An ape on a cross and a black Jesus

Will Christians find these works blasphemous?

The contemporary art world is descending on London in time for the opening of the Frieze Art Fair in Regent's Park on Wednesday. It will be interesting to see how much reaction there is to two works in a show timed to coincide with it, "The Age of Marvellous", which is on at a deconsecrated church opposite the park. One of the artists, Paul Fryer, caused controversy this year when his Pietà, a sculpture of Christ in an electric chair, was displayed in the cathedral of the Alpine town of Gap. Now he has taken this further in another work, in which the Christ figure is black and appears contorted and visibly suffering.

"The figure of Christ isn't just in the electric chair," explains Fryer, who has collaborated with Damien Hirst and whose work has been exhibited at the Tate and the Courtauld. "He's starved and he's black. Hundreds more black people have been executed in the chair than white people. More black people starve to death than white people by what you could call a significant margin, too." The work also makes the point that "we still execute people 2,000 years after Christ's death".

More edgy -- more likely to offend, at any rate -- is The Privilege of Dominion, in which a waxwork ape appears nailed to a cross. "At the rate we're killing them all, the lowland gorillas will be dead by the year 2020," says Fryer. "Do animals have souls? What a question. We should be asking the same question of ourselves."

Personally, I don't find either sacrilegious. But then perhaps that's not for me to say. Given that the clearly fantastical Jerry Springer: the Opera managed to arouse the ire of so many Christians, it's quite possible that Fryer's ape on a cross will provoke more than just thought.

Sholto Byrnes is a Contributing Editor to the New Statesman
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PMQs review: Jeremy Corbyn bids for the NHS to rescue Labour

Ahead of tomorrow's by-elections, Corbyn damned Theresa May for putting the service in a "state of emergency".

Whenever Labour leaders are in trouble, they seek political refuge in the NHS. Jeremy Corbyn, whose party faces potential defeat in tomorrow’s Copeland and Stoke by-elections, upheld this iron law today. In the case of the former, Labour has already warned that “babies will die” as a result of the downgrading of the hospital. It is crude but it may yet prove effective (it worked for No to AV, after all).

In the chamber, Corbyn assailed May for cutting the number of hospital beds, worsening waiting times, under-funding social care and abolishing nursing bursaries. The Labour leader rose to a crescendo, damning the Prime Minister for putting the service in a “a state of emergency”. But his scattergun attack was too unfocused to much trouble May.

The Prime Minister came armed with attack lines, brandishing a quote from former health secretary Andy Burnham on cutting hospital beds and reminding Corbyn that Labour promised to spend less on the NHS at the last election (only Nixon can go to China). May was able to boast that the Tories were providing “more money” for the service (this is not, of course, the same as “enough”). Just as Corbyn echoed his predecessors, so the Prime Minister sounded like David Cameron circa 2013, declaring that she would not “take lessons” from the party that presided over the Mid-Staffs scandal and warning that Labour would “borrow and bankrupt” the economy.

It was a dubious charge from the party that has racked up ever-higher debt but a reliably potent one. Labour, however, will be satisfied that May was more comfortable debating the economy or attacking the Brown government, than she was defending the state of the NHS. In Copeland and Stoke, where Corbyn’s party has held power since 1935 and 1950, Labour must hope that the electorate are as respectful of tradition as its leader.

George Eaton is political editor of the New Statesman.