Glenn Beck and Sarah Palin

A match made in heaven


Ah, this is a beautiful thing. Glenn Beck and Sarah Palin (our cover story), facing each other on Fox this week, the Statue of Liberty looming in the background. About halfway through the clip, Glenn Beck leans across to Palin and searches for a personal connection:

You and I both were, I think, the number one and number two Halloween costumes of the year.

He carried on:

Did you know that? We both have been nailed on Saturday Night Live as being stupid. We are also both just recently voted on the Most Admired list of people in the world. We both have been on the cover of major magazines in the last year. We're both probably top five Most Hated People in America.

It's one way to bond. But this interview, if you watch it, is really the most amazing example of vague paranoia. They talk for the first ten minutes in the most part about "trust", the fact that there's no one you can trust, the moment they both realised that they could trust ANYONE AROUND THEM. I think they use the word trust approximately 48 times in the space of ten seconds.

Then there's the "system". Don't, for God's sake, get them started on the "system". Can you survive out of the "system", wonders Beck. "The system is broken," responds Palin. Not only that:

The system creates disenchantment with the people looking at the political system saying we don't like that.

The people! I nearly forgot about the people. Beck and Palin seem to have a hotline to the people. The people, all of them, seem to like exactly what they like and hate exactly what they hate. Why do they bother having elections when you could just ask these two?



Sophie Elmhirst is features editor of the New Statesman

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.