Tony Judt, 1948-2010

British historian and essayist dies.

Several news sources, including New York magazine, are reporting that the English historian and essayist Tony Judt has died. In November 2008, Judt was diagnosed with Lou Gehrig's disease, a neuro-degenerative condition that very quickly left him paralysed from the neck down. He continued to write almost until the end, however, even delivering the 2009 Remarque Lecture at New York University (where he had taught for many years) in a wheelchair and from inside the prison of a body that permitted him to do little else but speak and breathe (and this only with the help of a machine).

That lecture, entitled "What is Living and What is Dead in Social Democracy", was turned (with astonishing speed, bearing in mind his condition) into a book, Ill Fares the Land, in which Judt offered -- for the benefit, he said, of "young people on both sides of the Atlantic" -- both an account of what he saw as the corruption of our moral sentiments (he borrowed the phrase from Adam Smith, whom he rightly took to have abhorred the "uncritical adulation of wealth for its own sake") and a vision of what political discourse used to be like -- not in the distant past, but in his own lifetime, during the postwar heyday of social democracy.

It was a period, Judt wrote, in which there was a "moralised quality to policy debates", when questions such as unemployment and inflation were regarded not just as economic issues, but also as "tests of the ethical coherence of the community".

Ill Fares the Land was both a threnody (for a language of the common good that Judt thought we had carelessly misplaced) and the expression of a certain kind of political temperament:

Social democrats are characteristically modest -- a political quality whose virtues are overestimated. We need to apologise a little less for our shortcomings and speak more assertively of achievements. That these were always incomplete should not trouble us.

If we have learned nothing else from the 20th century, we should at least have grasped that the more perfect the answer, the more terrifying its consequences. Incremental improvements upon unsatisfactory circumstances are the best that we can hope for, and probably all we should seek. Others have spent the last three decades methodically unravelling and destablising them: this should make us much angrier than we are . . .

Social democracy does not represent an ideal future; it does not even represent the ideal past. But among the options available to us today, it is better than anything else to hand. (Ill Fares the Land, pp. 224-25)

Much of the scholarly work with which Judt made his academic reputation (books such as Past Imperfect: French Intellectuals, 1944-1956 and The Burden of Responsibility: Blum, Camus, Aron and the French Twentieth Century), before gaining wider acclaim (and, it has to be said, notoriety) on the strength of his literary journalism for the New York Review of Books, was devoted to the terrible seductions of the "perfect answer" in politics and to the irresponsibility (and irrelevance) of intellectuals who insist that nothing less than perfection will do.

What that passage from his last book shows, however, is that Judt also knew that a sober recognition of the limits of politics is not the same as a quietistic and defeated abandonment of them. He will be greatly missed.

Jonathan Derbyshire is Managing Editor of Prospect. He was formerly Culture Editor of the New Statesman.

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Rarely has it mattered so little if Manchester United won; rarely has it been so special they did

Team's Europa League victory offers chance for sorely needed celebration of a city's spirit.

Carlo Ancelotti, the Bayern Munich manager, memorably once said that football is “the most important of the least important things”, but he was only partly right. While it is absolutely the case that a bunch of people chasing around a field is insignificant, a bunch of people chasing around a field is not really what football is about.

At a football match can you set aside the strictures that govern real life and freely scream, shout and cuddle strangers. Football tracks life with such unfailing omnipresence, garnishing the mundane with regular doses of drama and suspense; football is amazing, and even when it isn’t there’s always the possibility that it’s about to be.

Football bestows primal paroxysms of intense, transcendent ecstasy, shared both with people who mean everything and people who mean nothing. Football carves out time for people it's important to see and delivers people it becomes important to see. Football is a structure with folklore, mythology, language and symbols; being part of football is being part of something big, special, and eternal. Football is the best thing in the world when things go well, and still the best thing in the world when they don’t. There is nothing remotely like it. Nothing.

Football is about community and identity, friends and family; football is about expression and abandon, laughter and song; football is about love and pride. Football is about all the beauty in the world.

And the world is a beautiful place, even though it doesn’t always seem that way – now especially. But in the horror of terror we’ve seen amazing kindness, uplifting unity and awesome dignity which is the absolute point of everything.

In Stockholm last night, 50,000 or so people gathered for a football match, trying to find a way of celebrating all of these things. Around town before the game the atmosphere was not as boisterous as usual, but in the ground the old conviction gradually returned. The PA played Bob Marley’s Three Little Birds, an Ajax staple with lyrics not entirely appropriate: there is plenty about which to worry, and for some every little thing is never going to be alright.

But somehow the sentiment felt right and the Mancunian contingent joined in with gusto, following it up with “We’ll never die,” – a song of defiance born from the ashes of the Munich air disaster and generally aired at the end of games, often when defeat is imminent. Last night it was needed from the outset, though this time its final line – “we’ll keep the red flag flying high, coz Man United will never die" – was not about a football team but a city, a spirit, and a way of life. 

Over the course of the night, every burst of song and even the minute's silence chorused with that theme: “Manchester, Manchester, Manchester”; “Manchester la la la”; “Oh Manchester is wonderful”. Sparse and simple words, layered and complex meanings.

The match itself was a curious affair. Rarely has it mattered so little whether or not United won; rarely has it been so special that they did. Manchester United do not represent or appeal to everyone in Manchester but they epitomise a similar brilliance to Manchester, brilliance which they take to the world. Brilliance like youthfulness, toughness, swagger and zest; brilliance which has been to the fore these last three days, despite it all.

Last night they drew upon their most prosaic aspects, outfighting and outrunning a willing but callow opponent to win the only trophy to have eluded them. They did not make things better, but they did bring happiness and positivity at a time when happiness and positivity needed to be brought; football is not “the most important of the least important things,” it is the least important of the most important things.

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