The divine actor

We are in the last times before Jesus returns again writes Evangelical Christian Alex Monro

Evangelical ("good news") Christianity celebrates a God of speech and action who is involved in the world. Evangelicalism puts God at centre-stage in the drama of human history, which it depicts as a story of unrequited love.

This God spoke to humanity through history in a crescendo of revelation that climaxed in the life, words, death and resurrection of Jesus.

Evangelicals believe God's authorship of the universe is already communicated to us in the order, complexity and beauty of the material world. Moreover, he has made himself known through a people he chose, through prophets he appointed and, finally, through Jesus of Nazareth, "the word made flesh". (The biblical God is Trinitarian, father, son and spirit - from the first book of the Old Testament God often uses the first person plural and Genesis 1 verse 2 refers to the spirit of God "hovering over the waters" - but the perfect unity of the three persons means he can only be counted as one God).

God's authorship of all is the essence of evangelical faith. Hebrews 12:2 described Jesus as "the founder and perfecter of our faith". We believe that life, salvation and hope come from him.

Humanity plays its part in this divine drama too, but as Goneril, the ungrateful daughter who takes all her father gives him before turning her back to him. No prayers, pilgrimages, religious observance, social action or costly acts of generosity can mitigate humanity's guilt before this perfectly just God. This is the low point in the history of God's world, and the hallmarks of it are plain - discord, decay and death.

God is far from finished with mankind, however, and chooses Abraham as the first player in a new plan for the fallen creation - Abraham has righteousness "credited to him" by God because of his faith (and, crucially, before he is circumcised). The books of the Old Testament tell the stories of many such men and women of faith, and Hebrews 11 lists a number of them for us - Abel, Enoch, Noah, Isaac, Jacob, Joseph, Moses, Rahab and others. The writer of Hebrews says they were approved thanks to their faith in God, not to their works or ethnicity - yet even faith is from God, as Paul's letter to the Ephesians explains: "For it is by grace you have been saved, through faith - and this not from yourselves, it is the gift of God - not by works, so that no one can boast"

But all these sinners are only a shadow of the climax of God's earthly play, which comes to life with an unprecedented deus ex machina that flies in the face of human religiosity. God the son becomes man, is born in a disreputable town, lives as a refugee among an occupied people in a far corner of the Roman Empire and is unjustly killed as a common criminal, rejected by his followers and his friends. He is the antithesis of a manmade God - earthly political ambition (such as Zionism) is not a feature of truly evangelical Christianity.

This shameful death is Jesus' crowning glory, as he himself pays the blood price for the sins of those who rejected his rule and his plan. He does it for no good reason, except that his justice and his love demand it as the only solution. The result is that Christ takes on human sinfulness so that humanity can take on Christ's purity, and be restored to God. The biblical accounts describe how, at the moment Jesus breathed his last, the temple curtain that had divided sinful man from a perfect God is torn in two. The curtain, it says, is torn from above - humanity has done nothing to earn its salvation. The resurrection is the display of God's final victory over sin and over its Siamese twin, death.

The play has reached its penultimate act. Christ has risen and returned to the father and these are "the last times" before he returns again. It is in these last times that Christians are called to take to heart Jesus' final words to his closest followers. "Go and make disciples of all nations", before God calls human history to an end so that justice can finally be done and followers of his "from every nation, tribe, people and language" be brought into his presence forever.

Alex studied French, then Chinese before pursuing a career in journalism. He now works for Trusted Sources, a political and economic risk consultancy, where he is a China analyst
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Mumslink shows how online parenting networks are coming of age

Women online are changing the relationship between digital domesticity and digital independence. 

The habit of “speaking as a mother” came in for its fair share of criticism this summer. Andrea Leadsom’s insinuation of superiority over Theresa May, her rival for the Tory leadership, elicited widespread scorn – not least from those who have done most to strengthen the voice of mothers as a group: internet mums.

Over the past 15 years, the ten million users a month who log on to Mumsnet have been courted by politicians in webchats and speeches alike. The 2010 general election was even named “the Mumsnet election” in their honour.

