A Sikh's spiritual journey

This week the Faith Column focuses on the Sikh religion with Harwinder Singh describing his religion

“The Lord works in mysterious ways!” declared the preacher at Piccadilly Circus. Many of you may know who I am talking about as he seems to have become a fixture of the hustle and bustle at London’s most famous intersection. Middle-aged, white and somewhat street-wise, he looks a little like Robert Redford… until you hear his voice over the PA.

When I had first started commuting into central London to gain work experience at a myriad of film and production companies, I was cold and oblivious to my surroundings. I marched along in unison with my fellow Englishmen, muttering under my breath at the tourists who slowed our pace down to their own snail-like strolling. I would never have listened, nor tried to listen to the words that were being bellowed across the traffic over a simple wireless microphone.

Five years on and although my pace has not slowed, I have begun to take in the sounds and pictures that bombard me and my fellow Londoners at every turn. This is partly due to a hard-grafted education gained from working within the media industry and in particular an independent record label where I met some amazing individuals. But it is my journey in life as a Sikh that has mostly influenced the change in me to notice the Piccadilly Circus preacher.

A Sikh is described as a student or a disciple. But a student of whom, or what? Most of us can surmise that a Sikh is likely to be a disciple of Guru Nanak, the founder of The Sikh Way of life. But as I have come to find, it is what Guru Nanak represents and embodies that the Sikh is a student of: The Truth. This should not be misunderstood as a single, righteous proclamation of divinity, rather it is a reference to that which we call existence, reality and knowledge.

Everybody and everything is subject to the same principles and is governed by the same laws, it is simply that we have found differing ways over time to interpret these. Since graduating from University I began to spend more of my time reading and understanding the Guru Granth Sahib, the scriptural incarnation of Guru Nanak.

Little by little (sometimes merely a word at a time!) I have begun to recognise and practise Guru Nanak’s philosophy in my everyday life. Heightening my awareness to the beautiful game that is being played out around me is one such tenet that I have managed to harness.

Today, it is amazing to think that I had spent so many teenage years in slumber. My eyes were open and my ears could hear, but I was not listening nor was I able to see.

There is a wondrous thread of Divinity that weaves its way through our lives and our paths if we could just take the time to notice it. In my understanding, noticing precedes appreciation, which itself is a fore-runner for realisation.

If that is the case, then there are many stages of enlightenment that I am yet to achieve. Ten years from now, I will look back at this moment and wonder how I could’ve been so presumptuous to believe and write as I have done! With time comes experience and greater learning. Truly, the Lord does work in mysterious ways, but perhaps one day I will understand what those ways are and they won’t be so mysterious then. But as the Piccadilly Preacher, I along with the rest of the World continue to declare my knowledge and perception of reality as it is today. If I learn from it, then it has been worthwhile.

Harwinder Singh is a 26-year-old Law graduate turned film and TV producer. He is also a record label boss. Born in the UK to Punjabi parents, he been practising and studying the Sikh Way of Life for about 20 years.
Photo: Will Ireland
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Rock solid-arity: how fans and bands helped save Team Rock's music magazines

“It was purely helping out friends in a time of need.”

A little over 25 years ago, a journalist friend let me in on the secret of publishing success. He cut his teeth in the Sixties as an editor in the Yippie underground press, wrote for Rolling Stone, Associated Press and the Chicago Sun-Times, then went on to teach at one of America’s most prestigious journalism schools.

The big secret, he had concluded, was community. No more, no less. Get to know your community and serve it well.

A quarter of a century on, it’s sometimes hard to remember what community looks like in newspapers and magazines. Carefully crafted pages have been obscured by a haze of clickbait, engineered to sucker everyone and anyone into donating a drive-by page view for ads. Community has given way to commodity.

But occasionally, there are glimpses of hope. Six months ago, TeamRock.com, built around a group of specialist music magazines including Classic Rock, Metal Hammer and Prog, went into administration.

The Christmas closure came brutally quickly. The Scottish Sun reported that stunned staff in the company’s Lanarkshire headquarters were told they had been made redundant “as a joiner changed the locks on their offices”. In total, 73 staff were laid off; nearly 30 in Scotland and more than 40 in London.

