Lord Goldsmith tells the inquiry . . . not much

If you wanted cloak-and-dagger revelations of government pressure, you won't find them here

Peter Goldsmith, the former attorney general, appeared before the Iraq inquiry today.

After two Foreign Office ministers yesterday said unequivocally that they believed the Iraq war was in contravention of international law, the focus was on Lord Goldsmith's decision to endorse the war's legality.

Rather predictably, the hearing wasn't as explosive as many media commentators had hoped. Goldsmith dismissed the belief that he had changed his opinion under intense government pressure as "complete and utter nonsense". He did, however, admit that Tony Blair had not found it "entirely welcome" when Goldsmith advised that the government must seek a UN resolution. Of Blair's advanced discussions with Bush, he said: "That did put me in something of a difficult position."

The crucial moment was in late February 2003, when Goldsmith went from warning that a second UN resolution must be obtained to saying that actually, it was fine to go ahead. The explanation he gave was rather mundane -- simply that it was at this point the army required him to give a definitive "yes or no" answer:

They were entitled to have a clear view. They weren't to be put in the position of being sent off, maybe it is, maybe it isn't lawful.

There was no other way of anybody answering that question but me. It was my responsibility . . . I reached the view that, on balance, the better view was that it was lawful.

He admitted today that he had not wanted to stray too far from the fence, telling ministers at the time that the UK could still be taken to court for military action. Some of the papers have made much of his admission that he changed his mind -- but really, we knew that already. As explanations go, this is rather a boring one (Paul Waugh reads between the lines to give an alternative account). And it shows, once more, that the main players are staying relentlessly on-message on the issues that count.

Goldsmith expressed frustration that certain documents -- thought to relate to the legality issue -- have not been declassified, a point that Sir John Chilcot interjected to agree with. It was another sign of the limitations of an inquiry that looks set to disappoint.


Follow the New Statesman team on Twitter.

Samira Shackle is a freelance journalist, who tweets @samirashackle. She was formerly a staff writer for the New Statesman.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.