Climate change and the past

Are we hostage to the environmental crimes of our grandparents?

Finding your way into the ethics of climate change isn’t easy. Our values; human values, grew up in little, local, tribal worlds of plenty. But climate change requires thinking on a much different scale. It’s easy to see that someone shoplifting a bottle of tequila does wrong. There’s a thief, standing red-handed right in front of you. But who does wrong in the case of climate change? Is overfilling the kettle wrong? Is a long, hot shower a sin? Is a long-haul flight for a well-deserved weekend break a kind of evil? We can make a start by thinking about climate change and the past, present, and future. We’ll begin with historical thoughts on responsibility, with reflection on the history of emissions.

Sometimes the history of the present distribution of resources matters. Suppose each day we all take an equal share of the limited amount of water which bubbles up from a common well. It turns out that I’ve been sneaking a bit more for my Jacuzzi. You might reflect on compensatory or corrective justice issues, in the thought that I should now take less water, to make up for my past excesses. Think now about the developed world’s historical use of a scarce resource, namely the carbon-absorbing properties of our planet, the Earth’s carbon sinks. The UN’s Food and Agriculture Organization categorizes countries as developed or developing. If we follow these groupings, then since 1850 the developed world is responsible for 76 per cent of carbon dioxide emissions. It has therefore used up a vastly disproportionate share of the planet’s carbon sinks. It doesn’t take much thinking about corrective justice to come to the conclusion that the developed world has a responsibility to take serious action on climate change. It was easy enough to see it in the case of the well.

Several thoughts get in the way of seeing this conclusion clearly. Maybe the most common one goes like this. Perhaps the past sometimes matters when we think about divvying up a scarce resource, but we are talking about the actions of people long dead. Maybe the activities of my parents and grandparents and so on conspired together to bring about climate change, but I didn’t do it. Saying now that I must tighten my belt because of a past injustice is nothing less than holding me responsible for the sins of my father.

We might be able to get away with that thought if it were true that our lives were entirely disconnected from the industrial activities of our forebears. However, as the philosopher Henry Shue points out, we owe the comfy lives we’ve got to all that past industrial activity. We in the west – with comparatively excellent health care and education, with nations bolstered by a sturdy infrastructure and healthy economies – are enjoying lives of plenty partly because of our histories. We’ve benefited from industrialization, and others will suffer for it as our climate changes. Do we not owe those who will suffer a few sea walls and the promise to reign in our emissions as quickly as we possibly can?

James Garvey has a PhD in philosophy from University College London and is Secretary of the Royal Institute of Philosophy. He is author of some books and articles, most recently, The Ethics of Climate Change (Continuum 2008)
John Moore
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The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.