At the close of 2016, the future for the Team Rock brand and its stable of magazine titles was bleaker than a Black Sabbath album. But last month, in an extraordinary reversal of fortunes, TeamRock.com was named the most influential rock music website in the world.

Bargain-basement buy back

Just a fortnight after its shock closure, the brand was bought by former owners Future Plc. In a no-brainer deal, the Bath-based publisher re-acquired the three magazines it had sold to Team Rock’s founders in 2013. It bought back assets sold for £10m at the knockdown price of £800,000 with the bonus of TeamRock.com and Team Rock Radio. The deal rescued large parts of the Team Rock operation – but its soul was saved by the rock and metal community.

Oblivious to any discussions going on to rescue the magazines, readers, music fans and bands came together in a stunning display of loyalty. Hearing that Team Rock staff wouldn’t be getting paid their Christmas wage they took to social media to pledge their support and raised almost £90,000 for redundant staff.

Ben Ward, the organiser of the crowdfunding campaign and frontman for heavy metal band Orange Goblin said he started the appeal with no thought for the business. “It was purely helping out friends in a time of need,” he explained.

He had read all three Team Rock magazines for years, socialised with their staff and promoted his own and other bands in their pages. “To think of a world without any of those magazines – it was devastating,” he said.

The response to the campaign brought him some cheer, with members of bands such as Queen, Rush and Avenged Sevenfold all posting about it on their social media pages. He added: “The whole Christmas period, my phone just wouldn't stop beeping with notifications for another donation.”

Show of solidarity

Though the fundraiser blew up all Ward's expectations, beating his initial target by more than 400 per cent, he didn't seem completely surprised by the scale of the response.

“Heavy metal and hard rock, people that are into that sort of music, we've always been sort of looked down upon. We know it's not commercially the done thing, we know it's not the norm to walk around with long hair and tattoos and dirty leather jackets. But when you see a fellow metal head in the supermarket, you always give them an approving nod. There's a kind of solidarity.”

While favourable capitalist arithmetic has kept the presses rolling – and the online servers going – for Team Rock, it was the music community – empowered by social media – who delivered the real resurrection. With a combined Facebook following of more than 3.5million and a total social media audience of almost five million, it was no surprise TeamRock.com was soon number one in its field.

“What's brilliant about this is that it's based on what music fans share with each other,” explains editor-in-chief Scott Rowley.

TeamRock.com became the most influential rock site based on social media sharing, and came fifth in the top 100 sites across all music genres. The site above it is a hip-hop title, again featured for the strength of its community, according to Rowley. “Those people really know what they're talking about, they want very specific content, and they're not getting served it elsewhere,” he said. “When they get it, they love it and they share it and talk about it and that's their world.”

Responsiblity

Following the outpouring of support for the rock magazines, Rowley now feels a heightened sense of responsibility to do “the right thing” and steer clear of cynical decisions to get clicks or put certain bands on the cover just to sell copies. He believes future success will come down to trust. “Sometimes that feels precarious, but equally I think we're in good hands,” he explains. “We're a business, we've got to make money, but we know what smells fake and where the limits are.”

Zillah Byng-Thorne, CEO of owner Future, recognises the need to balance the realities of running a listed company with the authenticity needed to maintain trust. “What Future is interested in is the passion that underpins specialist media,” she says. “I don't really mind what your passion is, what's important is that it's a passion.”

“No one is sitting around thinking, 'I wonder what bands sound like Thin Lizzy?',” says Rowley. “We're much more a part of their lifestyle, interrupting their day to tell them someone’s just released an album or announced a tour.”

“But it doesn't have to always be about fishing for clicks,” he adds. “I remember [Classic Rock online editor] Fraser Lewry saying, 'Sometimes on social we should just be being social'.”

Being social. Listening. Contributing to the conversation. Sharing the passion. That old-fashioned notion of serving the community. It seems Ward would agree, as he offers the new owners of the magazines he helped to save some advice: “Don't make the same mistakes, investing in things that weren't really necessary from the magazine’s point of view. I'm in no position to tell anyone how to run their business, but on behalf of the rock and metal community…keep it interesting, keep it relevant.”