Is the BBC’s Today programme scared of Rupert Murdoch?

Curious silence over Hugh Grant’s scoop.

Even Roy Greenslade, in a rather sour Guardian piece, grudgingly conceded that Hugh Grant's hilarious entrapment of the former News of the World executive Paul McMullan was a decent story, at the same time offering the startling observation that online was now more influential than print (Roy, surely not!).

Grant's report for our issue of 11 April has become a global media sensation, as Greenslade knows. The traffic from all over the world has been so great that on several occasions our website has crashed. Last night, ITV's News at 10 broadcast extracts from Hugh's secretly recorded conversation with McMullan at his pub in Dover.

To its credit, Sky News also wanted to broadcast extracts, having contacted us about the article on several occasions. However, the BBC has been curiously silent, and has made no attempt to report what most other media outlets and most of the Twittersphere – oh yes, Hugh Grant has been trending – have conceded to be a significant story.

When Jemima Khan and I were discussing her guest edit of the New Statesman we agreed that she would do only two interviews to promote it, one print (the London Evening Standard) and one broadcast. BBC2's Newsnight wanted to have her on the programme to talk about Julian Assange and WikiLeaks. That didn't interest us. I thought the Today programme, with its six million listeners, would be preferable.

I spoke to a contact at Today and, in confidence, told him about the Hugh Grant story and its implications. He was very interested and said that his night editor – this was on the evening of Wednesday 6 April, just ahead of publication of the magazine – would call me back to discuss having Jemima on the programme the following morning to talk about Hugh, phone-tapping and the News of the World. (In his report Hugh revealed for the first time that he had been hacked by the News of the World, not an uninteresting revelation, and one that Jemima, his former girlfriend, was happy to discuss candidly in her only broadcast media interview.)

In the event, the night editor did not call me back, not even by way of courtesy. Our conclusion is that the Today programme either has no sense of a story or, more likely, someone there was alarmed at the prospect of covering Grant's adventure as an undercover reporter and some of the more powerful allegations made by McMullan, who seems like a first-rate huckster.

Something similar happened when my colleague Helen Lewis-Hasteley spoke to Radio 5's Drive programme this week to discuss appearing on the show, as she sometimes does. "Would you like me to talk about Hugh Grant?" she asked. There was a chorus of "Nos" from the producers. Similarly, she spent 20 minutes talking to BBC Radio Kent on Friday 8 March, in a spiky interview covering the ethics of covert recordings and whether the New Statesman was "buying into celebrity culture". It was not broadcast.

"I can understand some of the frustration the Guardian must feel about this story," says Helen. "To give them their credit, they have been plugging away at this issue for months – while many other commentators said there was 'nothing to see here' – and have been studiously ignored for their trouble. Even now there have been further arrests, and News International has apologised and offered payouts to several victims, the extent of the media silence is astonishing."

What is going on? What is it about this story that makes the BBC so anxious? Could it be that independent BBC editors are operating a form of self-censorship because they fear ... what, exactly? What is that our licence-fee-funded, "impartial", public-service broadcaster fears about the Murdoch family and its tentacular grip on power in Britain? Or has an edict come down from on high? We should be told.

Update: The BBC have been in touch to say that the interview with Helen was in fact broadcast - elsewhere in the programme.

Jason Cowley is editor of the New Statesman. He has been the editor of Granta, a senior editor at the Observer and a staff writer at the Times.

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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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