, as nobody ever touches me - I went through puberty early so have stubble and a deep voice (nightmarish given my wish to transition, but to my advantage here), I'm quick-witted enough, and competent at football, all of which secure some (grudging) respect. However, I admit to liking poetry and show no interest in finding a girlfriend, so I'm around level five on The Milhouse Scale, and sit nearer the front than the back.

Sick of being the outsider, I'm trying to ingratiate myself with the counter-cultural crowd. They disdain my musical choices (scorning grunge and Britpop, I listen to old music: with synthesisers!) so I need another way in. I see it: two boys, so unpopular that they're sat nearest the teachers. The guy who walks to school with me speculates about their sexualities, doing camp Seventies comedy-style impersonations of them with suggestive noises: despite - or more likely because of - frequently being called "queer", and prepared to do anything to stop people realising that I am, I join in.

They don't dare answer back. I never dare apologise.

We return, and I resume my post-school routine of secretive cross-dressing and contemplating suicide to Joy Division. I think about how my "friends" and I ruined these boys' trip, how I would most likely remain silent (at best) when the bullying came back to school with us, something they must be dreading, and how I would have hated to have been the subject of such abuse. Soon, inevitably, I was, even though my gender issues never became explicit. What goes around ...

A decade later, I saw an old classmate at a queer-friendly disco in Brighton, and explained how I'd felt guilty ever since. "Don't worry," he said, "they weren't gay." Their sexualities, though, were only part of the issue. Constantly hearing "queer" as an insult and "gay" as a catch-all pejorative for anything insufficiently masculine (including transgender behaviour) I'd internalised this hatred, turning it into all-consuming self-loathing before firing it at seemingly easy targets, hoping this would deflect attention from me.

Simultaneously, I tried to conform to whatever I thought The Normal was. This meant not only suppressing my gender identity, with consequent lifelong mental health problems, but also not reading in my spare time, not pursuing my interest in art and not displaying sensitivity towards anyone else, as all these things were branded "gay". It took years to catch up, intellectually and personally: I can never know, but I strongly suspect I was not the only one who felt like this. Luckily, I did not help to cause, or meet a tragedy like Dominic's, but this cycle, unbroken, damages so many lives - not just lesbian, gay, bi, trans or queer lives - in so many different ways, and it's sad that it takes something as awful as the suicide of a bright young man to highlight the need for change.

What stopped me from taking my own life, like Dominic, Jamey and others? By Year 11, knowing that the end was in sight, but before that, finding people in the media who'd worked through similar issues. With reasons to look, I dug deep for inspirational trans people as none were prominent, but just before I left school, Dana International won Eurovision. I hate all Eurovision songs (bar Telex's) and hadn't watched, but her victory gave pupils a positive platform to share their opinions on transsexualism, and I was amazed to hear confident, popular confident classmates sincerely express their acceptance. If only this had happened before all this damage to myself and others, I thought, but it helped me find strength to come out as a cross-dresser soon after, putting me on my path towards self-acceptance, and sharing my experiences with others.

But no attempt to provide positive trans media representation ever quite assuages my guilt about what I did in my symbiotic, mutually destructive teenage circles. These memories still make me less willing to go into schools to evoke the discussion I desperately needed as a Section 28-era teenager, not just because I worry about which questions or actions I'd provoke, but also as I'd feel like a hypocrite. Our school's culture silenced everyone, including me, and I was too afraid to challenge the heteronormative bullying that filled the space: the long-term effect is to make me reluctant to work towards rectifying the situation even though I have the personal, psychological and intellectual distance that neither my classmates nor I had aged fifteen.

So whatever its limitations, Diversity Role Models can provide a structure for those wanting to plug the gap, setting healthier terms for debate and bringing personal contact to teens who may be too scared or confused to seek it for themselves. Even if it takes a generation or two to change the environment, it's a good start - for everyone.

Juliet Jacques is a freelance journalist and writer who covers gender, sexuality, literature, film, art and football. Her writing can be found on her blog at and she can be contacted on Twitter @julietjacques.

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The Tinder dating app isn't just about sex – it's about friendship, too. And sex

The lines between sex, love and friendship are blurrier than ever, as I found out quickly while using the app.

The first time I met someone using Tinder, the free dating app that requires users to swipe left for “no” and right for “yes” before enabling new “matches” to chat, it was an unqualified success. I should probably qualify that. I was newly single after five years in a committed relationship and wasn’t looking for anything more than fun, friendship and, well, who knows. A few weeks earlier I had tried to give my number to a girl in a cinema café in Brixton. I wrote it on a postcard I’d been using as a bookmark. She said she had a boyfriend, but wanted to keep the postcard. I had no date and I lost my page.

