I'm proud to be a member of the "Humourless Left"

Is the Jubilee fawning really what we do better than anyone else? If so, is that something to be proud of?

As we prepare to take down our soggy union jack bunting ahead of the ceremonial handover to St George flags on car roofs, I’m left with questions. Is this really what we do better than anyone else? If so, is that something to be proud of?

Yes, I’m glad of a day off (though it’s unpaid in my case). But I’m also allowed to have a look at what’s happened over the past few days and marvel at the sheer madness of it. Aren’t I? Or must we be shackled to the warble of jubilation, the hearty cheer and the wave of a plastic flag, above every sliver of criticism? Is no mockery allowed?

I fully accept the moniker ‘the humourless left’. Yes, we are the buzzkill, killing your buzz, your fading glow of empire and ‘wasn’t it fun when we were starving people to death and putting people in concentration camps, and now all we do is run call centres’. That’s fine. I am the Humourless Left, left without humour or fun at a time when no-one has any jobs or money while we watch giant golden things belonging to one family. 

But I have just seen, on television, Huw Edwards looking out of a window at the Queen passing by in a coach. He did it, and I saw it. It was as if the BBC were justifying the enormous expense of this four-day royal love-in by that moment. “See, I can see it through the window!” Huw was trying to say. And all I could think of back was “Oh, well good for you, mate.”

There have been similar moments of bafflement right across the weekend. I’ve seen Emma Bunton talking about bunting. I’ve seen Ronnie Corbett provide narration of a room full of people eating their lunch. I’ve seen Stevie Wonder and Will.I.Am wish her majesty a happy birthday, and suffer the tsunami of criticism from the Twitter pedants as a result – like we even know when either of the Queen’s birthdays is meant to be. I’ve seen people talking about boats for what seemed like a lifetime, but which was only really six hours of live TV. Boats! People on boats for six hours.

As ever, the BBC’s rivals have used this occasion as a stick with which to beat Auntie – sometimes fairly, sometimes not. It’ll be interesting to see when the accusations of ‘leftist bias’ return to the corporation after these days in which everything’s been wonderful, and everyone loves the Queen, and everyone everywhere has been just like the perma-grinning mobs on the Mall.

We’ve even seen the biased anti-Tory BBCCCP bring in David Cameron for a couple of hassle-free cosy chats about how much he loves the Queen as much as we plebs do at home, at a time when his ministers are raising fresh questions about their conduct. Give it a week, though, and the usual suspects will be railing about how the Beeb is a hive of pinko nastiness.

Truth is, in the cold light of day and with the right royal hangover receding, you can only broadcast what's there. The Big Society flotilla was a soggy shambles – bring along the little ships from Dunkirk and have done with it. The Queen’s concert was enjoyable enough, though not always for reasons of quality – poor Cheryl Cole (sorry, Cheryl) wailing away into the evening air will live long in the memory, but not for the right reasons.

And of course, there are questions now being raised about the free labour used to steward the billionaires’ fun – obviously by the Humourless Left, who can’t just sit back and anaesthetise their critical faculties for four days, mewling idiots that we are. I dare say there were lovely scenes in communities up and down the country getting together, but that was hardly touched by what we saw on TV – it was the usual Londoncentric celeb-heavy drivel.

It’s just that I feel almost apologetic about pointing this out, like I shouldn’t be doing it. I’m not ruining anyone’s fun, but come off it – if you think we sold ourselves as a nation of anything other than willing subjects prepared to bow and scrape to our betters, I think you’re mistaken.

Jubilee: A royal supporter holds Queen Elizabeth and Union flags as people wait on the Mall for the carriage procession of the Queen’s Diamond Jubilee. Photograph: Getty Images.
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New Digital Editor: Serena Kutchinsky

The New Statesman appoints Serena Kutchinsky as Digital Editor.

Serena Kutchinsky is to join the New Statesman as digital editor in September. She will lead the expansion of the New Statesman across a variety of digital platforms.

Serena has over a decade of experience working in digital media and is currently the digital editor of Newsweek Europe. Since she joined the title, traffic to the website has increased by almost 250 per cent. Previously, Serena was the digital editor of Prospect magazine and also the assistant digital editor of the Sunday Times - part of the team which launched the Sunday Times website and tablet editions.

Jason Cowley, New Statesman editor, said: “Serena joins us at a great time for the New Statesman, and, building on the excellent work of recent years, she has just the skills and experience we need to help lead the next stage of our expansion as a print-digital hybrid.”

Serena Kutchinsky said: “I am delighted to be joining the New Statesman team and to have the opportunity to drive forward its digital strategy. The website is already established as the home of free-thinking journalism online in the UK and I look forward to leading our expansion and growing the global readership of this historic title.

In June, the New Statesman website recorded record traffic figures when more than four million unique users read more than 27 million pages. The circulation of the weekly magazine is growing steadily and now stands at 33,400, the highest it has been since the early 1980s.