Bad news for Cameron is not automatically good news for Miliband

Cameron's proximity to the phone-hacking scandal is damaging, but Miliband needs to be cautious in h

David Cameron is in for a rough few days. His former director of communications, Andy Coulson, is now accused of paying police for information. Coulson's involvement in phone-hacking resulted in his resignation; his alleged involvement in paying-off policemen, however, may result in prison.

This would be a bad break for any Prime Minister. But it doesn't stop there for Cameron. His flame-haired, horse riding buddy, Rebekah Brooks, is at the forefront of the Milly Dowler scandal.

Cameron has already stuck his neck out for Brooks once. According to Private Eye, Cameron talked Murdoch out of sacking Brooks earlier this year. Murdoch will be kicking himself.

On top of this, Cameron will face intense public pressure to put the kibosh on News Corporation's attempted takeover of BSkyB. If this doesn't go through, then Murdoch will be kicking Cameron.

Oh, and it's PMQs today, where Ed Miliband will no doubt give all the above issues a good airing.

Right now, what is bad for News International, is bad for Cameron. This does not mean, however, that it is all good news for Ed Miliband. Miliband has already called on Brooks to go. If - by some miracle - Brooks survives (and judging by the frantic briefing and counter-briefing that her, Coulson and Will Lewis are involved in, she is certainly trying to), this will be the second time since May that Miliband has called on someone close to Cameron to resign, only for them to turn and flick V's at him and stay exactly where they are.

As recently as two weeks ago, Miliband was happy to chomp on canapés with Brooks and co at the News International summer party. Cameron is up to his neck in News International's cesspit - but Miliband and Labour have certainly had a paddle. Miliband needs to be cautious and smart in his attacks on Cameron, and not look like he sprinting after a passing bandwagon. Cameron's proximity to the phone-hacking scandal has damaged him; Miliband need not lay it on too thick.

Show Hide image

Indie band The 1975 want to “sue the government” over the Electoral Commission’s latest advert

Frontman Matt Healy perhaps isn’t aware that the Electoral Commission is not, in fact, the government (or believes that this is part of a wider conspiracy).

How do you make registering to vote in the EU Referendum cool? It sounds like something  from The Thick of It, but judging by the Electoral Commission’s latest TV ad for their new voting guide, this was a genuine question posed in their meetings this month. The finished product seems inspired by teen Tumblrs with its killer combination of secluded woodlands, vintage laundrettes and bright pink neon lighting.

But indie-pop band The 1975 saw a different inspiration for the advert: the campaign for their latest album, I Like It When You Sleep For You Are So Beautiful Yet So Unaware Of It (Yes, a title perhaps even more cumbersome than “The EU Referendum - You Can’t Miss It (Phase One)”).


Lead singer Matt Healy posted a picture of the guide with the caption “LOOK OUT KIDZ THE GOVERNMENT ARE STEALING OUR THOUGHTS!!” back on 17 May. The release of the TV spot only furthered Healy’s suspicions:

Healy perhaps isn’t aware that the Electoral Commission is not, in fact, the government (or believes that this is part of a wider conspiracy).

The 1975’s manager, Jamie Oborne, was similarly outraged.

Oborne added that he was particularly “disappointed” that the director for the band’s video for their song “Settle Down”, Nadia Marquard Otzen, also directed the Electoral Commission’s ad. But Otzen also directed the Electoral Commission’s visually similar Scottish Referendum campaign video, released back in September 2014: almost a year before The 1975 released the first promotional image for their album on Instagram on 2 June 2015.

Many were quick to point out that the band “didn’t invent neon lights”. The band know this. Their visual identity draws on an array of artists working with neon: Dan Flavin’s florescent lights, James Turrell’s “Raemar pink white”, Nathan Coley’s esoteric, and oddly-placed, Turner-shortlisted work, Bruce Nauman’s aphoristic signs, Chris Bracey’s neon pink colour palette, to just name a few – never mind the thousands of Tumblrs that undoubtedly inspired Healy’s aesthetics (their neon signs were exhibited at a show called Tumblr IRL). I see no reason why Otzen might not be similarly influenced by this artistic tradition.

Of course, The 1975 may be right: they have helped to popularise this particular vibe, moving it out of aesthetic corners of the internet and onto leaflets dropped through every letterbox in the country. But if mainstream organisations weren’t making vaguely cringeworthy attempts to jump on board a particular moment, how would we know it was cool at all?

Anna Leszkiewicz is a pop culture writer at the New Statesman.