Don’t let the coalition crush Democracy Village

Protest is sometimes messy and sometimes inconvenient, but it remains a fundamental freedom.

It may strike readers as rather ironic that, on the day the Queen arrived at the seat of our democracy to deliver her speech at the State Opening of Parliament, police outside in Parliament Square made their presence felt in the Democracy Village that has sprung up there, searching tents for "bombs" (peace campaigners armed with bombs? The ironies just keep on coming!) and arresting the long-term peace campaigner Brian Haw -- all amid echoes of our new government's commitment to civil liberties.

Even before taking office, David Cameron declared that a Conservative government would attempt to remove Haw and his fellow protesters. But he was also at great pains to point out that he is "all in favour of free speech and the right to demonstrate and the right to protest". However, it's the "shanty-town tents" in the square that have led him to conclude that "enough is enough".

The appearance of Democracy Village has meant that others have joined in the call to clear the square. Colin Barrow, leader of Westminster City Council, has been particularly vocal. This is the same Colin Barrow currently facing calls for an inquiry over business dealings of his which have left the council owed £20,000.

I don't know about you, but I'm reassured by the constant declaration by those who want the protesters gone of their commitment to the principle of free speech -- that's the one enshrined in the European Convention for the Protection of Human Rights and Fundamental Freedoms, to give it its full title. And I think we can safely assume, too, that these same people cherish just as fervently the right to freedom of assembly and association, also enshrined in the convention.

"Fundamental freedoms". "Fundamental" -- defined by the dictionary as "vital", "elemental", "crucial" and "indispensable". These freedoms are rightly considered the very bedrock of a healthy democracy. They are its lifeblood, because, without them, democracy dies. In fact, so important are these rights that constant vigilance is required, lest they be eroded by those for whom protest is inconvenient or threatening. And we must recognise that those who would attempt to do this immediately bring their fidelity to the ideals of democracy into question.

But what might our politicians find so threatening about Democracy Village? Let me see . . . perhaps that it is prominently protesting against the war in Afghanistan (which all the main parties support) and is vowing not to leave until British troops are brought home? Let's not forget that anyone opposed to the war was not represented by any of the three main parties during the election, and that a recent poll revealed 77 per cent of the British public want the troops brought home. Who, then, is more aligned with democracy? The politicians in parliament -- or the protesters outside its hallowed walls?

"Democracy" -- this is defined as "the common people, considered as the primary source of political power". "The people" -- hey, that's us! We are the "primary source of political power" in our democracy.

But alas, we have lost sight of the direction in which power should flow. So brainwashed are we that we allow our servants to dictate to us when and where we can protest against them! They even draft laws making it illegal to do so without their permission! Absurd!

The residents of Democracy Village however, have not lost sight of the real definition of democracy. They understand it very well -- and far better than those wishing to sweep them away in order to silence critical voices. They are giving us all a precious lesson in its true meaning if we only had eyes to see and ears to hear. They are safeguarding our democracy for us even in the face of insult, ridicule, ignorance and state oppression. Brian Haw, the man who has sat in wind, rain and snow for nine years straight to protest the slaughter and carnage of our wars has the kind of integrity that those who have tried every trick in the book to evict him will never possess.

You see, protest is sometimes messy; it's sometimes noisy and inconvenient, but weighed in the balance any disruption pales into insignificance compared to the priceless freedom it represents -- a freedom that protects us all. Parliament Square: what better place to fight for democracy, in the shadow of Mandela and among the ghosts of suffragettes? As the film-maker and long-term reporter on protest there, Rikki Blue, commented this week:

Protesting in Parliament Square is not a party, it's not a joke -- it's a hard-won, heart-felt struggle in the face of draconian laws put in place by arrogant and so-far untouchable politicians (who) are seeking any excuse to clear the square of the protest that daily reminds them what war criminals most of them are.

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Photo: Will Ireland
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Rock solid-arity: how fans and bands helped save Team Rock's music magazines

“It was purely helping out friends in a time of need.”

A little over 25 years ago, a journalist friend let me in on the secret of publishing success. He cut his teeth in the Sixties as an editor in the Yippie underground press, wrote for Rolling Stone, Associated Press and the Chicago Sun-Times, then went on to teach at one of America’s most prestigious journalism schools.

The big secret, he had concluded, was community. No more, no less. Get to know your community and serve it well.

A quarter of a century on, it’s sometimes hard to remember what community looks like in newspapers and magazines. Carefully crafted pages have been obscured by a haze of clickbait, engineered to sucker everyone and anyone into donating a drive-by page view for ads. Community has given way to commodity.