My Tinder date was a master’s student from Valencia called Anna (her name wasn’t really Anna, of course, I’m not a sociopath). When I arrived at the appointed meeting place, she told me I was far more handsome IRL (“in real life”) than my pictures suggested. I was flattered and full of praise for the directness of continental Europeans but also thought sadly to myself: “If only the same could be said about you.”

Anna and I became friends, at least for a while. The date wasn’t a success in the traditional sense of leading us into a contract based on exclusivity, an accumulating cache of resentments and a mortgage, but it had put me back in the game (an appropriate metaphor – people speak regularly of “playing” with the app).

According to Sean Rad, the co-founder who launched Tinder in late 2012, the service was invented for people like me. “It was really a way to overcome my own problems,” he told the editor of Cosmopolitan at an event in London last month. “It was weird to me, to start a conversation [with a stranger]. Once I had an introduction I was fine, but it’s that first step. It’s difficult for a lot of people.” After just one outing, I’d learned two fundamental lessons about the world of online dating: pretty much everyone has at least one decent picture of themselves, and meeting women using a so-called hook-up app is seldom straightforwardly about sex.

Although sometimes it is. My second Tinder date took place in Vienna. I met Louisa (ditto, name) outside some notable church or other one evening while visiting on holiday (Tinder tourism being, in my view, a far more compelling way to get to know a place than a cumbersome Lonely Planet guide). We drank cocktails by the Danube and rambled across the city before making the romantic decision to stay awake all night, as she had to leave early the next day to go hiking with friends. It was just like the Richard Linklater movie Before Sunrise – something I said out loud more than a few times as the Aperol Spritzes took their toll.

When we met up in London a few months later, Louisa and I decided to skip the second part of Linklater’s beautiful triptych and fast-track our relationship straight to the third, Before Midnight, which takes place 18 years after the protagonists’ first meet in Vienna, and have begun to discover that they hate each others’ guts.

Which is one of the many hazards of the swiping life: unlike with older, web-based platforms such as Match.com or OkCupid, which require a substantial written profile, Tinder users know relatively little about their prospective mates. All that’s necessary is a Facebook account and a single photograph. University, occupation, a short bio and mutual Facebook “likes” are optional (my bio is made up entirely of emojis: the pizza slice, the dancing lady, the stack of books).

Worse still, you will see people you know on Tinder – that includes colleagues, neighbours and exes – and they will see you. Far more people swipe out of boredom or curiosity than are ever likely to want to meet up, in part because swiping is so brain-corrosively addictive.

While the company is cagey about its user data, we know that Tinder has been downloaded over 100 million times and has produced upwards of 11 billion matches – though the number of people who have made contact will be far lower. It may sound like a lot but the Tinder user-base remains stuck at around the 50 million mark: a self-selecting coterie of mainly urban, reasonably affluent, generally white men and women, mostly aged between 18 and 34.

A new generation of apps – such as Hey! Vina and Skout – is seeking to capitalise on Tinder’s reputation as a portal for sleaze, a charge Sean Rad was keen to deny at the London event. Tinder is working on a new iteration, Tinder Social, for groups of friends who want to hang out with other groups on a night out, rather than dating. This makes sense for a relatively fresh business determined to keep on growing: more people are in relationships than out of them, after all.

After two years of using Tinder, off and on, last weekend I deleted the app. I had been visiting a friend in Sweden, and took it pretty badly when a Tinder date invited me to a terrible nightclub, only to take a few looks at me and bolt without even bothering to fabricate an excuse. But on the plane back to London the next day, a strange thing happened. Before takeoff, the woman sitting beside me started crying. I assumed something bad had happened but she explained that she was terrified of flying. Almost as terrified, it turned out, as I am. We wound up holding hands through a horrific patch of mid-air turbulence, exchanged anecdotes to distract ourselves and even, when we were safely in sight of the ground, a kiss.

She’s in my phone, but as a contact on Facebook rather than an avatar on a dating app. I’ll probably never see her again but who knows. People connect in strange new ways all the time. The lines between sex, love and friendship are blurrier than ever, but you can be sure that if you look closely at the lines, you’ll almost certainly notice the pixels.

Philip Maughan is Assistant Editor at the New Statesman.

This article first appeared in the 26 May 2016 issue of the New Statesman, The Brexit odd squad