Assange: “WikiLeaks is the intelligence agency of the people”

The site chief discusses radical journalism and WikiLeaks’s main threat in an exclusive <em>New Stat

In an exclusive essay for the New Statesman, the editor-in-chief of WikiLeaks, Julian Assange, argues that the whistleblowing website is a return to the days of the once-popular radical press. He also discusses why the New York Times dislikes the website and reveals the biggest threat to WikiLeaks today.

"WikiLeaks is part of an honourable tradition that expands the scope of freedom by trying to lay 'all the mysteries and secrets of government' before the public," writes Assange, who compares WikiLeaks to the pamphleteers of the English civil war and the radical press of the early 20th century. "We are, in a sense, a pure expression of what the media should be: an intelligence agency of the people, casting pearls before swine."

Assange argues that the New York Times's hostility to WikiLeaks stems from the newspaper's illiberal tradition of failing to back organisations or figures that challenge established elites. He highlights the newspaper's failure to support the American pacifist and anti-war campaigner Eugene Debs, who was imprisoned for ten years for making an anti-war speech in 1918.

"The New York Times, true to form, had been calling for [Debs's] imprisonment for more than two decades, saying in an editorial of 9 July 1894 that Debs was 'a lawbreaker at large, an enemy of the human race. There has been quite enough talk about warrants against him and about arresting him,' " writes Assange. "Seen within this historical perspective, the New York Times's performance in the run-up to the US-led invasion of Iraq, and its hostile attitude to WikiLeaks today, are not surprising."

In its major leaks, the website only agreed to work with the NYT, among others, "for reasons of realpolitik", according to Assange.

WikiLeaks is able to succeed because, unlike many of its forebears, it does not rely on advertisers, he continues. "As well as the hostility of governments, popular grass-roots publishers have had to face the realities of advertising as a source of revenue. [T]he Daily Herald . . . was forced to close despite being among the 20 largest-circulation dailies in the world, because its largely working-class readers did not constitute a lucrative advertising market."

WikiLeaks has other problems, however, writes Assange: "How do we deal with an extrajudicial financial blockade by Bank of America, Visa (including Visa Europe, registered in London), MasterCard, PayPal, Western Union, the Swiss PostFinance, Moneybookers and other finance companies, all keen to curry favour with Washington?"

To read the piece in full, pick up a copy of this week's New Statesman, on news-stands from Thursday, or click here to subscribe to the magazine.

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The view from Google Earth is magnificent - but there's a problem

Google Earth is spectacular - but it can give a misleading impression of the planet and the threats we face from climate change. 

 

Google Earth wants you to “get lost” in its updated interactive map. Collaborations with new media partners mean you can now climb Mount Everest, swim with sharks or visit Afghanistan with Zari the purple muppet. No, really:


Source: Google Earth

Yet as Trump slashes support for the science behind satellite imaging, is Google’s emphasis on spectacle leading us down the wrong path?

Google Earth's new look all starts well enough. Opening the new site on your browser takes you to an image of a blue earth floating through the blackness of space. Back in the 1970s, similar images taken from the Apollo space missions helped kickstart the modern environmental movement. As the astronomer Sir Fred Hoyle put it: “Once a photograph of the Earth, taken from the outside, is available, a new idea as powerful as any in history will be let loose.”


Source: GETTY and Google Earth

And it gets better. Enter a destination in the search bar and you are greeted with the option to link directly out to the Wikipedia page: nerds of the world, rejoice! 

A guided tour from NASAearth is also on hand for anyone whose nerdery is in need of a prompt: “Geostationary satellites in geosynchronous orbits. Greenhouse gases and global warming. Glaciers... going, going, gone,” says the Bob Dylan-esque entry on its "ABCs from Space".

You can then choose to orbit your landmark of choice in 3D. And let’s face it - who doesn’t want to glide around the top of Mont Blanc, pretending to be an eagle? It’s almost as good as the BBC’s actual eagle-cam

But then it hits you. This is no soaring eagle, buffeted by wind currents and having to constantly adjust its flightpath in the face of real-world obstacles. This is a world surveyed at a safe and sanitising distance. Tourism for the Trump age – focused on providing “a consumption experience”. Certainly it is the opposite of “getting lost”.

