A killing joke?

The evidence of firearms officer AZ8.

Yesterday the news broke that an unnamed police firearms officer ("AZ8") who may have killed the barrister Mark Saunders had been removed from firearms duty after allegedly inserting song titles into his oral evidence at the coroner's inquest. It was also reported that the matter had been referred to the Independent Police Complaints Commission.

The alleged song titles have not been publicly disclosed, though the Guardian helpfully told us:

An examination of the transcript shows that evidence given by AZ8 contained a number of phrases which are also the titles of songs, including "Enough Is Enough" by Donna Summer, "Point of No Return" by Buzzcocks, "Line of Fire" by Journey, "Quiet Moments" by Chris de Burgh, "Kicking Myself" by As Tall As Lions and "Fuck My Old Boots" by the Membranes.

I was at Bar school with Mark Saunders and, although I did not know him, we had mutual friends. But for this blog post it does not – and should not – matter whether the person shot dead by the police was a barrister or a barman.

The sole issue is whether a police firearms officer was contriving his crucial oral evidence to an inquest so as to serve an ulterior purpose.

Why would it matter? Well, as sources "close to the Police Commissioner" said, it shows "insensitivity and lack of judgement". But it goes further than that. When being examined at any inquest or hearing, a witness should be addressing the question directly and not seeking to formulate his or her answers to serve ulterior purposes. Any contrivance is likely to be at the expense of the reliability of the evidence given.

So, is the suggestion true? Were song titles inserted into the sworn evidence?

It is, of course, a matter now for the IPCC. However, for those interested in following this investigation, the following information is available. First, the Metropolitan Police's statement, which was emailed to me:

A matter was brought to MPS attention during the Mark Saunders inquest in relation to evidence given by a firearms officer to the inquest. The issue was dealt with at the time by the officer's management who reprimanded him.

On 28 October 2010 the matter came to the attention of senior officers who felt this was insufficient. As a result the matter was referred to the Independent Police Complaints Commission on the 29 October.

We have now been informed by the IPCC that they will manage an investigation by the Metropolitan Police Directorate of Professional Standards.

The MPS takes this matter extremely seriously as we expect the highest standards of all of our staff.

The officer has been removed from operational firearms duty.

And there is the IPCC statement:

The Independent Police Complaints Commission (IPCC) received a referral from the Metropolitan Police Service (MPS) on Friday 29 October 2010 in relation to the evidence given by a firearms officer to the inquest into the death of Mark Saunders.

It is alleged that, while giving evidence under oath to the inquest on 27 September 2010, officer AZ8 deliberately inserted song titles into his verbal testimony.

The IPCC has now decided that it will manage an investigation by the MPS's Directorate of Professional Standards into the allegation. This means that an IPCC investigator will have direction and control of the investigation and IPCC Commissioner Tom Davies will have oversight of it.

The investigation will examine the officer's testimony, any impact that testimony may have had on the proceedings, the way in which the allegation was initially dealt with by one of his supervisors and whether or not any other police officers were involved.

But what did AZ8 actually say? Below is attached a PDF of the oral testimony of AZ8, which has been kindly released by the coroner.

Click here to see the full PDF.

Can the supposed "inserted song titles" all be simple coincidences, perhaps spotted by some busybody either within or external to the Metropolitan Police?

One would suppose that any substantial oral evidence would, if analysed, tend to include song titles. Verbal communication often contains clichés and figures of speech, and such words and phrases will tend also to crop up as song titles. Certain cultural memes do come to mind when trying to express any idea: the title of this blog post, for example, owes something to my interest in Alan Moore's writings. To invoke a meme or to utter a cliché – especially when under pressure of formal questioning – may not necessarily be either dishonest or distracting.

Or is this a matter of contrivance, rather than coincidence? Did the officer boast of his feat? Was it the result of some cynical dare between officers? Was this a horrific misapplication of "barrack-room humour"? (And only the most earnest reader would begrudge those involved in dangerous work a certain levity, but the time and place for it surely cannot include sworn testimony to a coroner's inquest.)

Was it really a joke at the expense of someone the firearms officer may have killed?

We simply do not know the answers to these and other questions, and it is not appropriate for us to anticipate the result of the IPCC investigation. Although there would appear to be information not in the public domain but available to the Metropolitan Police which rendered the initial reprimand an insufficient sanction, what that information could be – or even that it exists – is mere speculation.

But what can be safely said is this. If it is true that the oral evidence of this police firearms officer was being contrived so as to serve any ulterior motive, rather than being provided to assist a coroner's inquest, then not only should we be disgusted at the facts in this particular case, we should also be concerned that we cannot have full confidence in the testimony of firearms officers in inquests and other hearings. And that is a confidence we dearly need to have.

 

David Allen Green is a lawyer and writer. He blogs for the New Statesman on policy and legal matters. He has recently been appointed a judge for the 2011 Orwell Prize for blogging, for which he was shortlisted this year

David Allen Green is legal correspondent of the New Statesman and author of the Jack of Kent blog.

