An ape on a cross and a black Jesus

Will Christians find these works blasphemous?

The contemporary art world is descending on London in time for the opening of the Frieze Art Fair in Regent's Park on Wednesday. It will be interesting to see how much reaction there is to two works in a show timed to coincide with it, "The Age of Marvellous", which is on at a deconsecrated church opposite the park. One of the artists, Paul Fryer, caused controversy this year when his Pietà, a sculpture of Christ in an electric chair, was displayed in the cathedral of the Alpine town of Gap. Now he has taken this further in another work, in which the Christ figure is black and appears contorted and visibly suffering.

"The figure of Christ isn't just in the electric chair," explains Fryer, who has collaborated with Damien Hirst and whose work has been exhibited at the Tate and the Courtauld. "He's starved and he's black. Hundreds more black people have been executed in the chair than white people. More black people starve to death than white people by what you could call a significant margin, too." The work also makes the point that "we still execute people 2,000 years after Christ's death".

More edgy -- more likely to offend, at any rate -- is The Privilege of Dominion, in which a waxwork ape appears nailed to a cross. "At the rate we're killing them all, the lowland gorillas will be dead by the year 2020," says Fryer. "Do animals have souls? What a question. We should be asking the same question of ourselves."

Personally, I don't find either sacrilegious. But then perhaps that's not for me to say. Given that the clearly fantastical Jerry Springer: the Opera managed to arouse the ire of so many Christians, it's quite possible that Fryer's ape on a cross will provoke more than just thought.

Sholto Byrnes is a Contributing Editor to the New Statesman
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Michael Gove definitely didn't betray anyone, says Michael Gove

What's a disagreement among friends?

Michael Gove is certainly not a traitor and he thinks Theresa May is absolutely the best leader of the Conservative party.

That's according to the cast out Brexiteer, who told the BBC's World At One life on the back benches has given him the opportunity to reflect on his mistakes. 

He described Boris Johnson, his one-time Leave ally before he decided to run against him for leader, as "phenomenally talented". 

Asked whether he had betrayed Johnson with his surprise leadership bid, Gove protested: "I wouldn't say I stabbed him in the back."

Instead, "while I intially thought Boris was the right person to be Prime Minister", he later came to the conclusion "he wasn't the right person to be Prime Minister at that point".

As for campaigning against the then-PM David Cameron, he declared: "I absolutely reject the idea of betrayal." Instead, it was a "disagreement" among friends: "Disagreement among friends is always painful."

Gove, who up to July had been a government minister since 2010, also found time to praise the person in charge of hiring government ministers, Theresa May. 

He said: "With the benefit of hindsight and the opportunity to spend some time on the backbenches reflecting on some of the mistakes I've made and some of the judgements I've made, I actually think that Theresa is the right leader at the right time. 

"I think that someone who took the position she did during the referendum is very well placed both to unite the party and lead these negotiations effectively."

Gove, who told The Times he was shocked when Cameron resigned after the Brexit vote, had backed Johnson for leader.

However, at the last minute he announced his candidacy, and caused an infuriated Johnson to pull his own campaign. Gove received just 14 per cent of the vote in the final contest, compared to 60.5 per cent for May. 


Julia Rampen is the editor of The Staggers, The New Statesman's online rolling politics blog. She was previously deputy editor at Mirror Money Online and has worked as a financial journalist for several trade magazines.