In fact if anything has been lost or downplayed, it is the principles of scientific enquiry. The program is littered with human choices. Local versions of Google Maps, for instance, have shown different national borders depending on where in the world you log in. And while new, open-data imagery from America's Landsat 8 program is helping bring many regions up to date, other high-resolution imagery comes from commercial providers, such as Digital Globe. And as this Google 'help' page implies, there are issues of time-lag to face. 

You can’t even be sure what you’re looking at still exists. In 2015, Bolivia’s second largest lake vanished - a combination of climate change, El Nino, and irrigation withdrawal caused 2,700 square kilometres of water to evaporate into a dry salt pan. (It has not recovered, and seems unlikely to do so.) Yet on the new version of Google Earth the lake is still a healthy green:


Source: GoogleEarth

The much lauded film clips from the BBC’s Planet Earth II are similarly short on context. As I've argued before, David Attenborough's latest TV series did little to explain the stories behind the spectacle – there was no mention, for instance, of the arctic anthrax outbreak which caused thousands of reindeer to be culled, nor the role of climate change in worsening locust swarms. 

Finally, the new update actually shows you less of the world than it did before. Gone is the “Historical Imagery” tool that allowed you to see how a place had changed through time. Now, the Citadel of Aleppo in Syria is only visible as a bombed-out ruin. A surreal street-view reveals two women cheerily taking a selfie – with debris all around and their legs spliced out of shot:


Source: GoogleEarth

So why do these omissions matter? Because they take users further away from the evidence-based approach of earth science. It turns out that satellite images on their own are of limited use when it comes to quantifying change. Instead researchers must turn the raw pixels into numbers, which can then variously represent everything from forests to cities, glaciers and farms.

As Dr France Gerard at the UK’s Centre for Hydrology and Ecology explains, this process enables us to live in a better managed environment – be that by measuring air pollution or the impact of fertiliser on soil. The centre's landcover map, for instance, has been mapping British land use since 1990. Similar methods allow Sam Lavender’s company to provide Ugandans with a Drought and Flood Mitigation service, as part of the UK Space Agency’s International Partnership Programme.

Sadly, the need for public engagement has never been more urgent. Brexit and austerity have cast doubt over important projects in the UK. While in Donald Trump’s America, funds for earth monitoring are set to be slashed. Two missions already under the knife are PACE, a spacecraft set to track global ocean health, and CLARREO, which would have produced highly accurate climate records. Trump has also called for the earth-viewing instruments on the DSCOVR satellite to be turned off. Phil Larson, a former space advisor to President Obama, describes this decision as “baffling”.

So what can be done to reverse this trend? Experts I spoke to believe that collaboration is key. With government programs being squeezed, the earth monitoring industry may come to rely increasingly on the trend towards smaller, commercial satellites. These are great for increasing the quantity of data available but their accuracy needs to be constantly checked against the data from the larger and more reliable state-launched equipment.

There’s also still more data out there to share. As Bronwyn Agrios from Astro Digital points out, many countries have been gathering region-specific data – which could, in future, be made open source. “The neat thing about space is that there’s no border,” she concludes.

To help this process, Google Earth could do far more to raise public awareness of the science behind its special effects. Yet at least in one way it is already on the right path: its own new range of collaborations is impressively large. As well as the BBC, you can take interactive tours with The Ocean Agency, the Wildscreen Arkive, and the Jane Goodall Institute – all of whom put conservation up front. The Goodall journey to Tanzania’s Gombe National Park even describes the use of satellite imagery to measure conservation success.

 

More links with other citizen science projects around the world could turn the program into something truly ground-breaking. If it can incorporate these, then desktop-tourism may yet save the planet from Trump. 

India Bourke is an environment writer and editorial assistant at the New Statesman.

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