His legal journalism has included popularising the Simon Singh libel case and discrediting the Julian Assange myths about his extradition case.  His uncovering of the Nightjack email hack by the Times was described as "masterly analysis" by Lord Justice Leveson.

David is also a solicitor and was successful in the "Twitterjoketrial" appeal at the High Court.

(Nothing on this blog constitutes legal advice.)

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The struggles of Huma Abedin

On the behind-the-scenes story of Hillary Clinton’s closest aide.

In a dreary campaign, it was a moment that shone: Hillary Clinton, on the road to the caucus in Iowa, stopping at a Mexican fast-food restaurant to eat and somehow passing unrecognised. Americans of all political persuasions gleefully speculated over what her order – a chicken burrito bowl with guacamole – revealed about her frame of mind, while supporters gloated that the grainy security-camera footage seemed to show Clinton with her wallet out, paying for her own lunch. Here was not the former first lady, senator and secretary of state, known to people all over the world. This was someone’s unassuming grandmother, getting some food with her colleagues.

It might be unheard of for Clinton to go unrecognised but, for the woman next to her at the till, blending into the background is part of the job. Huma Abedin, often referred to as Clinton’s “shadow” by the US media, is now the vice-chair of her presidential campaign. She was Clinton’s deputy chief of staff at the state department and has been a personal aide since the late 1990s.

Abedin first met Clinton in 1996 when she was 19 and an intern at the White House, assigned to the first lady’s office. She was born in Michigan in 1976 to an Indian father and a Pakistani mother. When Abedin was two, they moved from the US to Saudi Arabia. She returned when she was 18 to study at George Washington University in Washington, DC. Her father was an Islamic scholar who specialised in interfaith reconciliation – he died when she was 17 – and her mother is a professor of sociology.

While the role of “political body woman” may once have been a kind of modern maid, there to provide a close physical presence and to juggle the luggage and logistics, this is no longer the case. During almost 20 years at Clinton’s side, Abedin has advised her boss on everything from how to set up a fax machine – “Just pick up the phone and hang it up. And leave it hung up” – to policy on the Middle East. When thousands of Clinton’s emails were made public (because she had used a private, rather than a government, server for official communication), we glimpsed just how close they are. In an email from 2009, Clinton tells her aide: “Just knock on the door to the bedroom if it’s closed.”

Abedin shares something else with Clinton, outside of their professional ties. They are both political wives who have weathered their husbands’ scandals. In what felt like a Lewinsky affair for the digital age, in 2011, Abedin’s congressman husband, Anthony Weiner, resigned from office after it emerged that he had shared pictures of his genitals with strangers on social media. A second similar scandal then destroyed his attempt to be elected mayor of New York in 2013. In an ironic twist, it was Bill Clinton who officiated at Abedin’s and Weiner’s wedding in 2010. At the time, Hillary is reported to have said: “I have one daughter. But if I had a second daughter, it would [be] Huma.” Like her boss, Abedin stood by her husband and now Weiner is a house husband, caring for their four-year-old son, Jordan, while his wife is on the road.

Ellie Foreman-Peck

A documentary filmed during Weiner’s abortive mayoral campaign has just been released in the US. Weiner shows Abedin at her husband’s side, curtailing his more chaotic tendencies, always flawless with her red lipstick in place. Speaking to the New York Observer in 2007, three years before their marriage, Weiner said of his future wife: “This notion that Senator Clinton is a cool customer – I mean, I don’t dispute it, but the coolest customer in that whole operation is Huma . . . In fact, I think there’s some dispute as to whether Huma’s actually human.” In the film, watching her preternatural calm under extraordinary pressure, you can see what he means.

In recent months, Abedin’s role has changed. She is still to be found at Clinton’s side – as the burrito photo showed – but she is gradually taking a more visible role in the organisation overall, as they pivot away from the primaries to focus on the national race. She meets with potential donors and endorsers on Clinton’s behalf and sets strategy. When a running mate is chosen, you can be sure that Abedin will have had her say on who it is. There’s a grim symmetry to the way politics looks in the US now: on one side, the Republican candidate Donald Trump is calling for a ban on Muslims entering the country; on the other, the presumptive Democratic nominee Hillary Clinton relies ever more on her long-time Muslim-American staffer.

Years before Trump, notable Republicans were trying to make unpleasant capital out of Abedin’s background. In 2012, Tea Party supporters alleged that she was linked to the Muslim Brotherhood and its attempt to gain access “to top Obama officials”. In her rare interviews, Abedin has spoken of how hurtful these baseless statements were to her family – her mother still lives in Saudi Arabia. Later, the senator and former Republican presidential candidate John McCain spoke up for her, saying that Abedin represented “what is best about America”.

Whether senior figures in his party would do the same now remains to be seen.

Caroline Crampton is web editor of the New Statesman.

This article first appeared in the 26 May 2016 issue of the New Statesman, The Brexit odd squad