From the start, parenting networks attracted users interested in comradeship, as much as those after information. 

For Jo Williamson, a mother-of-two, the trigger was the day her second child left for school, a jarring experience. “I went into a blind panic, thinking: ‘Blimey, I’m going to be sitting in an empty house just waiting for everybody to come back.’” In response, Jo and her business partner Jane Pickard came up with the idea for a new site that focuses on the fluid nature of many women’s professional and family lives.

The resulting network, Mumslink, uses carefully edited news feeds to introduce readers to ideas, businesses and charities that complement all aspects of their lives – from recipe tips to volunteering. “There are so many women out there with a plethora of talents but most of the time, because you’re with your children, nobody asks you to get involved,” Williamson says.

Similar feelings of isolation led Siobhan Freegard to found Netmums, one of the UK’s largest parenting sites. Back in 2000, she had barely heard of “social networks”, nor of Mumsnet, which launched around the same time, yet she knew that mothers needed a place “to share their stories and maybe meet up in the offline world, too”.

Such identity-building led to divisions over “the right way” to be a mother. A tense rivalry developed between the slightly younger Netmums and the more educated and affluent Mumsnetters (Tesco and Waitrose didn’t sponsor different networks for nothing). Within the sites’ pages, differences of opinion over working v stay-at-home parenting sparked allegations of hostility and bullying. Still, the media researcher Sarah Pedersen says there’s an argument that these sites have helped produce a reduction in depression and anxiety, as well as greater opportunities for women to negotiate “the tension between themselves and their role as mothers”.

There are signs that this online culture is growing up. The perception of mums as “a bit insular and thick” is more easily countered, says Justine Roberts, the founder of Mumsnet, “now that so many mothers are able to express their individuality, their interests and their expertise in the public domain”.

According to Freegard, the very act of online sharing has helped begin to repair the rifts within the parenting debate. “With social media, we see working mums and part-time mums, and we see mums changing roles as their children change ages, and we understand that there are different angles to things – that everyone has their story.”

This is more pronounced in the world of video blogging, Freegard says. On her YouTube channel, Channel Mum, people talk calmly about controversial subjects that would have been a “bloodbath” on Netmums, such as ear piercing for very young children. “With video, you can see the person in real life and that helps you feel for their story,” she says.

Perhaps the greatest effect, however, has been on how the internet allows parents to work from home. As many as 160,000 part-time ventures have been started by British women in the past two years alone, self-styled kitchen-table start-ups. Sites such as Mumslink (similarly funded by Williamson and Pickard and run out of the former’s front room in Hertfordshire) aim to help this home-based workforce with new clients. One Mumslinker visits the site to write about her own line of natural nail varnish, another to promote her hot-tub business. The company Digital Mums uses it to encourage women to expand their digital skills.

Commercial savvy is something that Freegard is also keen to develop at Channel Mum – equipping her contributors with financial advice and small stipends. “I remember looking at mummy bloggers and thinking, ‘You guys didn’t get properly organised,’” she says. Freegard points out that most early mum bloggers never grew their audience beyond those already involved in parenting online, and struggled to become more professional as a result.

Quite what the future relationships will be between the brands, businesses and audiences for information on parenting has yet to be established. Some users will baulk at being increasingly cast in the role of consumer. At the same time, the networks’ names – Mumsnet, Netmums, Mumslink, Channel Mum – suggest that parenting is still a woman’s domain.

Yet a better balance seems to be emerging in the relationship between digital domesticity and digital independence. Greater gender equality in the distribution of start-up funding, more job vacancies that allow flexible working, and increasing numbers of prominent women in the tech industry are just some of the things the community is striving to promote. In Britain, which has an ageing population and an ever-growing community of carers, the rise of these networks seems sure to be a net gain for us all. 

For more, visit: mumslink.com

India Bourke is the New Statesman's editorial assistant.

This article first appeared in the 25 August 2016 issue of the New Statesman, Cameron: the legacy of a loser