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  1. Politics
12 July 2010updated 05 Oct 2023 8:55am

In defence of the Digital Economy Act

To repeal this law would put jobs at risk across the board.

By John McVay

Nick Clegg’s announcement that members of the public would be able to nominate legislation to be scrapped through his “Great Repeal Bill” has led to many calls for the Digital Economy Act to be included in the list.

Laurie Penny recently used this website to set out why she thought the DEA should be repealed. The piece was disappointing and repeated a lot of the well-rehearsed untruths made by many in the debate over the past year. It failed to recognise both the extent of the problem of file-sharing and the support the act has among all sectors of the creative industries.

As the act faces a possible legal challenge by some internet service providers, I feel it is only fair to defend this landmark legislation, which will go a long way to protecting the thousands of UK jobs in the creative industries.

The introduction of the Digital Economy Bill to parliament in November 2009 was a culmination of years of review, consultation and discussion between the government, creative industries, ISPs and consumers. Its aim was to address the significant and very real threat that illegal file-sharing poses to the UK’s creative industries.

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However, many of the myths spouted about the act continue. One which is repeated by its opponents continuously is that the act threatens to criminalise millions of internet users. Be clear: there are no criminal provisions in the act; this claim is baseless and is often a deliberate distortion of the facts.

In addition, there are extensive safeguards included in the act to ensure that consumers who have not illegally uploaded or downloaded material are protected.

The measures in the act are designed to educate infringers without taking drastic action immediately. Only the most egregious online copyright infringers will face any substantial measures; and only after further consultation.

The creative industries are working hard at ensuring that the appeals process is fair, fast and effective. We are also fulfilling our own side of the bargain by developing technologies to improve the consumer experience and by working harder to educate consumers about the legal alternatives available. We are keen to hear from consumers about how they think we can promote legal alternatives to this problem.

Much of the opposition to the act has come from those people who enjoyed the environment that existed prior to the legislation, in which it was relatively easy to download material free of charge, without proper payment to the rights holder, and without fear of punishment. This simply isn’t fair, and fails to appreciate the impact such activity has on those people who work in the creative sectors.

Some opponents also argue that the act is nothing more than an attempt to protect the large film studios and record labels, yet this fails to appreciate the thousands of ordinary jobs and livelihoods put at risk by illegal file-sharing. A recent EU-wide study by TERA Consultants found that, by 2015, the cost of piracy to the UK economy could amount to 254,000 jobs and €7.8bn in retail revenue if measures, such as those outlined in the act, are not adopted.

It was for this reason that the Creative Coalition Campaign was established — not just with rights holders such as Pact — but also with trade unions representing professions from a range of sectors including publishing, sport, film, television and music. This groundbreaking partnership has worked to articulate the very real threat posed to jobs by illegal file-sharing.

Our aim is not to persecute innocent consumers, but rather to protect the livelihoods of the hundreds of thousands of people who work in our sectors — all of whom have a right to be properly compensated for the work they produce.

We therefore welcomed the introduction of the legislation in April. It is structured, quite rightly, to bring rights holders and internet service providers together to tackle online piracy. The strength of support for it within the creative industries is clear and the Creative Coalition Campaign looks forward to playing its part in ensuring the successful implementation of the new law.

The UK’s creative sector produces world-class content, bringing joy to countless people across the UK and the world. However, this cannot be sustained if illegal file-sharing persists.

The DEA is a necessary step to protect jobs across the board — not only for recording artists, but for technicians, manufacturers, musicians, writers, photographers and staff in high-street shops, among many others. To repeal it would put all these people’s livelihoods at risk.

John McVay is chief executive of Pact and a member of the Creative Coalition Campaign.

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Select and enter your email address Your weekly guide to the best writing on ideas, politics, books and culture every Saturday. The best way to sign up for The Saturday Read is via saturdayread.substack.com The New Statesman's quick and essential guide to the news and politics of the day. The best way to sign up for Morning Call is via morningcall.substack.com Our Thursday ideas newsletter, delving into philosophy, criticism, and intellectual history. The best way to sign up for The Salvo is via thesalvo.substack.com Stay up to date with NS events, subscription offers & updates. Weekly analysis of the shift to a new economy from the New Statesman's Spotlight on Policy team. The best way to sign up for The Green Transition is via spotlightonpolicy.substack.com
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