Music and meritocracy
The charts are dominated by public school pop stars. What does that tell us about meritocracy in Britain today?
By Duncan Robinson Published 06 December 2010 14:29
The days when working-class lads and lasses with guitars would dominate the charts are gone. Today's pop stars are the expensively educated progeny of the middle classes, according to a new survey by The Word magazine.
During one week this October, 60 per cent of chart acts had been educated at private schools, compared to just 1 per cent during the same week in 1990. Pop music can now be added to the media, politics and law in the long list of public spheres dominated by the products of private schools.
Potential pop stars in the state education system don't stand much of a chance. Music has no place in a system obsessed with league tables. Excellent music facilities do not improve the number of students getting 5 A*-C. As a result, some local authorities dedicate as little as £1.15 per child per year for teaching music (£).
Unless they are pushed on at home, children in the state sector get virtually no access to music lessons – and even when they do, the teaching leaves much to be desired. In my local authority, lessons last 20 minutes and are shared with up to four different pupils. As a result, a child in the state sector can, in effect, expect five minutes' individual tuition a week.
The decline of music in schools in no recent phenomenon. The fundamental blows came under the previous Conservative government. The Education Reform Act 1988 defined instrumental lessons as "non-essential", meaning local authorities no longer had any obligation to provide music services to pupils. In 1993, further legislation was passed that allowed local authorities to pass on the cost of lessons to parents, reducing access to music teaching solely to those who could afford it. Labour failed to rectify this situation in its 13 years in power.
Is it any wonder that the pop charts are today flooded with former private-school kids? This situation is not unique to music. It's the same story in sport.
More than half of Britain's medals in the 2008 Olympics came from privately educated athletes. Britain did well in slightly leftfield disciplines such as rowing, sailing and cycling – sports that are expensive and the preserve of private schools.
Recent coalition proposals to scrap the School Sports Partnerships would yank away the chance offered to poor kids to try a sport that did not involve chasing a ball around a field. If Michael Gove's cuts are approved, unless you are good at rugby, hockey or football, sport is not for you if you are at a state school.
The cuts in sport and the ongoing evisceration of music in schools is part of a wider trend in state education that denigrates any part of the curriculum that does not result in a palpable economic benefit at the end of it.
Students need a good understanding of maths, English and natural sciences to succeed in the workplace. But they also need the confidence to present to a room and a competitive streak.
These soft skills are gained outside the classroom, through music, sport and drama. As state schools chip away at these activities, such skills will increasingly become the preserve of the privately educated.
The reason why politics, journalism and the media are dominated by former private school pupils is not because private schools produce students with better grades. Privately educated pupils receive a well-rounded education – with plenty of emphasis on the arts and sports, and all the benefits that this brings.
Forget about a few posh kids dominating pop music. The problem is much bigger than that. If the UK is to retain any semblance of a meritocracy, its education system must go beyond the fundamentals. Students need music and they need sport. The sooner Gove realises this, the better.
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29 comments
This is bullshit, sorry. This is pure chance- the correlation between music in schools and musicians in the charts is limited. Public schools have always offered more musical opportunities, so the point is null and void.
Singers have natural talent- granted, it may be honed by a music teacher, but passion for music is an individual's personal development, not something a government can force, and bands are formed in bedrooms and basements, not in Common Rooms and quadrangles.
Anyone who looks at the charts can see from the tunes and lyrics that most of modern music is just one rhythm-pounding dance buzz after another, and most modern ''artists'' come across as borderline retarded in their interviews anyway.
Real music is still out there, it just doesn't get airplay. Using popular music as an example of actual musical talent is a poor misconception- anyone with a grain of music interest beyond what the radio plays and over the age of 14 will tell you there are decent artists out there- and if they produce quality, original music, there upbringing is superfluous information.
Its true what a public school education gives you is self confidence.
Sports and the Arts also give you self confidence and sense of achievement.
Buy your kid a cheap accoustic guitar and make sure you play the stuff that 'grooves', (refer to previous post). They need to listen to the good stuff to be able to know what music is!
I don't think John Lennon or Jimi Hendrix had music lessons. If they had they'd have been ruined.
The best pop music comes from times of political upheaval, the hippies and punk.
As I saw on one student blog, "at least we'll get some decent music now!".
As
I never went to public school, and hated most sport [AUG birthday] except cricket and swimming,in fact I was considered quite a nerd, a title I enjoyed!
Nevertheless at age 10, I could strip and rebuild a 4 stroke motorcycle engine, and had held the paraffin lamp for our local vet to calve a cow. Complete mysteries to the other pupils. At our local council primary school, everyone had to read before the class, soon builds confidence,as does knowing that if you put the Ram into a flock of ewes in November, there will be lambs in late March, and an ability to drive a tractor properly at age 11,even being 'lent' to a neighbour to plough a field for him as he was ill, got paid too!
If one was going to seek some decent support for the notion of simply throwing money at stuff and hoping something might stick, possibly a better example in favour could have been attempted?