But occasionally, there are glimpses of hope. Six months ago, TeamRock.com, built around a group of specialist music magazines including Classic Rock, Metal Hammer and Prog, went into administration.

The Christmas closure came brutally quickly. The Scottish Sun reported that stunned staff in the company’s Lanarkshire headquarters were told they had been made redundant “as a joiner changed the locks on their offices”. In total, 73 staff were laid off; nearly 30 in Scotland and more than 40 in London.

At the close of 2016, the future for the Team Rock brand and its stable of magazine titles was bleaker than a Black Sabbath album. But last month, in an extraordinary reversal of fortunes, TeamRock.com was named the most influential rock music website in the world.

Bargain-basement buy back

Just a fortnight after its shock closure, the brand was bought by former owners Future Plc. In a no-brainer deal, the Bath-based publisher re-acquired the three magazines it had sold to Team Rock’s founders in 2013. It bought back assets sold for £10m at the knockdown price of £800,000 with the bonus of TeamRock.com and Team Rock Radio. The deal rescued large parts of the Team Rock operation – but its soul was saved by the rock and metal community.

Oblivious to any discussions going on to rescue the magazines, readers, music fans and bands came together in a stunning display of loyalty. Hearing that Team Rock staff wouldn’t be getting paid their Christmas wage they took to social media to pledge their support and raised almost £90,000 for redundant staff.

Ben Ward, the organiser of the crowdfunding campaign and frontman for heavy metal band Orange Goblin said he started the appeal with no thought for the business. “It was purely helping out friends in a time of need,” he explained.

He had read all three Team Rock magazines for years, socialised with their staff and promoted his own and other bands in their pages. “To think of a world without any of those magazines – it was devastating,” he said.

The response to the campaign brought him some cheer, with members of bands such as Queen, Rush and Avenged Sevenfold all posting about it on their social media pages. He added: “The whole Christmas period, my phone just wouldn't stop beeping with notifications for another donation.”

Show of solidarity

Though the fundraiser blew up all Ward's expectations, beating his initial target by more than 400 per cent, he didn't seem completely surprised by the scale of the response.

“Heavy metal and hard rock, people that are into that sort of music, we've always been sort of looked down upon. We know it's not commercially the done thing, we know it's not the norm to walk around with long hair and tattoos and dirty leather jackets. But when you see a fellow metal head in the supermarket, you always give them an approving nod. There's a kind of solidarity.”

While favourable capitalist arithmetic has kept the presses rolling – and the online servers going – for Team Rock, it was the music community – empowered by social media – who delivered the real resurrection. With a combined Facebook following of more than 3.5million and a total social media audience of almost five million, it was no surprise TeamRock.com was soon number one in its field.

“What's brilliant about this is that it's based on what music fans share with each other,” explains editor-in-chief Scott Rowley.

TeamRock.com became the most influential rock site based on social media sharing, and came fifth in the top 100 sites across all music genres. The site above it is a hip-hop title, again featured for the strength of its community, according to Rowley. “Those people really know what they're talking about, they want very specific content, and they're not getting served it elsewhere,” he said. “When they get it, they love it and they share it and talk about it and that's their world.”

Responsiblity

Following the outpouring of support for the rock magazines, Rowley now feels a heightened sense of responsibility to do “the right thing” and steer clear of cynical decisions to get clicks or put certain bands on the cover just to sell copies. He believes future success will come down to trust. “Sometimes that feels precarious, but equally I think we're in good hands,” he explains. “We're a business, we've got to make money, but we know what smells fake and where the limits are.”

Zillah Byng-Thorne, CEO of owner Future, recognises the need to balance the realities of running a listed company with the authenticity needed to maintain trust. “What Future is interested in is the passion that underpins specialist media,” she says. “I don't really mind what your passion is, what's important is that it's a passion.”

“No one is sitting around thinking, 'I wonder what bands sound like Thin Lizzy?',” says Rowley. “We're much more a part of their lifestyle, interrupting their day to tell them someone’s just released an album or announced a tour.”

“But it doesn't have to always be about fishing for clicks,” he adds. “I remember [Classic Rock online editor] Fraser Lewry saying, 'Sometimes on social we should just be being social'.”

Being social. Listening. Contributing to the conversation. Sharing the passion. That old-fashioned notion of serving the community. It seems Ward would agree, as he offers the new owners of the magazines he helped to save some advice: “Don't make the same mistakes, investing in things that weren't really necessary from the magazine’s point of view. I'm in no position to tell anyone how to run their business, but on behalf of the rock and metal community…keep it interesting, keep it relevant.”