The Osborne effect

Growth is now expected to be just 1.2 per cent in 2011.

Raise VAT to a record high of 20 per cent, spread the myth that Britain is on the "brink of bankruptcy", cut spending before the economy is out of the recovery phase (240,000 public sector jobs have been lost in the past year - three times as many as forecast) and don't be surprised if growth falls away.

The Treasury has just published its round-up of independent growth forecasts and the economy is now expected to grow by just 1.2 per cent this year. The graph below shows how forecasts have been continually revised downwards as growth has plummeted (the economy has grown by just 0.2 per cent in the last nine months).

Average of independent forecasts for 2011 growth


Source: Treasury.

Almost every developed country has had to slash its growth forecasts as the global economy has deteriorated but few more so than Britain. Of the G7 countries, only disaster-ravaged Japan has grown more slowly than the UK in the last 12 months. The conclusion is clear: plan A isn't working. The longer George Osborne remains in denial, the harder the eventual U-turn will be.

George Eaton is political editor of the New Statesman.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.