Next we'll be finding that all the 'investment' in various other sectors, such as education or health, didn't seem to equate to much of an improvement across the demographic divide either.
Possibly there is confusion with the number of folk commissioning/drawing up play lists who went to public schools?
i think this is more of a role model problem. i know of at least one youngish working class male, who hates dance music and would like to try playing the guitar, i leant him a steve earle cd, and he loved it, but the bimbo pop culture of radio one has created a vacuum. so young working class men (sorry, don't mean to be sexist, but it is such a male dominated industry) don't actually have any role models, whereas the beatles did. while currently most "bands" are very middle class and so its easy for students at private school to see themselves in that role, and therefore copy people who appear to be so like themselves.
and this very middle class soft rock music is very popular with the bbc, so the perception is created that its middle class young males from private schools who do this.
we.................i'll probably get banned from this website for saying this, but country music is a much more working class music, and better access to it would probably encourage greater more working class people to participate, but while its either bimbo pop dance music or middle class rock bands the impression is created that its not a working class music, although its roots certainly are.
also to further disagree with the solution offered here, the other issue is that popular music has become institutionalised, and is now taught at higher education establishments across the land, which are more commonly the home of middle class students, so again access is made easier through this for middle class children.
There has never been a decent sound made by a private school person, apart from a dying scream. Duck off poshos you'll soon be begging for mercy.
It does not matter if public school kids dominate the charts since singles are irrelevant to the modern popular music.Many important young artists have been educated at state schools as illustrated by this years winners of the Mecury Music Prize : The XX . Most of the best artists in rock come from the United States or Canada . Arcade fire are currently the most creative band in the world . The great song writers are in the united states . The problem for Uk. Music is the limited number of small labels that are prepared to invest in young dynamic artists. The Internet has facillitated the demise of the singles chart and records sales .this has subsequently lead to record companies unwilling to invest in genuine musical talent. The commercial music charts have never been so poor as they are in 2010. However the number of great albums been released has been impressive . Look at Uncut magazine or Mojo to see the great artists recording in the 21st century .
The great failure of the New Labour project had been it's inability to create a meritocratic society .why do public school
Boys and girls dominate the major professions and the political system in The 21st century ? Despite the levels if public investment in state education to many children have failed to read and write . Britain has huge disparities of wealth and income which must be addressed before we can build a much more meritocratic society.
Aged 12 my daughter went to join a local 'Silver Band' playing tenor horn, by age 16 she was lead TH. Whilst with the band had 4 free tours of Europe! You don't need to be rich to play.Took a music hons degree at Birmingham University, now sings professionally.
Francis smith; Kind of agree with you regarding role models.
If kids are brought up listening to pop music that hasn't come from anywhere ie no roots, then they are very stifled musically.
My son was lucky that his Dad was once a blues/rock guitarist and our house has been filled with the amazing early James Brown albums ( the musicians in this guys band are of a phenomenol standard), 'The Funky Drummer' should be compulsory listening in music lessons, also early Ray Charles, Robben Ford, Albert King, Jimi Hendrix, even though his rythmn section always let him down, it didn't 'groove'
Although only 17, my son is an amazingly natural, rock/blues guitarist and finds contemporary music uninteresting and souless.
I believe the reason for posh musicians being dominant is because their parents can afford studio time, instruments and gear, but this alone does not produce great music, it is nurture.
Even if schools provided free instruments and lessons, if the child is not listening to the good rythmic stuff at home, they will never be able to play properly.
Appropriate name, Anal...etc, because you sound like a real arsehole.
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Probably more to do with connections and opportunity than talent. I would assume that most of the Dubstep, R&B talent in this country has had formal music lessons. Kids wanting to make music will do so, as they have done for the last 60 years or so now. Its happened before with punk (here's a guitar, here's three chords, go form a band) and some outstanding music was created and in many underground scenes since, so don't despair just yet. Most of the great bands were too cool for music lessons
I would assume that most of the Dubstep, R&B talent in this country HASN'T had formal music lessons.
I call bullshit. I went through the present top 20 and I only found 3 who went to private school.
The charts are irrelevent
whereas wolf people are not
please link youtubely
Actually Paul, dubstep is MASSIVELY posh! Last dubstep DJ I spoke to went to some international school in Switzerland after Winchester. And yes, he was a total dick. Dubstep is THE anthemn of BoBo 20somethings.
As ever, an excellent post from Duncan on education, a real strong suit of his.
This is about to whom are the arts and so reserved. A lot of people have worked extremely hard to bring these things within public grasp. That trend is now in decline.
As with everything, the lower classes are relgated to a class of cultural consumption instead of production. Why make music when you can buy it from a nice bunch of lads from Ampleforth?
We have to ask ourselves whether anyone from Bedales actually has anything to sing about worth listening to.
So many pupils, particularly ones with average acheivement, now waste time chasing NVQs that are "worth" several GCSEs instead of talking a language, arts or other, proper, non-core subject where they might shine (good for targets, bad for the pupil). No public school debases its pupils in this way.
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Best regards for you all,
Looking forward to your visiting.
http://www.1shopping.us/
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