The idiocy of Labour’s immigration populism

The idea that the masses need to be placated by punishing outsiders shows how out of touch Labour ha

One deeply worrying aspect of the Labour leadership battle, for those hoping it will revitalise left-wing politics, is the frequency with which the candidates mention immigration.

Ed Balls suggests the party suffered electorally because people didn't know about its tough points system for migrants. David Miliband says "we were seen to be late to the game" on immigration. Andy Burnham sounds like a BNP leaflet: "People aren't racist, but they say it has increased tension, stopped them getting access to housing and lowered their wages."

It's true that many people have legitimate grievances about their lives -- over access to housing, to healthcare, to good schools, to secure jobs -- for which immigration (if politically manipulated) can become a touchstone. It is also true that all those insecurities have been compounded by New Labour and its obeisance to the market, which failed to provide public housing, polarised access to hospitals and schools under the rubric of "choice", and made call centres and job agencies the first port of call for working-class people trying to work.

In large part as a result of the marketisation of society, as well as the bailout of the financial elite, what we have now is a rapidly shrinking pool of public resources and an increasingly desperate struggle among poor people for access to them.

The cheap labour of some of those people, immigrants, was a key element of New Labour's "economic miracle", yet the state never acknowledged the role they played -- so when times went bad, nobody remembered what they had done to make them good. Instead, Miliband, Balls, Burnham et al seem intent on scapegoating immigrants to distract us from the real causes of hardship.

Not only is this morally contemptible; it's a lie. The lie of such "populism" is that it's not what ordinary people want. The one clear vote in the election (52 per cent of voters) was against Tory austerity and punishment of the poor. The idea that the cretinous masses need to be placated by punishing outsiders shows how out of touch as well as morally tarnished New Labour has become.

People in the real world are far more savvy. My play A Day at the Racists, about a disillusioned white worker drawn to the BNP, generates a constant stream of comments from black, white, brown, working- and middle-class audiences about how they won't fall for divide and rule and immigrant-bashing, how they know who the real villains are (unfortunately for the politicians, the answer to that seems to be . . . the politicians).

For young people especially, who in urban areas now live in a cultural and social melange of mixed heritages, races and accents, the clumsy polarities the Labour candidates are appealing to are something of the past -- exactly the wrong direction for a party crying out for new ideas.

There is now, I believe, a majority of people in Britain wanting a more tolerant, sophisticated and progressive politics than any party is willing to offer them. A Labour Party with an ounce of political nous would grab hold of those people, simply out of political expediency, if nothing else. For Labour instead to shove them back into a divisive, deceptive, anti-immigrant populism is tragic for the welfare of migrants and ordinary people alike -- and remarkably stupid politics.

Anders Lustgarten is a political activist and playwright. His play "A Day at the Racists" will be on tour throughout the UK in the coming months.

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The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.