The divine actor

We are in the last times before Jesus returns again writes Evangelical Christian Alex Monro

Evangelical ("good news") Christianity celebrates a God of speech and action who is involved in the world. Evangelicalism puts God at centre-stage in the drama of human history, which it depicts as a story of unrequited love.

This God spoke to humanity through history in a crescendo of revelation that climaxed in the life, words, death and resurrection of Jesus.

Evangelicals believe God's authorship of the universe is already communicated to us in the order, complexity and beauty of the material world. Moreover, he has made himself known through a people he chose, through prophets he appointed and, finally, through Jesus of Nazareth, "the word made flesh". (The biblical God is Trinitarian, father, son and spirit - from the first book of the Old Testament God often uses the first person plural and Genesis 1 verse 2 refers to the spirit of God "hovering over the waters" - but the perfect unity of the three persons means he can only be counted as one God).

God's authorship of all is the essence of evangelical faith. Hebrews 12:2 described Jesus as "the founder and perfecter of our faith". We believe that life, salvation and hope come from him.

Humanity plays its part in this divine drama too, but as Goneril, the ungrateful daughter who takes all her father gives him before turning her back to him. No prayers, pilgrimages, religious observance, social action or costly acts of generosity can mitigate humanity's guilt before this perfectly just God. This is the low point in the history of God's world, and the hallmarks of it are plain - discord, decay and death.

God is far from finished with mankind, however, and chooses Abraham as the first player in a new plan for the fallen creation - Abraham has righteousness "credited to him" by God because of his faith (and, crucially, before he is circumcised). The books of the Old Testament tell the stories of many such men and women of faith, and Hebrews 11 lists a number of them for us - Abel, Enoch, Noah, Isaac, Jacob, Joseph, Moses, Rahab and others. The writer of Hebrews says they were approved thanks to their faith in God, not to their works or ethnicity - yet even faith is from God, as Paul's letter to the Ephesians explains: "For it is by grace you have been saved, through faith - and this not from yourselves, it is the gift of God - not by works, so that no one can boast"

But all these sinners are only a shadow of the climax of God's earthly play, which comes to life with an unprecedented deus ex machina that flies in the face of human religiosity. God the son becomes man, is born in a disreputable town, lives as a refugee among an occupied people in a far corner of the Roman Empire and is unjustly killed as a common criminal, rejected by his followers and his friends. He is the antithesis of a manmade God - earthly political ambition (such as Zionism) is not a feature of truly evangelical Christianity.

This shameful death is Jesus' crowning glory, as he himself pays the blood price for the sins of those who rejected his rule and his plan. He does it for no good reason, except that his justice and his love demand it as the only solution. The result is that Christ takes on human sinfulness so that humanity can take on Christ's purity, and be restored to God. The biblical accounts describe how, at the moment Jesus breathed his last, the temple curtain that had divided sinful man from a perfect God is torn in two. The curtain, it says, is torn from above - humanity has done nothing to earn its salvation. The resurrection is the display of God's final victory over sin and over its Siamese twin, death.

The play has reached its penultimate act. Christ has risen and returned to the father and these are "the last times" before he returns again. It is in these last times that Christians are called to take to heart Jesus' final words to his closest followers. "Go and make disciples of all nations", before God calls human history to an end so that justice can finally be done and followers of his "from every nation, tribe, people and language" be brought into his presence forever.

Alex studied French, then Chinese before pursuing a career in journalism. He now works for Trusted Sources, a political and economic risk consultancy, where he is a China analyst
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Pity the Premier League – so much money can get you into all sorts of bother

You’ve got to feel sorry for our top teams. It's hard work, maintaining their brand.

I had lunch with an old girlfriend last week. Not old, exactly, just a young woman of 58, and not a girlfriend as such – though I have loads of female friends; just someone I knew as a girl on our estate in Cumbria when she was growing up and I was friendly with her family.

She was one of many kind, caring people from my past who wrote to me after my wife died in February, inviting me to lunch, cheer up the poor old soul. Which I’ve not been. So frightfully busy.

I never got round to lunch till last week.

She succeeded in her own career, became pretty well known, but not as well off financially as her husband, who is some sort of City whizz.

I visited her large house in the best part of Mayfair, and, over lunch, heard about their big estate in the West Country and their pile in Majorca, finding it hard to take my mind back to the weedy, runny-nosed little girl I knew when she was ten.

Their three homes employ 25 staff in total. Which means there are often some sort of staff problems.

How awful, I do feel sorry for you, must be terrible. It’s not easy having money, I said, managing somehow to keep back the fake tears.

Afterwards, I thought about our richest football teams – Man City, Man United and Chelsea. It’s not easy being rich like them, either.

In football, there are three reasons you have to spend the money. First of all, because you can. You have untold wealth, so you gobble up possessions regardless of the cost, and regardless of the fact that, as at Man United, you already have six other superstars playing in roughly the same position. You pay over the odds, as with Pogba, who is the most expensive player in the world, even though any halfwit knows that Messi and Ronaldo are infinitely more valuable. It leads to endless stresses and strains and poor old Wayne sitting on the bench.

Obviously, you are hoping to make the team better, and at the same time have the luxury of a whole top-class team sitting waiting on the bench, who would be desired by every other club in Europe. But the second reason you spend so wildly is the desire to stop your rivals buying the same players. It’s a spoiler tactic.

Third, there’s a very modern and stressful element to being rich in football, and that’s the need to feed the brand. Real Madrid began it ten years or so ago with their annual purchase of a galáctico. You have to refresh the team with a star name regularly, whatever the cost, if you want to keep the fans happy and sell even more shirts round the world each year.

You also need to attract PROUD SUPPLIERS OF LAV PAPER TO MAN CITY or OFFICIAL PROVIDER OF BABY BOTTLES TO MAN UNITED or PARTNERS WITH CHELSEA IN SUGARY DRINK. These suppliers pay a fortune to have their product associated with a famous Premier League club – and the club knows that, to keep up the interest, they must have yet another exciting £100m star lined up for each new season.

So, you can see what strains and stresses having mega money gets them into, trying to balance all these needs and desires. The manager will get the blame in the end when things start to go badly on the pitch, despite having had to accommodate some players he probably never craved. If you’re rich in football, or in most other walks in life, you have to show it, have all the required possessions, otherwise what’s the point of being rich?

One reason why Leicester did so well last season was that they had no money. This forced them to bond and work hard, make do with cheapo players, none of them rubbish, but none the sort of galáctico a super-Prem club would bother with.

Leicester won’t repeat that trick this year. It was a one-off. On the whole, the £100m player is better than the £10m player. The rich clubs will always come good. But having an enormous staff, at any level, is all such a worry for the rich. You have to feel sorry . . .

Hunter Davies’s “The Beatles Book” is published by Ebury

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 29 September 2016 issue of the New Statesman, May’s new Tories